Contained within this volume are some of the best of O'Neill's early one-act plays, which foreshadowed the longer plays that have given this dramatist his most enduring fame. "Beyond the Horizon" was the first of O'Neill's three Pulitzer Prize-winning plays. It follows the disappointed dreams of two brothers on their family farm. "The Emperor Jones" is an expressionistic transformation of a black man named Brutus Jones. In fleeing from his rebelling subjects in the West Indies, Jones is taken back to his racial past and undergoes a night of personal destruction. In "Anna Christie," we find a drama focusing on the relationship of a young woman and her sailor father, who has not seen her for twenty years. As their story unfolds, Anna's troubled romantic past comes to light, and the hardships of women during that time period become as apparent as the power of forgiveness and love. In the final play in this collection, "The Hairy Ape," a ship's fireman becomes disillusioned concerning the work he performs in a society that is quickly industrializing and taking a heavy human toll.
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Eugene O'Neill (1888-1953) is one of the most significant forces in the history of American theater. With no uniquely American tradition to guide him, O'Neill introduced various dramatic techniques, which subsequently became staples of the U.S. theater. By 1914 he had written twelve one-act and two long plays. Of this early work, only Thirst and Other One-act plays (1914) was originally published. From this point on, O'Neill's work falls roughly into three phases: the early plays, written from 1914 to 1921 (The Long Voyage Home, The Moon of the Caribbees, Beyond the Horizon, Anna Christie); a variety of full-length plays for Broadway (Desire Under the Elms; Great God Brown; Ah, Wilderness!); and the last, great plays, written between 1938 and his death (The Iceman Cometh, Long Day's Journey Into Night, A Moon for the Misbegotten). Eugene O'Neill is a four-time Pulitzer Prize winner, and he was awarded the Nobel Prize in literature in 1936.
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