Synopsis
This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. First-century media culture is probed by assessing the dynamics of literacy, orality, aurality, and performance in the Gospels, parts of the Pauline corpus, and also Jewish apocalyptic literature. The audience constructs of informed, minimal, and competent assist the interpreter to apply the methodology. Sound maps and an aural-performance commentary of Revelation 1 and 11 are developed that analyze aural markers, sound style, identity markers, repetition, themes, and the appropriation of the message by the audience. The book concludes by examining the sociological, theological, and communal aspects of aurality and performance and its implications for interpreting the Apocalypse.
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About the Author
Kayle B. de Waal is Head of the Avondale Seminary and Senior Lecturer in New Testament at Avondale College of Higher Education in Cooranbong, Australia. He received his MA in theology from the University of Kwazulu-Natal and his PhD in theology from the University of Auckland. He is the author of A Socio-Rhetorical Interpretation of the Seven Trumpets of Revelation as well as a number of book chapters and peer-reviewed articles.
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An Aural-Performance Analysis of Revelation 1 and 11 (Studies in Biblical Literature)
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An Aural-Performance Analysis of Revelation 1 and 11 (Studies in Biblical Literature)
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Hardcover. Condition: new. Hardcover. This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. First-century media culture is probed by assessing the dynamics of literacy, orality, aurality, and performance in the Gospels, parts of the Pauline corpus, and also Jewish apocalyptic literature. The audience constructs of informed, minimal, and competent assist the interpreter to apply the methodology. Sound maps and an aural-performance commentary of Revelation 1 and 11 are developed that analyze aural markers, sound style, identity markers, repetition, themes, and the appropriation of the message by the audience. The book concludes by examining the sociological, theological, and communal aspects of aurality and performance and its implications for interpreting the Apocalypse. This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781433130038
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An Aural-Performance Analysis of Revelation 1 and 11 (Studies in Biblical Literature)
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Peter Lang Inc., International Academic Publishers, 2015
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Hardback. Condition: New. This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. First-century media culture is probed by assessing the dynamics of literacy, orality, aurality, and performance in the Gospels, parts of the Pauline corpus, and also Jewish apocalyptic literature. The audience constructs of informed, minimal, and competent assist the interpreter to apply the methodology. Sound maps and an aural-performance commentary of Revelation 1 and 11 are developed that analyze aural markers, sound style, identity markers, repetition, themes, and the appropriation of the message by the audience. The book concludes by examining the sociological, theological, and communal aspects of aurality and performance and its implications for interpreting the Apocalypse. Seller Inventory # LU-9781433130038
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Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. First-century media culture is probed by assessing the dynamics of literacy, orality, aurality, and performance in the Gospels, parts of the Pauline corpus, and also Jewish apocalyptic literature. The audience constructs of informed, minimal, and competent assist the interpreter to apply the methodology. Sound maps and an aural-performance commentary of Revelation 1 and 11 are developed that analyze aural markers, sound style, identity markers, repetition, themes, and the appropriation of the message by the audience. The book concludes by examining the sociological, theological, and communal aspects of aurality and performance and its implications for interpreting the Apocalypse. 232 pp. Englisch. Seller Inventory # 9781433130038
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Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. First-century media culture is probed by assessing the dynamics of literacy, orality, aurality, and performance in the Gospels, parts of the Pauline corpus, and also Jewish apocalyptic literature. The audience constructs of informed, minimal, and competent assist the interpreter to apply the methodology. Sound maps and an aural-performance commentary of Revelation 1 and 11 are developed that analyze aural markers, sound style, identity markers, repetition, themes, and the appropriation of the message by the audience. The book concludes by examining the sociological, theological, and communal aspects of aurality and performance and its implications for interpreting the Apocalypse. Seller Inventory # 26112900/1