About the Author:
Gary Indiana - novelist, playwright, actor, art critic, film historian - is one of the most supple and imaginative figures in contemporary American culture. He is the author of numerous plays, novels, and works of nonfiction, including Horse Crazy, Rent Boy, and Utopia's Debris. Formerly the chief art critic for the Village Voice, Indiana has also written for the Los Angeles Times Book Review, New York magazine, Artforum, and the London Review of Books. He lives in New York City.
From Publishers Weekly:
The latest from cultural critic and author Indiana (Utopia's Debris) explores the legacy of Andy Warhol through his most famous and, arguably, groundbreaking work, 1962's Campbell's Soup Cans, a group of 32 20"x16" paintings of the ubiquitous red-and-white canned staple. Beginning with a brief look at Warhol's impoverished childhood, Indiana focuses in on the creation and impact of the famed Soup Cans, resulting is an exhaustive report on the Pop Art movement and its relationship to contemporary culture, featuring vibrant commentary on the way a single piece can stand in for an entire oeuvre. Indiana is highly knowledgeable regarding the art world and Warhol's work, and can assume a similarly sophisticated level of understanding in his reader; as such, he will probably leave casual fans behind with dashed-off discussion of the art scene at large. For those already fluent in the man or the movement, Indiana's in-depth look at Soup Cans is a welcome refresher on the power of a single vision not just to make a remarkable career, but to recast the world in a new light.
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