Items related to Devil's Feather
Buried secrets and gritty bravery, The Devil's Feather is the psychological thriller from crime queen Minette Walters. Have you ever wanted to bury a secret so deeply that no one will find out about it With private security firms supplying bodyguards in every theatre of war, who will notice the emergence of a sexual psychopath from the ranks of the mercenaries Reuters correspondent Connie Burns is no stranger to the worlds troublespots, including the vicious civil unrest in Sierra Leone and the war in Iraq. But as she begins to suspect that a foreigner is using the chaos of war to act out sadistic fantasies against women, her efforts to bring him to justice leave her devastated. Degraded and terrified, she goes into hiding in England and strikes up a friendship with Jess Derbyshire, a loner whose reclusive nature may well be masking secrets of her own. Connie draws from the other womans strength and makes the hazardous decision to attempt a third unmasking of a serial killer . . . Knowing he will come looking for her . . .
"synopsis" may belong to another edition of this title.
About the Author:
Minette Walters is the author of thirteen novels---including The Shape of Snakes and The Sculptress---two novellas, and a number of short stories. Her work, which has been published in more than thirty-five countries, has received several major awards, including two Gold Daggers from the Crime Writers' Association in Great Britain and the Edgar Allan Poe Award from the Mystery Writers of America. She lives in Dorset, England. Josephine Bailey has won ten AudioFile Earphones Awards and a prestigious Audie Award, and Publishers Weekly named her Best Female Narrator in 2002. Her native British accent has been used in many audiobooks and voice-overs, including The Wild Thornberries, Uncle Gus, and Disney-Dreamworks projects. In addition to her award-winning voice work, Josephine is involved in television, film, and theater. On television she has played parts in Robin Hood, A Tale of Two Cities, and Sword of Freedom. In film she was featured in Shadow Hours, Life's a Circus, and Corridors of Blood. Her theater experience includes lead roles in Betrayal, Otherwise Engaged, and Blithe Spirit. Josephine received her training from the Corona Stage School in London and the Tracy Roberts Actors Studio in Los Angeles. Josephine currently resides in South Carolina.
Excerpt. © Reprinted by permission. All rights reserved.:
1
I don’t know if that story was picked up in the West. I believe some interest was shown in South Africa, but only because rape and murder had been high on that country’s agenda for some time. I was transferred to Asia shortly afterwards, so I never learnt the outcome of the trial. I assumed the teenagers were convicted because justice, like everything else in Sierra Leone, was subject to economic restrictions. Even if the court went to the expense of appointing a public defence lawyer, confessions of guilt, with graphic details of how each victim was murdered, would attract a summary sentence.
I know Alan Collins was troubled by the indictments, but there was little he could do about it when his request for an experienced pathologist was refused. He was in a difficult position—more an observer than an adviser—with less than two weeks of his secondment left at the time of Amie Jonah’s abduction, and the youths’ descriptions of their crimes effectively sealed their fate. Nevertheless, Alan remained sceptical.
“They were in no fit state to be questioned,” he told me. “Amie’s family had reduced them to pulp. They’d have said anything the police wanted them to say rather than face another beating.”
He was also troubled by the crime scenes. “I saw two of the bodies in situ,” he said, “and neither of them looked like a gang attack. Both women were huddled in the corners of the rooms with their heads and shoulders sliced to ribbons and defence wounds to their arms. It looked to me as if they were trying to protect themselves from a single individual who attacked from the front. A gang would have been slashing at them from all sides.”
“What can you do?”
“Very little. No one’s been interested since the youths confessed. I’ve written a report, pointing up the anomalies, but there are precious few doctors in Freetown, let alone forensic pathologists.” He smiled ruefully. “The thinking seems to be that they deserve what they get because there’s no doubt they were trying to abduct young Amie.”
“If you’re right, won’t the killer strike again? Won’t that exonerate the boys?”
“It depends who he is. If he’s a local, then probably . . . but if he’s one of the foreign contingent”—he shrugged—“I’m guessing he’ll export his activities elsewhere.”
It was that conversation which increased my suspicions of John Harwood. When he was first pointed out to me in Paddy’s Bar—Freetown’s equivalent of Stringfellows—I knew I’d seen him before. I wondered if it was in Kinshasa in 1998 when I was covering the civil war in the Congo. I recalled him being in uniform then—almost certainly as a mercenary because the British army wasn’t involved in that conflict—but I didn’t think he’d been calling himself John Harwood.
