Philip Larkin (1922-1985) is one of the most beloved poets in English. Yet after his death a largely negative image of the man himself took hold; he has been portrayed as a racist, a misogynist and a narcissist. Larkin scholar James Booth, for seventeen years a colleague of the poet's at the University of Hull, offers a very different portrait. Drawn from years of research and a wide variety of Larkin's friends and correspondents, this is the most comprehensive portrait of the poet available.
Booth traces the events that shaped Larkin in his formative years, from his early life when his political instincts were neutralized by exposure to his father's controversial Nazi values. He studies how the academic environment and the competition he felt with colleagues such as Kingsley Amis informed not only Larkin's poetry, but also his little-known ambitions as a novelist.
Through the places and people Larkin encountered over the course of his life, including Monica Jones, with whom he had a tumultuous but enduring relationship, Booth pieces together an image of a rather reserved and gentle man, whose personality--and poetry--have been misinterpreted by decades of academic study. Philip Larkin: Life, Art and Love reveals the man behind the words as he has never been seen before.
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James Booth is the literary adviser and coeditor of the Philip Larkin Society. He is the author of two studies of Larkin's work, Philip Larkin: Writer in 1991 and Philip Larkin: The Poet's Plight. He has also edited a collection of Larkin's early stories and poems and a volume of critical essays, New Larkins for Old. He has recently retired from the Department of English at the University of Hull, where he was a colleague of Larkin's for seventeen years.
"Booth shows Larkin’s variety, from near-religious adoration to lasciviousness to slashingly witty... A consummated dream of a literary biography." ―Booklist (starred review)
"A valuable critical biography . . . Authoritative insights into the poetry."―Michael Dirda, Washington Post
"Booth largely succeeds in ennobling Larkin through his contradictions, depicting a man for whom life was much more than, as he once wrote, ‘first boredom, then fear.’" ―The New Yorker
"[Booth] has achieved a proper balance, rare in books about writers, between the life and the art . . . a salutary reminder that biography need be neither iconoclastic nor reveal dark secrets to help readers understand the subtle richness of a complex man." ―Wall Street Journal
"Booth is, quite simply, the ultimate Larkin enthusiast ... Booth is absolutely excellent on the work ... To read this book through, turning back to the poems in sequence, is to appreciate Larkin’s development more intimately than has been possible before." ―Evening Standard
"Superb ... Booth’s psychology is subtler than Motion’s and more convincing. His achievement is to paint a satisfying and believably complex picture ... Compelling and makes clear how unmistakeably Larkin belongs among the greats." ―Spectator
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Paperback. Condition: Very Good. _______________ 'Superb Booths psychology is subtler than Motions and more convincing' - Peter J. Conradi, Spectator 'Booths diligence is unquestionable and even readers who think they know the poems will see nuances they had previously missed should render further attention by biographers superfluous for several years' - Guardian 'Those of us who never warmed to Larkin the man or poet, will have our aversions challenged by this sympathetic but different account of his life and work' - Independent _______________ A fascinating and controversial study of Philip Larkins world and how it bled into his work, James Booths biography is a unique insight into the man whose life and art have been misunderstood for too long Philip Larkin was that rare thing among poets: a household name in his own lifetime. Lines such as Never such innocence again and Sexual intercourse began / In nineteen sixty-three made him one of the most popular poets of the last century. Larkins reputation as a man, however, has been more controversial. A solitary librarian known for his pessimism, he disliked exposure and had no patience with the literary circus. And when, in 1992, the publication of his Selected Letters laid bare his compartmentalised personal life, accusations of duplicity, faithlessness, racism and misogyny were levelled against him. There is, of course, no requirement that poets should be likeable or virtuous, but James Booth asks whether art and life were really so deeply at odds with each other. Can the poet who composed the moving Love Songs in Age have been such a cold-hearted man? Can he who uttered the playful, self-deprecating words Deprivation is for me what daffodils were for Wordsworth really have been so boorish? A very different public image is offered by those who shared the poets life: the women with whom he was romantically involved, his friends and his university colleagues. It is with their personal testimony, including access to previously unseen letters, that Booth reinstates a man misunderstood: not a gaunt, emotional failure, but a witty, provocative and entertaining presence, delightful company; an attentive son and a man devoted to the women he loved. Meticulously researched, unwaveringly frank and full of fresh material, Philip Larkin: Life, Art and Love definitively reinterprets one of our greatest poets. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR007248958
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