Time Is a River (Thorndike Press Large Print Core Series) - Hardcover

Monroe, Mary Alice

4.06

5,416 ratings by Goodreads

9781410409034: Time Is a River (Thorndike Press Large Print Core Series)

Hardcover

ISBN 10: 1410409031 ISBN 13: 9781410409034

Publisher: Thorndike Pr, 2008

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Now in mass market and a simultaneous trade paperback edition, New York Times bestselling author Mary Alice Monroe’s wonderfully insightful novel that sweeps readers away to the seductive southern landscape� joining books by such authors as Sue Monk Kidd and Anne Rivers Siddons.

Mia Landon travels to a mountain sanctuary near Asheville, North Carolina while she begins her recovery from breast cancer. There, in the cabin at Watkins Glenn, Mia discovers the long lost journal of a well-known fly-fisherwoman from the 1920s, Kate Watkins. Reading Kate’s inspiring words recounting her sensational adventures on the river coaxes an otherwise withdrawn Mia from her shell and gives her the desire to reconnect with the world around her. And as she learns to fish, she also uncovers surprising secrets that span generations� and a hidden scandal that has the power to change not only her own life, but also those who live at Watkins Glenn.

Filled with her trademark evocative prose and rich emotional drama, Time Is a River delves into the complexity of human connections in extraordinarily relatable and touching ways.

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About the Author:

Mary Alice Monroe is the New York Times bestselling author of more than a dozen novels, including The Summer Girls, The Summer Wind, The Summer’s End, Last Light Over Carolina, Time Is a River, Sweetgrass, Skyward, The Beach House, Beach House Memories, Swimming Lessons, The Four Seasons, The Book Club, and Beach House for Rent. Her books have received numerous awards, including the 2008 South Carolina Center for the Book Award for Writing, the 2014 South Carolina Award for Literary Excellence, the 2015 SW Florida Author of Distinction Award, the RT Lifetime Achievement Award, and the International Book Award for Green Fiction. An active conservationist, she lives in the lowcountry of South Carolina. Visit her at MaryAliceMonroe.com and at Facebook.com/MaryAliceMonroe.

Chapter One

The charm of fly-fishing is that it is the pursuit of what is elusive,
but attainable -- a perpetual series of occasions for hope.
-- Anonymous

The river was spawned high in the Appalachian Mountains formed of sedimentary rock and ancient ocean floor. Fed by rain and melted snow, rivulets of cold, clear water gush over boulders and between rocky ridges to lace the mountainsides. Thousands of miles of freestone streams run unchecked, cascading down to form the mighty rivers.

Mia Landan followed the river as it wound in a serpentine manner, deeper into the woods. To her right, the sienna-hued wall of rock was dotted with patches of bright green moss. To her left, the river raced on, rushing forward in a confident current. She reached over the passenger seat of her car to clutch a wrinkled sheet of paper from under a torn road map. Scribbled across the page of directions she read, Follow the river.

"I am not lost," she said aloud, though she doubted her words. She was following the pebbles in the river like Hansel and Gretel, believing that they would lead her through the dark forest to a safe haven. Except Mia Landan no longer believed in fairy tales.

Thunder rolled overhead, threatening rain. Back home in Charleston, South Carolina, the spring rain had already given way to scorching heat and humidity. Here in the North Carolina mountains, however, the air was still cool and the forests aflame with wildflowers. Around each bend in the road she encountered a cluster of rhododendrons blooming scarlet or white. A little farther on, the paved road ended to become a rutted bed of dirt and gravel, as worn and filled with holes as a pauper's coat.

A few fat drops of rain splattered against the windshield, turning the dust to long streaks of mud. She turned on the windshield wipers and her heartbeat matched the metronome click. She leaned far over the wheel, clutching it tight, peering through the sudden deluge at the sliver of road ahead. Where was the cabin? she worried as she peered through the rain and fog. Could it be this far off the beaten track? Just when she thought she should turn around and head back, the river tumbled over a ridge of rocks to a large pool. Beside it on a high bank, nestled between a pair of towering hemlocks, sat a rustic log cabin.

Mia released a ragged sigh, slumped her shoulders, and loosened her grip on the wheel. She had found it. It had been a long, circuitous drive with directions scribbled in haste. But she'd made it. Her wheels hit soft grass and mud as she parked as close to the cabin as she could.

Turning off the engine, she was immediately immersed in a deep mountain silence. The miles still raced in her veins. Her clothes clung and the car seat was littered with empty water bottles and candy wrappers. The stale air reminded her of hospital rooms. She lowered the window enough to let the fresh air awaken her after the long journey. The rain sprinkled in and she lifted her face to it, tasting its cool sweetness.

Mia looked again to the cabin. It lurked, isolated and foreboding, under the canopy of the trees and mist. The woods seemed to close in around her. She felt a shiver of loneliness. But hadn't she wanted a faraway, secluded place? A sanctuary? Rolling up the window she cast a worried glance at the clock on the dashboard. It was half past six. Belle had told her she would pick up supplies and meet her at the cabin no later than seven. There was nowhere to go. The cabin was locked and the rain was coming down in sheets. She was trapped in this car, in the wilderness, to wait as the night closed in around her. Relentless rain coursed tracks down her foggy window, mirroring the tears flowing down her cheeks. Mia brought her hands to her face and wondered how she got to this place.

