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The well-known artist Basil Hallward meets the young Dorian Gray in the stately London home of his aunt, Lady Brandon. Basil becomes immediately infatuated with Dorian, who is cultured, wealthy, and remarkably beautiful. Such beauty, Basil believes, is responsible for a new mode of art, and he decides to paint a portrait of the young man. While finishing the painting, Basil reluctantly introduces Dorian to his friend Lord Henry Wotton, a man known for scandal and exuberance. Wotton inspires Dorian to live life through the senses, to feel beauty in everyday experience. Dorian becomes enthralled by Wotton’s ideas, and more so becomes obsessed with remaining young and beautiful. He expresses a desire to sell his soul and have the portrait of him age, while he, the man, stays eternally young. A tragic story of hedonism and desire, The Picture of Dorian Gray is Oscar Wilde’s only published novel. Other writings include De Profundis and The Ballad of Reading Gaol.
Enriched Classics enhance your engagement by introducing and explaining the historical and cultural significance of the work, the author’s personal history, and what impact this book had on subsequent scholarship. Each book includes discussion questions that help clarify and reinforce major themes and reading recommendations for further research.
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"synopsis" may belong to another edition of this title.
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."
Oscar Wilde's only published full length novel, is the story of a man who sells his soul for eternal youth. In exchange, what does he give up and what does he gain? This novel, by Wilde is a wonderful soul-searching example of the cost of paradise, and the price of a wish.
Read by actor, comedian, novelist, journalist, screenwriter Stephen Fry, Dorian Gray's dilemma comes alive. He has also acted in a variety of films including A Fish Called Wanda, Peter's Friends, and The Wind in the Willows.
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