In her new essay collection, the beloved author of High Tide in Tucson brings to us from one of history's darker moments an extended love song to the world we still have. From its opening parable gleaned from recent news about a lost child saved in an astonishing way, the book moves on to consider a world of surprising and hopeful prospects, ranging from an inventive conservation scheme in a remote jungle to the backyard flock of chickens tended by the author's small daughter.
These essays are grounded in the author's belief that our largest problems have grown from the earth's remotest corners as well as our own backyards, and that answers may lie in those places, too. In the voice Kingsolver's readers have come to rely on -- sometimes grave, occasionally hilarious, and ultimately persuasive -- Small Wonder is a hopeful examination of the people we seem to be, and what we might yet make of ourselves.
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Readers familiar with Barbara Kingsolver will find that Small Wonder, a collection of 23 essays, shows the same sensitivity and thoughtfulness, the same rich knowledge of and love for the natural world, as her spellbinding novels. In "Knowing Our Place," she describes the two places in which she writes: a tin-roof cabin in Appalachia and her home in the Tucson desert. In "Setting Free the Crabs," she uses her daughter's decision not to take home a beautiful (and occupied) red conch shell from a Mexican beach to illustrate our own need to give up our sense of ownership of the earth, to resist "the hunger to possess all things bright and beautiful." Many of these pieces, like the lovely title essay, were written (or rewritten) in response to the events of September 11, which threw into relief the growing social and economic inequities that are so little remarked on in the American media. These are political essays, although Kingsolver is not a natural rhetorician; her prose is too supple and inclusive. She is more inclined to follow the turns of her mind, like water in a curving stream bed, than to hammer home a point or two. But she has a rare gift for apt allusion (from sources as wide-ranging as Robert Frost to Beanie Babies) and for the elegant use of facts and figures. And she is highly quotable. It is easy to imagine the speechwriters and activists of the next 10 years dipping into Small Wonder for inspiration and the perfect phrase. --Regina Marler
Barbara Kingsolver's work has been translated into more than twenty languages and has earned a devoted readership at home and abroad. She was awarded the National Humanities Medal, our country's highest honor for service through the arts. She received the 2011 Dayton Literary Peace Prize for the body of her work, and in 2010 won Britain's Orange Prize for The Lacuna. Before she made her living as a writer, Kingsolver earned degrees in biology and worked as a scientist. She now lives with her family on a farm in southern Appalachia.
Barbara Kingsolver's work has been translated into more than twenty languages and has earned a devoted readership at home and abroad. She was awarded the National Humanities Medal, our country's highest honor for service through the arts. She received the 2011 Dayton Literary Peace Prize for the body of her work, and in 2010 won Britain's Orange Prize for The Lacuna. Before she made her living as a writer, Kingsolver earned degrees in biology and worked as a scientist. She now lives with her family on a farm in southern Appalachia.
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