Following on from his previous books Printmaking at the Edge and Critical Mass, Richard Noyce ventures once more beyond familiar centres of art production to explore printmaking off the beaten track.
His journey covers the art of a breathtakingly diverse set of regions, from the Middle East, India, Pakistan and Nepal, to the Eastern Mediterranean, south-eastern Europe and the Balkans and more besides. Some of the countries featured have long traditions of using print techniques in their historic and contemporary art but are rarely, if ever, included in international competitions or art journals.
This rich and compelling resource reveals the innovative and exciting approaches of printmakers around the world and gives readers the opportunity to compare art from different places, challenging our understanding of the means and forms of expression in printmaking, and its place in the contemporary visual arts. This book will satisfy curiosity amongst artists, printmakers, students and art lovers about printmaking being done in countries unfamiliar to them.
"synopsis" may belong to another edition of this title.
A survey of printmakers from 21 different countries around the world that are frequently overlooked by artists in the West.
Richard Noyce is well known in the contemporary art world. He writes and speaks regularly on the visual arts and, in addition to many reviews and articles published in British and European magazines, he has written books on contemporary painting, graphic arts, and printmaking in the form of the highly successful Printmaking at the Edge and Critical Mass. He was awarded the 1996 AAASS/Orbis Polish Book Prize and is an experienced international competition juror and selector, including serving as President of the Awards Jury at the Kraków International Print Triennials, 2003-2009. He was Curator of the 4th International Print Exhibition in Istanbul, Turkey (2011) and of the Main Exhibition of the 5th International Experimental Engraving Biennial in Bucharest, Romania (2012). www.facebook.com/Printwriter?fref=ts#
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Seller: bookworms of Cromer, Cromer, United Kingdom
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hardback with dust jacket,size 4to,176 pages.Illustrated with b/w & coloured plates.Boards & dust jacket show some light edge wear & marking.Contents clean & complete.THERE WILL BE SUBSTANTIAL EXTRA POSTAGE FOR INTERNATIONAL SHIPPING OUTSIDE OF EUROPE.PLEASE CONSIDER THIS BEFORE BUYING. Seller Inventory # 006336
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Seller: Frabjous Books, Calgary, AB, Canada
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 11" x 9". 176 pp. "The innovative and exciting approaches of printmakers around the world." Numerous colour illustrations. Purple cloth. Remainder mark on bottom edge, light wear at spine tips and corners. Bright clean copy. DJ has a small tear at spine head, light wear at corners. This book weighs 1.1 kg, extra postage may be requested. Seller Inventory # 017978
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Seller: Trinders' Fine Tools, Clare, Sudbury, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 11 1/8" x 8 7/8", 176 pages, well illustrated in black and white and colour. Following on from his previous books Printmaking at the Edge and Critical Mass, Richard Noyce ventures once more beyond familiar centres of art production to explore printmaking off the beaten track. His journey covers the art of a breathtakingly diverse set of regions, from the Middle East, India, Pakistan and Nepal, to the Eastern Mediterranean, south-eastern Europe and the Balkans and more besides. Some of the countries featured have long traditions of using print techniques in their historic and contemporary art but are rarely, if ever, included in international competitions or art journals. This rich and compelling resource reveals the innovative and exciting approaches of printmakers around the world and gives readers the opportunity to compare art from different places, challenging our understanding of the means and forms of expression in printmaking, and its place in the contemporary visual arts. This book will satisfy curiosity amongst artists, printmakers, students and art lovers about printmaking being done in countries unfamiliar to them. Hb in dw, fine. Seller Inventory # 007879
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Seller: Emile Kerssemakers ILAB, Heerlen, Netherlands
2013, 176pp. Illustrated. Hardcover, with dust jacket. In very good condition. Following on from his previous books Printmaking at the Edge and Critical Mass, Richard Noyce ventures once more beyond familiar centres of art production to explore printmaking off the beaten track. His journey covers the art of a breathtakingly diverse set of regions, from the Middle East, India, Pakistan and Nepal, to the Eastern Mediterranean, south-eastern Europe and the Balkans and more besides. Some of the countries featured have long traditions of using print techniques in their historic and contemporary art but are rarely, if ever, included in international competitions or art journals. This rich and compelling resource reveals the innovative and exciting approaches of printmakers around the world and gives readers the opportunity to compare art from different places, challenging our understanding of the means and forms of expression in printmaking, and its place in the contemporary visual arts. This book will satisfy curiosity amongst artists, printmakers, students and art lovers about printmaking being done in countries unfamiliar to them. Seller Inventory # 65726
Quantity: 1 available