A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws.
Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech.
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M. Alison Kibler is associate professor of American studies and women’s and gender studies at Franklin and Marshall College. She is author of Rank Ladies: Gender and Cultural Hierarchy in American Vaudeville.
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Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condition: Good. A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws. Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech. Seller Inventory # 00096426044
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
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Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Seller Inventory # M1469618362Z3
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Acceptable. May be ex-library. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized. Seller Inventory # M1469618362Z4
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condition: Good. A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws. Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech. Seller Inventory # CIN1469618362G
Seller: Visible Voice Books, Cleveland, OH, U.S.A.
paperback. Condition: Very Good. University of North Carolina Press March 2015 8vo. 314 pages. Seller Inventory # 199207
Seller: Paisleyhaze Books, New Hartford, CT, U.S.A.
Soft cover. Condition: Fine. University of North Carolina Press trade paperback, 2015, unread and carefully stored, inscription on title page SIGNED by author else unmarked and as New. We will bubble-wrap the book and ship it in a New BOX NOT a plastic bag like the zombie sellers. Inscribed by Author(s). Seller Inventory # 75065
Seller: Paper Oddities, Wantage, NJ, U.S.A.
Condition: Good. Well kept copy, solid and unmarked, mild reading wear. Fast Shipping - Safe and Secure Bubble Mailer! Seller Inventory # 1M5GSB000912_ns
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.
Softcover. xii, 214 pp. Softcover. LCC: 2014035498 Very good condition; traces of wear on edges of covers. Seller Inventory # 0309I0267
Seller: California Books, Miami, FL, U.S.A.
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