Items related to A Vision of Fire (Earthend Saga)
Renowned child psychologist Caitlin O'Hara is a single mum trying to juggle her job, her son, and a lackluster love life. Her world is suddenly upturned when Maanik, the daughter of India's ambassador to the United Nations, starts speaking in tongues and having violent visions. Maanik's parents are sure that her fits have something to do with the recent assassination attempt on her father - a shooting that has escalated nuclear tensions between India and Pakistan to dangerous levels - but when children start having similar outbursts around the world, Caitlin begins to think that there's a stranger force at work. In Haiti, a student claws at her throat, drowning on dry land. In Iran, a boy suddenly and inexplicably bursts into flame. On the Pakistan border, a young man feels a burning in his chest and, against his will, opens fire on Indian troops. With Asia on the cusp of nuclear war, Caitlin must race across the globe and uncover the supernatural links between these seemingly unrelated cases in order to save her patient - and perhaps the world.
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About the Author:
Gillian Anderson is an award-winning film, television, and theatre actress whose credits include the roles of Special Agent Dana Scully in FOX Television's long-running and critically-acclaimed drama series, The X-File, ill-fated socialite Lily Bart in Terence Davies' masterpiece The House of Mirth (2000), and Lady Dedlock in the very successful BBC production of Charles Dickens' Bleak House. She is currently playing the role of Dr. Bedelia Du Maurier in NBC's Hannibal, and is set to co-star in the upcoming NBC thriller, Crisis. She currently lives in London with her daughter and two sons.
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A Vision of Fire
PROLOGUE
Rocking gently under the full moon, the Falkland Advanced Petroleum survey ship rested in the harbor at Stanley. Its hull was weather-beaten after three weeks at sea, its sensitive below-deck sensors were rattled by the relentless waves, and its chief geologist was exhausted.
But as he bent over the tiny lab table in his forward cabin, Dr. Sam Story could not stop staring at a rock the remote-controlled Deep Sea Grab Vehicle had pulled from a ledge on their last day in the South Atlantic. The silvery stone fit in his palm and was roughly the shape and thickness of a playing card. He had been studying it for more than an hour through a magnifying glass, slowly moving the lens up and down and side to side; the fifty-three-year-old geologist was finding it difficult to accept what he was seeing.
Finally, the man sat upright on the stool, blinked his tired eyes, and thumbed on a small audio recorder.
“Specimen E–thirty-three,” he intoned cautiously, “definitely appears to be a pallasite meteor fragment. And it is my observation that chipping marks on the back indicate it was hewn from the parent stone by hand. However . . .”
He gently set the stone on a cotton swath he’d placed on the table and pulled off his latex gloves. The relic had been washed by frigid waters for centuries, perhaps millennia, and rough surfaces and body oils might cause further damage.
Dr. Story looked down at the stone again and studied the symbol that gently shone from it. “On the anterior façade is a carving of four triangular shapes arranged in a pyramid,” he recorded. “Each triangle is formed by three interlocking crescents, with small, extended crescents at the three corners. More of a claw or talon shape, actually, those small ones. No claws at the corners of the center triangle. I cannot begin to guess at the meaning or function of this.”
He bent low, peering at the stone. “Regarding process, the width and depth of the markings suggest they were carved by a smaller, finer tool than that which made the relic itself. While there existed any number of local tribes that could have cut these figures, the edges of the markings themselves are a real mystery.”
Picking up the magnifying glass again, he murmured, “Every side of every etching has a rounded perimeter that suggests eons of erosion. Yet these edges are not worn down uniformly but are built up, like blisters. Blisters like these could only be generated by intense heat, Class D at a minimum, and ancient peoples did not have the wherewithal to generate twenty-one hundred degrees Fahrenheit.”
Dr. Story sat upright, picked up the recorder, and grinned. The modern device felt strange and inconsequential in his hand. This relatively sophisticated by-product of human invention was dramatically less interesting than a simple stone pulled by chance from the ocean.
No, he corrected himself, this is not simple. Volcanic magma could reach that level of heat, but even that was uncommon. By the time lava reached the surface, it was closer to fifteen hundred degrees Fahrenheit. He had only seen this kind of melting and hardening on meteoric rocks that softened and bubbled during their flaming passage through the atmosphere and hardened when they reached the cooler surface, free of friction.
“But that doesn’t explain how the carvings melted,” he mumbled into the recorder. “They couldn’t have come through the atmosphere. That would mean they had to originate in . . .”
Dr. Story was tired. He had been awake for nearly forty-eight hours. Before he considered the implications that the evidence suggested, he needed rest.
Turning off the desk lamp, he fell into the small bed that folded down from the wall. The gentle rocking in the harbor was a balm after twenty-one days at sea. Despite a sudden thumping on the hull beneath the water—possibly a pilot whale; the cetaceans had shown a surprising tendency to beach themselves of late—the scientist was asleep within moments.
The door opened and a figure entered the room. He moved quietly, cautiously. The rocking of the boat was unpredictable and he did not want to fall against the desk or the bed.
The man laid an empty camera case on the floor. Guided by the light of the moon through a porthole, he quickly gathered up the tablet and the audio recorder. He swaddled the small piece of rock in its cotton wrap and placed it in the camera case.