By the spring of 2002 in Sierra Leone he was dressed in civvies and had a bad reputation. I saw him in three fights while I was there, and heard about others, but he was never on the receiving end of the damage. He had the build of a terrier—middling height, lean muscular frame, strong neck and limbs—and a terrier’s ferocity once he had his teeth into someone. Most of the ex-pats gave him a wide berth, particularly when he was drinking.
At that time Freetown was full of foreigners. The UN was coordinating efforts to put the country back on its feet, and most of the ex-pats worked for the international press, NGOs, religious missions or world charities. A few, like Harwood, had private contracts. He was employed as chauffeur/bodyguard to a Lebanese businessman, who was rumoured to have interests in a diamond mine. Once in a while the pair of them vanished abroad with heavily armoured cases, so the rumours were probably true.
Along with everyone else, I tended to avoid him. Life was too short to get involved with loners with chips on their shoulders. However, I did make one overture during the six months I was there when I asked him to pass on a request for an interview with his boss. Diamonds were a hot topic in the aftermath of the conflict. The question of who owned them and where the money was going had been a bone of contention in Sierra Leone for decades. None of the wealth was fed back into the country and the people’s resentment at their grinding, subsistence-level poverty had been the spark which ignited the civil war.
Predictably, I got nowhere near Harwood’s boss, but I had a brief exchange with Harwood himself. None of the local women would cook or clean for him, so most evenings he could be found eating alone at Paddy’s Bar, which was where I approached him. I said I thought our paths had crossed before, and he acknowledged it with a nod.
“You’re bonnier than I recall, Ms. Burns,” he said in a broad Glaswegian accent. “Last time I saw you you were a little mouse of a thing.”
I was surprised he remembered my name, even more surprised by the backhanded compliment. The one fact everyone knew about Harwood was that he didn’t like women. It poured out of him under the influence of Star beer, and gossip had it that he was in the tertiary stage of syphilis after contracting it from a whore. It was a convenient explanation for his aggressive misogyny, but I didn’t believe it myself. Penicillin was too freely available for any Westerner to progress beyond the primary stage.
I told him what I wanted and placed a list of questions on the table, together with a covering letter explaining the nature of the piece I was planning. “Will you pass these on to your boss and give me his answer?” Access to anyone was difficult except through a third party. The rebel fighters had destroyed most of the communications network and, with everyone living in secure compounds, it was impossible to blag your way past the guards without an appointment.
Harwood prodded the papers back at me. “No to both requests.”
“Why not?”
“He doesn’t talk to journalists.”
“Is that him speaking or you?”
“No comment.”
I smiled slightly. “So how do I get past you, Mr. Harwood?”
“You don’t.” He crossed his arms and stared up at me through narrowed eyes. “Don’t push your luck, Ms. Burns. You’ve had your answer.”
My dismissal, too, I thought wryly. Even with a score of ex-pats within hailing distance, I didn’t have the nerve to press him further. I’d seen the kind of damage he could do, and I didn’t fancy being on the receiving end.
Paddy’s was the favoured watering-hole of the international community because it remained open throughout the eleven-year conflict. It was a large open-sided bar-cum-restaurant, with tables on a concrete veranda, and it was a magnet for local hookers in search of dollars. They learnt very quickly to avoid Harwood after he hurt one so badly that she was hospitalized. He spoke pidgin English, which is the lingua franca of Sierra Leone, and cursed the girls vilely in their own tongue if they tried to approach him. He called them “devil’s feathers” and lashed out with his fists if they came too close.
He was rather more careful around Europeans. The charities and missions had a high percentage of female staff, but if a white woman jogged his arm he always let it go. Perhaps he was intimidated by them—they were a great deal brighter than he was, with strings of letters after their names—or perhaps he knew he wouldn’t be able to get away with it. The less articulate black girls were easier targets for his anger. It persuaded most of us that he was a racist as well as a woman-hater.
There was no telling how old he was. He had a shaven head, tattooed with a winged scimitar at the base of his skull, and the sun had dried his skin to leather. When drunk, he boasted that he’d been in the SAS unit that stormed the Iranian embassy in London in 1980 and the scimitar was his badge of honour. But, if true, that would have put him in his late forties or early fifties, and his devastating punches suggested someone younger. Despite the strong Scottish accent, he claimed to come from London, although no one in the UK ex-pat community believed him, any more than they believed that John Harwood was the name he had been born with.
Nevertheless, if Alan Collins hadn’t made his remark about the foreign contingent, it wouldn’t have occurred to me that there might be more to Harwood’s violence than anyone realized. Even when it did, there was nothing I could do about it. Alan had returned to Manchester by then and the murders of the women had quickly faded from memory.
