When she is turned into a super-modelesque super-fighting machine, Tally, a former ugly, is ordered to keep the uglies down and the pretties stupid in a carefully engineered world of perfection where she refuses to play by the rules. Reprint.
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Scott Westerfeld’s first book in the Leviathan trilogy was the winner of the 2010 Locus Award for Best Young Adult Fiction. His other novels include the New York Times bestselling Uglies series, The Last Days, Peeps, So Yesterday, and the Midnighters trilogy. Scott’s newest book, Uglies: Shay’s Story, is a graphic novel told from Tally’s friend Shay’s perspective. Scott was born in Texas, and alternates summers between New York and Sydney, Australia. Visit him on the Web at scottwesterfeld.com or follow him on Twitter at @ScottWesterfeld.
Grade 8 Up–This final installment in the series is a warning of the dangers of overconsumption and conformity. Set some time in the future, after a human-made bacteria destroyed the modern world, the trilogy tells of new cities established and tightly controlled through brainwashing and a series of operations leading to a compliant society. Tally Youngblood, the 16-year-old protagonist, learns in the first two books that free will and truth are more important than a false sense of security. In Specials, she has become an elite fighting machine, fully enhanced with nanotechnology and super-fast reflexes, and made to work as a Special Circumstances agent for the nameless city that she fled. As in the first two books, much of the story takes place with characters whizzing through the air on hoverboards, but Tally and her friends are in for some harsh realities here. Readers who enjoyed Uglies and Pretties (both S & S, 2005) will not want to miss Specials, but those who have not read those books will not understand much of what is happening. Westerfeld's themes include vanity, environmental conservation, Utopian idealism, fascism, violence, and love. In this trilogy, the author calls for a revolution in our hearts and minds–think The Matrix.–Corinda J. Humphrey, Los Angeles Public Library
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