It had all begun with fly-fishing. She'd never had any interest in the sport. She was a public relations director for the Spoleto arts festival in Charleston. Though she lived by the ocean and mountains, she didn't have any connection to either. Her idea of a good time was drinks and dinner at a restaurant with friends. If she went on a boat, it was docked for a party. A trip to the mountains meant a few days at a ski lodge. Nonetheless, her sister, Madeline, had signed her up for a three-day fly-fishing retreat designed especially for breast cancer survivors. Casting for Recovery provided spiritual and physical therapy, and Madeline believed Mia needed both.

So that spring Mia had driven hours from her home in Charleston to the Casting for Recovery retreat in the foothills of North Carolina. She'd agreed to go only to keep Madeline from nagging. Some of the women at the retreat were still early in their treatments. Others were ten, twenty, or more years post-diagnosis. At thirtyeight years old, Mia was the youngest. She was reticent at first, but Belle would not allow her to remain aloof.

Belle Carson was their fly-fishing guide and the leader of the retreat. Belle was a tall, straight-talking, sensitive, and big-hearted woman who had chucked an academic career at the University of Virginia to move to Asheville, North Carolina, and open her own fly-fishing business. Belle gently coaxed Mia out of isolation into group discussions and taught her how to cast a dry fly. Mia was drawn into the group by force of the women's brutal honesty and their wise understanding. It was an intense three days that felt like three weeks, so much had transpired. They laughed, they cried. They were sister survivors. By the end of the retreat she'd joined their feminine solidarity formed by a shared history.

But it was in the river that Mia felt the first glimmer of life since the shock of her diagnosis had left her heart as numb as the white scar on her chest. Belle Carson had taught her how to cast a thin line from a rod onto the shallow waters of the Davidson River. To her amazement, she found hope rising in thin wisps of speckled silver. She might not have believed in fairy tales, but she believed in that spark of life she felt at the other end of the line.

Eager to share her new excitement with her husband, she'd hugged the women farewell and drove back a day early to Charleston. Closing her eyes, Mia saw again the lurid image of her husband and that unknown woman lying on her marriage bed. She'd stumbled down the stairs, climbed back into her car, and started to drive, her eyes blind and her mind numb.

Mia Landan of two years ago would have stood her ground and confronted them. Then, she was confident in her career, her beauty, her self. That Mia would not have run to the mountains with her tail between her legs. But two years ago Mia had not yet found the lump in her breast.

The wheels had hummed beneath her on the highway. The green road signs passed in a blur as she put miles between herself and her husband's infidelity. She'd driven for forty-five minutes before she realized she didn't know where she was. When at last she focused on the signs she saw she was on Interstate 26. Her instincts were acting as her compass, guiding her north, back to the mountains where she'd felt safe.

By the time she'd returned to the retreat, the sun had lowered far to the west and the placid water of the lake had darkened to a deep purple. A few dimples disturbed the glassiness. Rises, she'd learned they were called, were created by trout when they rose to the surface to sip an insect. She drove past the wall of tall firs and hemlocks that surrounded the lake to the row of cottages that she'd shared with the eighteen other women at the retreat. Now they all stood empty and quiet. One by one, each woman had returned to a husband, a family, a partner. For them, life had gone on post-cancer. At that moment, Mia saw with clarity that she was not a survivor.

She couldn't go back to Charleston. She could not start the engine and drive. She had nothing and no one waiting for her. She'd brought her trembling hands to her face and began to sob.

Perhaps if she hadn't felt such hope on the river, she could have maintained the hard shell of apathy that had sustained her for the year of treatment and recovery. But the spirit of the river, the rhythm of the cast, and the tenuous connection to life at the end of a thin line had broken through her shell. It had filled her with silvery light, lifted her up and made her feel whole again. To lose that now...

Belle Carson had been walking down the road and saw Mia crying the hoarse, ragged sobs of a desperate woman. She opened the car door.

"Mia? What are you doing here? Are you all right?"

Mia swung around, lifting her face. "I can't go back," she cried in a broken voice.

Belle leaned over, her long braid slipping over her shoulder, and asked more urgently, "What happened?"

"He's left me. I have nowhere to go."

Belle took Mia's arm, then gently but firmly drew her from the car. "Come with me," she said, putting her arm around Mia's shoulders. She guided her inside the lodge which, mercifully, was deserted. Belle treated Mia like she would an injured animal, gently and with a calm voice, giving her time to settle until the panic faded from her eyes. She offered Mia coffee, then rummaged through the camp fridge to prepare a plate and set it before her. When Mia sat slump-shouldered and looked at the food with a dazed expression, Belle didn't nag at her to eat it. She'd sat across from Mia and waited while the sun lowered and the geese honked by the lake, calling their young. When the grief trickled out, Belle handed her tissues, and later, when it gushed, she listened patiently before asking questions.

It was Belle's dark brown eyes that Mia remembered more than anything she'd actually said. They were calm waters, like the lake, and in their depths she'd felt hope rising.

Then Belle offered Mia what she needed most -- safe refuge.

"I have a place," Belle told her. "A cabin not too far away. It's not much. It's been abandoned for years and I haven't checked on it in months. But it's yours, if you want to s...

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