I ran my suspicions past a few of my colleagues, but they were sceptical. As they pointed out, the killings had stopped with the arrest of the boys, and Harwood’s modus operandi was to use his fists, not a machete. The tenor of their argument seemed to be that, however despicable Harwood was, he wouldn’t have raped the women before murdering them. “He can’t even bring himself to touch a black,” said an Australian cameraman, “so he’s hardly likely to soil himself by dipping his wick into one.”
I gave it up because the only evidence I could cite against Harwood was a particularly brutal attack on a young prostitute in Paddy’s Bar. A good hundred people had witnessed it, but the girl had taken money in lieu of prosecution so there wasn’t even a report of the incident. In any case, my stint in Sierra Leone was almost at an end and I didn’t want to start something th...
I don’t know if that story was picked up in the West. I believe some interest was shown in South Africa, but only because rape and murder had been high on that country’s agenda for some time. I was transferred to Asia shortly afterwards, so I never learnt the outcome of the trial. I assumed the teenagers were convicted because justice, like everything else in Sierra Leone, was subject to economic restrictions. Even if the court went to the expense of appointing a public defence lawyer, confessions of guilt, with graphic details of how each victim was murdered, would attract a summary sentence.
I know Alan Collins was troubled by the indictments, but there was little he could do about it when his request for an experienced pathologist was refused. He was in a difficult position—more an observer than an adviser—with less than two weeks of his secondment left at the time of Amie Jonah’s abduction, and the youths’ descriptions of their crimes effectively sealed their fate. Nevertheless, Alan remained sceptical.
“They were in no fit state to be questioned,” he told me. “Amie’s family had reduced them to pulp. They’d have said anything the police wanted them to say rather than face another beating.”
He was also troubled by the crime scenes. “I saw two of the bodies in situ,” he said, “and neither of them looked like a gang attack. Both women were huddled in the corners of the rooms with their heads and shoulders sliced to ribbons and defence wounds to their arms. It looked to me as if they were trying to protect themselves from a single individual who attacked from the front. A gang would have been slashing at them from all sides.”
“What can you do?”
“Very little. No one’s been interested since the youths confessed. I’ve written a report, pointing up the anomalies, but there are precious few doctors in Freetown, let alone forensic pathologists.” He smiled ruefully. “The thinking seems to be that they deserve what they get because there’s no doubt they were trying to abduct young Amie.”
“If you’re right, won’t the killer strike again? Won’t that exonerate the boys?”
“It depends who he is. If he’s a local, then probably . . . but if he’s one of the foreign contingent”—he shrugged—“I’m guessing he’ll export his activities elsewhere.”
It was that conversation which increased my suspicions of John Harwood. When he was first pointed out to me in Paddy’s Bar—Freetown’s equivalent of Stringfellows—I knew I’d seen him before. I wondered if it was in Kinshasa in 1998 when I was covering the civil war in the Congo. I recalled him being in uniform then—almost certainly as a mercenary because the British army wasn’t involved in that conflict—but I didn’t think he’d been calling himself John Harwood.
By the spring of 2002 in Sierra Leone he was dressed in civvies and had a bad reputation. I saw him in three fights while I was there, and heard about others, but he was never on the receiving end of the damage. He had the build of a terrier—middling height, lean muscular frame, strong neck and limbs—and a terrier’s ferocity once he had his teeth into someone. Most of the ex-pats gave him a wide berth, particularly when he was drinking.
At that time Freetown was full of foreigners. The UN was coordinating efforts to put the country back on its feet, and most of the ex-pats worked for the international press, NGOs, religious missions or world charities. A few, like Harwood, had private contracts. He was employed as chauffeur/bodyguard to a Lebanese businessman, who was rumoured to have interests in a diamond mine. Once in a while the pair of them vanished abroad with heavily armoured cases, so the rumours were probably true.
Along with everyone else, I tended to avoid him. Life was too short to get involved with loners with chips on their shoulders. However, I did make one overture during the six months I was there when I asked him to pass on a request for an interview with his boss. Diamonds were a hot topic in the aftermath of the conflict. The question of who owned them and where the money was going had been a bone of contention in Sierra Leone for decades. None of the wealth was fed back into the country and the people’s resentment at their grinding, subsistence-level poverty had been the spark which ignited the civil war.
