The Art Forger - Softcover

Shapiro, B. A.

Softcover

ISBN 10: 1443418048 ISBN 13: 9781443418041

Publisher: Harper Perennial, 2013

Synopsis

A clever, twisty novel about art, authenticity, love and betrayal. Shapiro knows about Degas, and she knows about art theft and forgery, and she also knows how to tell a gripping story." -Tom Perrotta, author of The Left Overs

On March 18, 1990, thirteen works of art (worth over $500 million today) were stolen from the Isabella Stewart Gardner Museum in Boston. It remains the largest unsolved art heist in history, and Claire Roth, a struggling young artist, is about to discover that there's more to this crime than meets the eye.

Making a living reproducing famous artworks for a popular online retailer and desperate to improve her situation, Claire is lured into a Faustian bargain with Aiden Markel, a powerful gallery owner. She agrees to forge a painting-a Degas masterpiece stolen from the Gardner Museum-in exchange for a one-woman show in his renowned gallery. But when that very same long-missing Degas painting is delivered to Claire's studio, she begins to suspect that it may itself be a forgery.

Her desperate search for the truth leads Claire into a labyrinth of deceit where secrets hidden since the late 19th century may be the only evidence that can now save her life.

About this title

Review:

Guest Essay by B.A. Shapiro, Author of The Art Forger

I'm a cowardly writer. Some writers sit down and begin a novel without knowing where it will end, trusting the process to bring their story to a satisfying conclusion. But not me. I don't have the courage to begin a book until I know there's an end--and a middle too. I need an outline that allows me to believe my idea might be transformed into a successful novel. Some writers need a working title; I need a working plot. Which is why it takes me so damn long to get from that first glimmer of an idea to a complete manuscript.

The Art Forger was no different. The first time I encountered art collector and museum founder Isabella Stewart Gardner in 1983, I fell in love. I wanted to hang out with her, walk lions down Boston streets with her, buy famous paintings, and do all kinds of outrageous things that would scandalize the stuffed shirts around us. But, alas, she died in 1924. I dismissed the idea of a "Belle" novel because she intimidated me--see, more cowardice--but I never forgot her.

Then in 1990, she burst on the scene, or at least her namesake, Boston's Isabella Stewart Gardner Museum, did, when two men dressed as police officers bound and gagged two guards and stole thirteen pieces of art, including Rembrandt's Storm on the Sea of Galilee, Vermeer's The Concert, and works by Degas and Manet from the collection. Now, I thought, now I might just be able to make it work.

But despite the media taking the theft international, suspects who ran the gamut from the Mafia to the Vatican, and the lack of any arrests, I just couldn't find my story. What could Belle possibly have to do with a heist seventy years after her death? How could I write a book about a robbery that hadn't been solved? What if it was solved before I was finished--or worse just after I'd completed it--and the real solution was nothing like mine? Cowardly writer that I am, I put the idea back in the drawer.

Nineteen years later, the mystery of the Gardner heist still hadn't been solved, and Belle was still haunting me. I read half a dozen biographies and hundreds of letters, and I scoured the Internet. I was thinking I might do something like Irving Stone or Gore Vidal would, writers whose books I loved, and considered a fictionalized biography. But embracing the entirety of Isabella Gardner's action-packed life was too daunting--some things never change--so, once again, Belle was shelved.

Around this time I began taking a series of art courses that toured galleries and museums with a well-known artist for a guide. She opened my eyes, not just to the wonder of what we were seeing, but to the complicated worlds of creating, collecting, curating, and selling works of art. I also developed a fascination with art theft and art forgery. Now, I thought, now I really might have my Belle book. So I wrote synopses, created plot charts, developed character sketches, then scratched it all and did it again. I was growing closer, but the pieces weren't all quite there; something was missing: I couldn't see the end.

Simultaneously, I was struggling with writing and wondering if I should just give up the whole endeavor. One day, as I was ruminating on how difficult life was for anyone in the arts and feeling more than a bit sorry for myself, my missing link appeared in the form of a question: What would any of us be willing to do to secure our ambitions? Unknown artists, famous artists, collectors, brokers, and gallery owners? Me? Belle?

So I expanded my cast of characters and gave each one a temptation their egos couldn't resist, including a struggling artist willing to make the ultimate Faustian bargain, and then I added them to the mix of art theft, art forgery, the Gardner Museum heist, and, of course, my buddy Belle. Suddenly, just like the Cowardly Lion, who became brave when he had his medal, I became brave when I had my plot. The Art Forger is the result.

About the Author:

B.A. SHAPIRO is the author of The Art Forger, which was a New York Times bestseller, a #1 Indie Next Pick and the winner of the 2013 New England Book Award, among many other honours. Writing as Barbara Shapiro, she is also the author of five suspense novels and one non-fiction book. She lives in Boston and teaches creative writing at Northeastern University.

Web: bashapirobooks.com

Facebook: BAShapirobooks

Twitter: @ba_shapiro

About this edition

• Publisher: Harper Perennial
• Publication date: 2013
• ISBN 10: 1443418048
• ISBN 13: 9781443418041
• Binding: Paperback
• Edition number: 1
• Number of pages: 368