In the documentary Celluloid Closet (1995), actress Susan Sarandon said films are «important – and they’re dangerous – because we’re the keepers of the dreams.» The visual media hold a powerful sway, influencing attitudes on class, gender, race, and ethnicity, politics, religion, and sexual orientation. Dangerous Dreams: Essays on American Film and Television employs aesthetic, feminist, historical, Marxist, psychoanalytic, semiological, and sociological criticism to explore five decades of film and television texts that have captivated audiences. From Ordinary People (1980) to Shutter Island (2011) and from The Beverly Hillbillies (1962–1971) to Sex and the City (1998–2004), the study is divided into four sections, each comprised of several essays that explore the effects of narrative and visual texts. Sections include «The Role of Literature in Film and Television», «Portrayals of Race, Ethnicity, and Sexual Orientation in Film»; «Portrayals of Race, Ethnicity, and Class in Film and Television»; and «Gender Images in Film and Television». The 16 single-authored essays that comprise Dangerous Dreams celebrate the interconnectivity of film, literature, and television and do not suggest the primacy or superiority of any of these texts, which have in common both a creative process and an immeasurable cultural impact.
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An award-winning teacher, Jan Whitt is a professor of literature and media studies at the University of Colorado at Boulder. She is author of six books and numerous articles about film, literature, media history, television, and women’s issues. She is especially interested in the role of popular culture in American life.
«Jan Whitt’s splendid Dangerous Dreams is a groundbreaking work. It places film and television at the center stage of modern American culture. Its absorbing essays probe the meaning of electronic media's personal influence for over five decades, offered in a variety of contexts. The vivid exploration of adaptations include literary classics and authors such as Edgar Allan Poe and Virginia Woolf, and extend to impact on individual audience members through filmmakers like Alfred Hitchcock and Martin Scorsese. The result is a complex, but complete picture in mass media territory unexplored by others.» (Michael D. Murray, University of Missouri Board of Curators Distinguished Professor in Media Studies)
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Originalpappband. Condition: Sehr gut. XII, 261 S. Shutter Island: Martin Scorsese's Allegory of Despair -- When Fiction Becomes Reality: Authorial Voice in The Door in the Floor, Secret Window, and Swimming Pool -- The "Very Simplicity of the Thing": Edgar Allan Poe, Jessica B. Fletcher, and Murder, She Wrote -- Changing Faces: Dr. Jekyll, Mr. Hyde, and Films of the 1980s -- Displaced People and the Frailty of Words: Communication in Ordinary People, On Golden Pond, and Terms of Endearment -- Working Man Blues: Images of the Cowboy in American Film -- From the Wilderness into the Closet: Brokeback Mountain and the Lost American Dream -- What Happened to Celie and Idgie?: "Apparitional Lesbians" in American Film -- Litigating the Past: Portrayals of the Japanese in American Film -- Fatherhood, Fidelity, and Friendship: Owen Thoreau Jr. and Men of a Certain Age -- Frank's Place: Coming Home to a Place We'd Never Been Before -- "American Life Is Rich in Lunacy": The Unsettling Social Commentary of The Beverly Hillbillies -- Grits and Yokels Aplenty: Depictions of Southerners on Prime-Time Television -- From Great Expectations to The Bachelor: The Jilted Woman in Literature and Popular Culture -- The Lady Is (Still) a Tramp: Prime-Time Portrayals of Women Who Love Sex -- "This Moment of June": Laura Brown, Clarissa Vaughn, Virginia Woolf, and The Hours. ISBN 9781433116605 Sprache: Englisch Gewicht in Gramm: 495. Seller Inventory # 1014782
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Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In the documentary Celluloid Closet (1995), actress Susan Sarandon said films are «important - and they're dangerous - because we're the keepers of the dreams.» The visual media hold a powerful sway, influencing attitudes on class, gender, race, and ethnicity, politics, religion, and sexual orientation. Dangerous Dreams: Essays on American Film and Television employs aesthetic, feminist, historical, Marxist, psychoanalytic, semiological, and sociological criticism to explore five decades of film and television texts that have captivated audiences. From Ordinary People (1980) to Shutter Island (2011) and from The Beverly Hillbillies (1962-1971) to Sex and the City (1998-2004), the study is divided into four sections, each comprised of several essays that explore the effects of narrative and visual texts. Sections include «The Role of Literature in Film and Television», «Portrayals of Race, Ethnicity, and Sexual Orientation in Film»; «Portrayals of Race, Ethnicity, and Class in Film and Television»; and «Gender Images in Film and Television». The 16 single-authored essays that comprise Dangerous Dreams celebrate the interconnectivity of film, literature, and television and do not suggest the primacy or superiority of any of these texts, which have in common both a creative process and an immeasurable cultural impact. 274 pp. Englisch. Seller Inventory # 9781433116605
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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - In the documentary Celluloid Closet (1995), actress Susan Sarandon said films are «important - and they're dangerous - because we're the keepers of the dreams.» The visual media hold a powerful sway, influencing attitudes on class, gender, race, and ethnicity, politics, religion, and sexual orientation. Dangerous Dreams: Essays on American Film and Television employs aesthetic, feminist, historical, Marxist, psychoanalytic, semiological, and sociological criticism to explore five decades of film and television texts that have captivated audiences. From Ordinary People (1980) to Shutter Island (2011) and from The Beverly Hillbillies (1962-1971) to Sex and the City (1998-2004), the study is divided into four sections, each comprised of several essays that explore the effects of narrative and visual texts. Sections include «The Role of Literature in Film and Television», «Portrayals of Race, Ethnicity, and Sexual Orientation in Film»; «Portrayals of Race, Ethnicity, and Class in Film and Television»; and «Gender Images in Film and Television». The 16 single-authored essays that comprise Dangerous Dreams celebrate the interconnectivity of film, literature, and television and do not suggest the primacy or superiority of any of these texts, which have in common both a creative process and an immeasurable cultural impact. Seller Inventory # 9781433116605
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Dangerous Dreams: Essays on American Film and Television employs aesthetic, feminist, historical, Marxist, psychoanalytic, semiological, and sociological criticism to explore five decades of film and television texts that have captivated audiences. The stu. Seller Inventory # 108317818
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Buch. Condition: Neu. Dangerous Dreams | Essays on American Film and Television | Jan Whitt | Buch | Framing Film | HC gerader Rücken kaschiert | 274 S. | Englisch | 2013 | Peter Lang | EAN 9781433116605 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand. Seller Inventory # 105180626
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