Predictably, I got nowhere near Harwood’s boss, but I had a brief exchange with Harwood himself. None of the local women would cook or clean for him, so most evenings he could be found eating alone at Paddy’s Bar, which was where I approached him. I said I thought our paths had crossed before, and he acknowledged it with a nod.
“You’re bonnier than I recall, Ms. Burns,” he said in a broad Glaswegian accent. “Last time I saw you you were a little mouse of a thing.”
I was surprised he remembered my name, even more surprised by the backhanded compliment. The one fact everyone knew about Harwood was that he didn’t like women. It poured out of him under the influence of Star beer, and gossip had it that he was in the tertiary stage of syphilis after contracting it from a whore. It was a convenient explanation for his aggressive misogyny, but I didn’t believe it myself. Penicillin was too freely available for any Westerner to progress beyond the primary stage.
I told him what I wanted and placed a list of questions on the table, together with a covering letter explaining the nature of the piece I was planning. “Will you pass these on to your boss and give me his answer?” Access to anyone was difficult except through a third party. The rebel fighters had destroyed most of the communications network and, with everyone living in secure compounds, it was impossible to blag your way past the guards without an appointment.
Harwood prodded the papers back at me. “No to both requests.”
“Why not?”
“He doesn’t talk to journalists.”
“Is that him speaking or you?”
“No comment.”
I smiled slightly. “So how do I get past you, Mr. Harwood?”
“You don’t.” He crossed his arms and stared up at me through narrowed eyes. “Don’t push your luck, Ms. Burns. You’ve had your answer.”
My dismissal, too, I thought wryly. Even with a score of ex-pats within hailing distance, I didn’t have the nerve to press him further. I’d seen the kind of damage he could do, and I didn’t fancy being on the receiving end.
Paddy’s was the favoured watering-hole of the international community because it remained open throughout the eleven-year conflict. It was a large open-sided bar-cum-restaurant, with tables on a concrete veranda, and it was a magnet for local hookers in search of dollars. They learnt very quickly to avoid Harwood after he hurt one so badly that she was hospitalized. He spoke pidgin English, which is the lingua franca of Sierra Leone, and cursed the girls vilely in their own tongue if they tried to approach him. He called them “devil’s feathers” and lashed out with his fists if they came too close.
He was rather more careful around Europeans. The charities and missions had a high percentage of female staff, but if a white woman jogged his arm he always let it go. Perhaps he was intimidated by them—they were a great deal brighter than he was, with strings of letters after their names—or perhaps he knew he wouldn’t be able to get away with it. The less articulate black girls were easier targets for his anger. It persuaded most of us that he was a racist as well as a woman-hater.
There was no telling how old he was. He had a shaven head, tattooed with a winged scimitar at the base of his skull, and the sun had dried his skin to leather. When drunk, he boasted that he’d been in the SAS unit that stormed the Iranian embassy in London in 1980 and the scimitar was his badge of honour. But, if true, that would have put him in his late forties or early fifties, and his devastating punches suggested someone younger. Despite the strong Scottish accent, he claimed to come from London, although no one in the UK ex-pat community believed him, any more than they believed that John Harwood was the name he had been born with.
Nevertheless, if Alan Collins hadn’t made his remark about the foreign contingent, it wouldn’t have occurred to me that there might be more to Harwood’s violence than anyone realized. Even when it did, there was nothing I could do about it. Alan had returned to Manchester by then and the murders of the women had quickly faded from memory.
I ran my suspicions past a few of my colleagues, but they were sceptical. As they pointed out, the killings had stopped with the arrest of the boys, and Harwood’s modus operandi was to use his fists, not a machete. The tenor of their argument seemed to be that, however despicable Harwood was, he wouldn’t have raped the women before murdering them. “He can’t even bring himself to touch a black,” said an Australian cameraman, “so he’s hardly likely to soil himself by dipping his wick into one.”
I gave it up because the only evidence I could cite against Harwood was a particularly brutal attack on a young prostitute in Paddy’s Bar. A good hundred people had witnessed it, but the girl had taken money in lieu of prosecution so there wasn’t even a report of the incident. In any case, my stint in Sierra Leone was almost at an end and I didn’t want to start something th...
"About this title" may belong to another edition of this title.
- PublisherPan Publishing
- Publication date2012
- ISBN 10 1447208072
- ISBN 13 9781447208075
- BindingPaperback
- Number of pages477
- Rating
Buy New
Learn more about this copy
US$ 15.96
Shipping:
FREE
Within U.S.A.