And then he was gone, headed away from the public jetty. Dropping the two electronic devices into the water, he watched their gurgling descent in the ivory moonlight, then continued toward the Malvina House Hotel.
PROLOGUE
Rocking gently under the full moon, the Falkland Advanced Petroleum survey ship rested in the harbor at Stanley. Its hull was weather-beaten after three weeks at sea, its sensitive below-deck sensors were rattled by the relentless waves, and its chief geologist was exhausted.
But as he bent over the tiny lab table in his forward cabin, Dr. Sam Story could not stop staring at a rock the remote-controlled Deep Sea Grab Vehicle had pulled from a ledge on their last day in the South Atlantic. The silvery stone fit in his palm and was roughly the shape and thickness of a playing card. He had been studying it for more than an hour through a magnifying glass, slowly moving the lens up and down and side to side; the fifty-three-year-old geologist was finding it difficult to accept what he was seeing.
Finally, the man sat upright on the stool, blinked his tired eyes, and thumbed on a small audio recorder.
“Specimen E–thirty-three,” he intoned cautiously, “definitely appears to be a pallasite meteor fragment. And it is my observation that chipping marks on the back indicate it was hewn from the parent stone by hand. However . . .”
He gently set the stone on a cotton swath he’d placed on the table and pulled off his latex gloves. The relic had been washed by frigid waters for centuries, perhaps millennia, and rough surfaces and body oils might cause further damage.
Dr. Story looked down at the stone again and studied the symbol that gently shone from it. “On the anterior façade is a carving of four triangular shapes arranged in a pyramid,” he recorded. “Each triangle is formed by three interlocking crescents, with small, extended crescents at the three corners. More of a claw or talon shape, actually, those small ones. No claws at the corners of the center triangle. I cannot begin to guess at the meaning or function of this.”
He bent low, peering at the stone. “Regarding process, the width and depth of the markings suggest they were carved by a smaller, finer tool than that which made the relic itself. While there existed any number of local tribes that could have cut these figures, the edges of the markings themselves are a real mystery.”
Picking up the magnifying glass again, he murmured, “Every side of every etching has a rounded perimeter that suggests eons of erosion. Yet these edges are not worn down uniformly but are built up, like blisters. Blisters like these could only be generated by intense heat, Class D at a minimum, and ancient peoples did not have the wherewithal to generate twenty-one hundred degrees Fahrenheit.”
Dr. Story sat upright, picked up the recorder, and grinned. The modern device felt strange and inconsequential in his hand. This relatively sophisticated by-product of human invention was dramatically less interesting than a simple stone pulled by chance from the ocean.
No, he corrected himself, this is not simple. Volcanic magma could reach that level of heat, but even that was uncommon. By the time lava reached the surface, it was closer to fifteen hundred degrees Fahrenheit. He had only seen this kind of melting and hardening on meteoric rocks that softened and bubbled during their flaming passage through the atmosphere and hardened when they reached the cooler surface, free of friction.
“But that doesn’t explain how the carvings melted,” he mumbled into the recorder. “They couldn’t have come through the atmosphere. That would mean they had to originate in . . .”
Dr. Story was tired. He had been awake for nearly forty-eight hours. Before he considered the implications that the evidence suggested, he needed rest.
Turning off the desk lamp, he fell into the small bed that folded down from the wall. The gentle rocking in the harbor was a balm after twenty-one days at sea. Despite a sudden thumping on the hull beneath the water—possibly a pilot whale; the cetaceans had shown a surprising tendency to beach themselves of late—the scientist was asleep within moments.
The door opened and a figure entered the room. He moved quietly, cautiously. The rocking of the boat was unpredictable and he did not want to fall against the desk or the bed.
The man laid an empty camera case on the floor. Guided by the light of the moon through a porthole, he quickly gathered up the tablet and the audio recorder. He swaddled the small piece of rock in its cotton wrap and placed it in the camera case.
And then he was gone, headed away from the public jetty. Dropping the two electronic devices into the water, he watched their gurgling descent in the ivory moonlight, then continued toward the Malvina House Hotel.
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- PublisherSimon & Schuster UK
- Publication date2014
- ISBN 10 1471137708
- ISBN 13 9781471137709
- BindingHardcover
- Number of pages292
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Book Description Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. SIGNED by Gillian Anderson . Book is Unread . Front/Back: New . Spine: New . Pages: New . Jacket: New . First Printing: 1359108642 . NOT price-clipped . Year: 2014. Signed by Author(s). Seller Inventory # 2462
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A Vision of Fire: Book 1 of The EarthEnd Saga Rare Signed & Numbered With Black Sprayed Edges New
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Book Description Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Gillian Anderson ,A Vision of Fire, Book 1 of The EarthEnd Saga, Rare Signed & Numbered With Black Sprayed Edges, New will be sent boxed and via a signed for method of postage Extra postage will be needed for overseas orders if the weight exceeds one kilo book is signed without dedication unless stated otherwise. All books come with a lifetime guarantee No Coa's issued unless the book originally came with one then it will be included with the book. Signed by Author. Seller Inventory # ABE-1663389769406
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