Doors Open [Paperback] Ian Rankin - Softcover

Rankin, Ian

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9781409102014: Doors Open [Paperback] Ian Rankin

Synopsis

Mike Mackenzie is a self-made man with too much time on his hands and a bit of the devil in his soul. He is looking for something to liven up the days and settles on a plot to rip-off one of the most high-profile targets in the capital - the National Gallery of Scotland. So, together with two close friends from the art world, he devises a plan to a lift some of the most valuable artwork around. But of course, the real trick is to rob the place for all its worth whilst persuading the world that no crime was ever committed...

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About the Author

Ian Rankin is a worldwide #1 bestselling writer, and has won an Edgar Award, a Gold Dagger for fiction, a Diamond Dagger for career excellence, and the Chandler-Fulbright Award. He lives in Edinburgh, Scotland, with his wife and their two sons.

From Booklist

Mike Mackenzie is “thirty-seven years old, rich and bored.” Having sold his software company, he hasn’t found a replacement for the thrill of high-stakes entrepreneurship; only collecting art satisfies his soul. Then barroom banter with friends—Why should great paintings languish in warehouses when they could belong to people who properly appreciate them?—suggests another pastime. Talk turns serious, and soon the unlikely thieves are ready to execute their plan, swapping originals for fakes on “Doors Open Day,” when nonpublic institutions offer tours. Mackenzie feels alive again, but as the number of conspirators grows to include professional criminals, the rank amateurs’ perfect crime begins to unravel. Fans of Rankin’s excellent, just-ended John Rebus series will likely be disappointed by this offering. While Rankin builds some suspense with a dogged DI named Ransome and a Hell’s Angel named Hate—the tension remains perfectly bearable. Mackenzie seems unfazed by the threat of jail time, characters are glib when they ought to be scared, and the tepid ending takes a page, if you will, right out of Scooby-Doo: in danger, Mackenzie buys time by explaining the plot, while the villains assist him by bloviating about how painful everyone’s death will be when eventually inflicted. Finally, in a novel where art forgery plays a starring role, the details of the forgery are too sketchy. We can’t help but wonder if Rankin is like his character here: having retired Rebus, he’s still looking for a new thrill to equal the old one. --Keir Graff

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