Other Popular Editions of the Same Title
Top Search Results from the AbeBooks Marketplace
Seller Image
The Devil's Feather (Paperback)
Published by
Pan Macmillan, London
(2012)
ISBN 10: 1447208072
ISBN 13: 9781447208075
New
Paperback
Quantity: 1
Seller:
Rating
Book Description Paperback. Condition: new. Paperback. Buried secrets and gritty bravery, The Devil's Feather is the psychological thriller from crime queen Minette Walters. Have you ever wanted to bury a secret so deeply that no one will find out about it? With private security firms supplying bodyguards in every theatre of war, who will notice the emergence of a sexual psychopath from the ranks of the mercenaries? Reuters correspondent Connie Burns is no stranger to the worlds troublespots, including the vicious civil unrest in Sierra Leone and the war in Iraq. But as she begins to suspect that a foreigner is using the chaos of war to act out sadistic fantasies against women, her efforts to bring him to justice leave her devastated. Degraded and terrified, she goes into hiding in England and strikes up a friendship with Jess Derbyshire, a loner whose reclusive nature may well be masking secrets of her own. Connie draws from the other womans strength and makes the hazardous decision to attempt a third unmasking of a serial killer . . . Knowing he will come looking for her . . . The stunning bestseller from CWA Gold Dagger award-winning Minette Walters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781447208075
Buy New
US$ 15.96
Convert currency
Seller Image
The Devil's Feather [Soft Cover ]
Published by
Pan Books
(2012)
ISBN 10: 1447208072
ISBN 13: 9781447208075
New
Soft Cover
Quantity: 10
Seller:
Rating
Book Description Soft Cover. Condition: new. Seller Inventory # 9781447208075
Buy New
US$ 15.97
Convert currency
Stock Image
The Devil's Feather
Published by
Pan Macmillan 2012-07-05, London
(2012)
ISBN 10: 1447208072
ISBN 13: 9781447208075
New
paperback
Quantity: 1
Seller:
Rating
Book Description paperback. Condition: New. Language: ENG. Seller Inventory # 9781447208075
Buy New
US$ 11.75
Convert currency
Stock Image
The Devil's Feather
Published by
Macmillan New Writing
(2012)
ISBN 10: 1447208072
ISBN 13: 9781447208075
New
Paperback
Quantity: 1
Seller:
Rating
Book Description Paperback. Condition: Brand New. 496 pages. In Stock. Seller Inventory # __1447208072
Buy New
US$ 9.47
Convert currency
Stock Image
The Devil's Feather
Published by
Pan Macmillan
(2012)
ISBN 10: 1447208072
ISBN 13: 9781447208075
New
Paperback / softback
Quantity: > 20
Seller:
Rating
Book Description Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. The stunning bestseller. Seller Inventory # B9781447208075
Buy New
US$ 12.04
Convert currency
Stock Image
The Devil's Feather
Seller:
Rating
Book Description Paperback. Condition: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE. Seller Inventory # 9781447208075-GDR
Buy New
US$ 12.36
Convert currency
Stock Image
Devil's Feather
Published by
Pan Publishing
(2012)
ISBN 10: 1447208072
ISBN 13: 9781447208075
New
Softcover
Quantity: 2
Seller:
Rating
Book Description Condition: New. In. Seller Inventory # ria9781447208075_new
Buy New
US$ 13.26
Convert currency
Stock Image
The Devil s Feather
Published by
Pan Macmillan
(2012)
ISBN 10: 1447208072
ISBN 13: 9781447208075
New
Softcover
Quantity: 2
Seller:
Rating
Book Description Condition: New. 2012. Reprints. Paperback. The stunning bestseller Num Pages: 560 pages. BIC Classification: FA. Category: (G) General (US: Trade). Dimension: 189 x 121 x 32. Weight in Grams: 406. . . . . . Books ship from the US and Ireland. Seller Inventory # V9781447208075
Buy New
US$ 19.55
Convert currency
Stock Image
The Devil's Feather
Published by
Pan 2012-07-05
(2012)
ISBN 10: 1447208072
ISBN 13: 9781447208075
New
Paperback
Quantity: 10
Seller:
Rating
Book Description Paperback. Condition: New. Seller Inventory # 6666-MAC-9781447208075
Buy New
US$ 11.21
Convert currency
Seller Image
Devil's Feather
Published by
Pan Publishing
(2012)
ISBN 10: 1447208072
ISBN 13: 9781447208075
New
Softcover
Quantity: 2
Seller:
Rating
Book Description Condition: New. Seller Inventory # 16222711-n
Buy New
US$ 12.84
Convert currency