"Le Chef-d'œuvre inconnu" (English "The Unknown Masterpiece") is a short story by Honoré de Balzac. It was first published in the newspaper L'Artiste with the title "Maître Frenhofer" (English: "Master Frenhofer") in August 1831. It appeared again later in the same year under the title "Catherine Lescault, conte fantastique." It was published in Balzac's Études philosophiques in 1837 and was integrated into the La Comédie humaine in 1846. At the most fundamental level, "Le Chef-d'œuvre inconnu" is a reflection on art.
The story concerns young Nicolas Poussin, an artist as yet unknown to the world, who visits the painter Porbus in his workshop. He is accompanied by the old master Frenhofer who comments expertly on the large tableau that Porbus has just finished. The painting is of Mary of Egypt, and while Frenhofer sings her praises, he hints that the work seems unfinished. With some slight touches of the paintbrush, Frenhofer transforms Porbus' painting such that Mary the Egyptian appears to come alive before their very eyes. Although Frenhofer has mastered his technique, he admits that he has been unable to find a suitable model for his own masterpiece, La Belle noiseuse, on which he has been working for ten years. This future masterpiece, that no one has yet seen, is to be the portrait of Catherine Lescault. Poussin offers his own lover, Gilette, as a potential model.
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Honore de Balzac (20 May 1799 – 18 August 1850) was a French novelist and playwright. His magnum opus was a sequence of short stories and novels collectively entitled La Comedie humaine, which presents a panorama of French life in the years after the 1815 fall of Napoleon Bonaparte. Due to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multifaceted characters, who are morally ambiguous. His writing influenced many subsequent novelists such as Marcel Proust, Emile Zola, Charles Dickens, Edgar Allan Poe, Eça de Queiros, Fyodor Dostoyevsky, Gustave Flaubert, Benito Perez Galdos, Marie Corelli, Henry James, William Faulkner, Jack Kerouac, and Italo Calvino, and philosophers such as Friedrich Engels and Karl Marx. Many of Balzac's works have been made into or have inspired films, and they are a continuing source of inspiration for writers, filmmakers and critics. An enthusiastic reader and independent thinker as a child, Balzac had trouble adapting to the teaching style of his grammar school. His willful nature caused trouble throughout his life and frustrated his ambitions to succeed in the world of business. When he finished school, Balzac was an apprentice in a law office, but he turned his back on the study of law after wearying of its inhumanity and banal routine. Before and during his career as a writer, he attempted to be a publisher, printer, businessman, critic, and politician; he failed in all of these efforts. La Comedie humaine reflects his real-life difficulties, and includes scenes from his own experience. Balzac suffered from health problems throughout his life, possibly due to his intense writing schedule. His relationship with his family was often strained by financial and personal difficulties, and he ended several friendships over critical reviews. In 1850 he married Ewelina Hanska, his longtime love; he died five months later.
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