Items related to Poetics of Music in the Form of Six Lessons
Synopsis
POETICS OF MUSIC IN THE FORM OF SIX LESSONS by IGOR STRAVINSKY. First published in 1947. CONTENTS: Preface by DARIUS MILHAUD 1. Getting Acquainted 1 2. The Phenomenon of Music .... 21 3. The Composition of Music 45 4. Musical Typology 67 5. The Avatars of Russian Music .... 91 6. The Performance of Music . . .119 EPILOGUE PREFACE: THE POETICS OF MUSIC is like a searchlight turned by Stravinsky on his own work on one hand, and on music in general on the other. Every new work by this great composer is laden with far reaching significance. Each one possesses its own structure, its own tonal equilibrium, even its own moral climate. And the painstaking honesty the craf tsmanly exactitude of each work raises it to the heights of abstract thought and at the same time to that austerity, economy of means, and essential au thenticity which characterize the true laying bare of a soul. Igor Stravinskys book invites us to follow him into the secret world that is the counterpart to the world of sou
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Language Notes
Text: English, French
Review
�These lessons� provide penetrating glimpses into the thought processes of Stravinsky's mind. While dealing with his chosen topics--the phenomenon of music, the composition of music, musical typology, the avatars of Russian music, and the performance of music--he reveals his reverence for tradition, order and discipline. He believes "the more art is controlled, limited, worked over, the more it is free." His opinions about Wagner, Verdi, Berlioz, Hindemith, Weber, Beethoven, Glinka, Tchaikovsky, Moussorgsky and Bach are refreshing. He also analyzes the function of the critic, the requirements of the interpreter, the state of Russian music, and musical taste and snobbery. Some good (and some specious) phrases from one of music's finest phrase-makers; a fascinating and sporadically valuable attempt to come to grips with the metaphysics of music; and a rich assortment of historical aperc us. More than that, it is, of course, an intimate profession of faith revealing the detailed ideological context of the music; it is also the source of that unforgettable advice to the violinists: "It is ill becoming when playing, to spread one's legs too far apart." During the academic year 1939-1940, Stravinsky delivered the Charles Eliot Norton Lectures at Harvard. He spoke in French. An English translation appeared in 1947, and now this bilingual edition enables the reader to study both the language in which Stravinsky conceived his "lessons" and the excellent English translation...printed on the facing pages...The six lectures that make up "Poetics" take the form of an "explanation of music..."�The book� remains a quintessence of Stravinsky's reactions to the phenomenon of music. "Poetics of Music" offers the most coherent statement of the unchanging values behind Stravinsky's many apparent shifts of manner: his insistence, for example, that music should be a revelation of a higher order to be faithfully executed by the performer, rather than a medium of self-expression to be interpreted. Above all, the composer must submit to rules, no matter how arbitrary, for "the more constraints one imposes, the more one frees one's self of the chains that shackle the spirit." -- G. W. Hopkins "Musical Times"
"About this title" may belong to another edition of this title.
- PublisherRead Books
- Publication date2008
- ISBN 10 1443726915
- ISBN 13 9781443726917
- BindingHardcover
- LanguageEnglish
- Number of pages142
- Rating
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