About the Author:
Laurence and Catherine Anholt live and work in a house and studios on top of a hill above the sea in Devon. They started making picture books in 1984 when their first daughter was born. Since then they have made more than 200 classic picture books, which are published all over the world in more than 30 languages. Their titles range from their Orchard picture book series which include Babies Love Books and Billy and the Big New School; to Laurence's self-illustrated Anholt's Artists series, an introduction to great artists for young children, which include Camille and the Sunflowers. Laurence also collaborates with his friend, the illustrator, Arthur Robins on the bestselling Seriously Silly Stories, which include the Nestle Smarties Gold Award winner Snow White and the Seven Aliens. The Anholts' books have won many awards and are frequently featured on television and radio. Babies, Babies, Babies is listed in The Sunday Times 100 Modern Classics. Laurence was included in the Independent on Sunday's Top 10 Children's Authors in the UK and was described as 'one of the most versatile authors writing for children today'. Laurence was brought up mainly in Holland where he developed a lasting passion for art. He then went on to study Fine Art for eight years, finishing with a Master's Degree from the Royal Academy of Art in London. The Anholts have been closely involved with a number of literacy schemes such as the UK Government funded Bookstart scheme, which encourages parents to share books with babies from the earliest possible age. Their work has taken them inside Buckingham Palace and Downing Street on many occasions. Recent projects include a full-scale stage musical in Korea. Laurence and Catherine have three grown up children: Claire works for the UN in New York, Tom Anholt is a painter living in Berlin and Maddy is an actor based in London. Laurence's favourite things include, 'my lovely family, travelling to wild places and anything to do with art'. The best way to relax? 'A long soak in a warm book.' Catherine and Laurence Anholt are a husband and wife team who have produced about 200 children's books, published in more than 30 languages around the world. Their books have won numerous awards, including the Nestle Smarties Gold Award on two occasions. Catherine comes from an Irish family and is one of eight brothers and sisters. Catherine and Laurence met while studying Fine Art at Falmouth School of Art. They went on to take Master's Degrees at the Royal College of Art and the Royal Academy respectively. Around half of the Anholts' titles are illustrated by Catherine, including the Chimp and Zee series and numerous picture books published by Orchard Books. The Anholts have been closely involved with a number of literacy charities and Catherine produced some of the original material for the highly successful government funded BookStart scheme, which encourages parents to share books with babies from the earliest possible age. Their work has taken them inside Downing Street and Buckingham Palace on several occasions. Catherine and Laurence live near the sea in Devon. They have three grown up children: Claire works for the UN in New York, Tom Anholt is a painter living in Berlin and Maddy is an actor based in London. Alongside her children's books, Catherine produces hundreds of painting and prints. You can see some of them at: www.catherineanholt.com
From School Library Journal:
PreSchool-K-- Every day brings a promise of something new and different--"home days" or "away days," "sunny days" or "snowy days." Children will take genuine delight in these childlike, primitive illustrations that show "blowy days" (just right for a pinwheel); "quick days" (for running down a hill with a kite in tow), and more. Even on the inevitable "sick days" or "slow days," there are happy moments to be shared and remembered. "Every day's a different day, but the best day follows yesterday. Today!" The detailed scenes are full of action and emotion that unfailingly complement and extend the book's primary forte--the concept of opposites. Wide, white spacing, which surrounds the illustrations, gives a clean, fresh appearance, inviting small hands to turn pages and curious eyes to search the pictures. The two-word text is centered at the bottom of each page and printed in large, lower-case letters. Ethnic representation adds to the universal appeal. One of the "good days" will be when children thumb through and savor this engaging conceptual language book. --Mary Lou Budd, Milford South Elementary School, OH
Copyright 1991 Reed Business Information, Inc.
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