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Waffen-SS Soldier vs Soviet Rifleman: Rostov-on-Don and Kharkov 1942–43 (Combat, 71) - Softcover

Book 71 of 88: Combat

McNab, Chris

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9781472857989: Waffen-SS Soldier vs Soviet Rifleman: Rostov-on-Don and Kharkov 1942–43 (Combat, 71)

Synopsis

Fully illustrated, this study assesses the Soviet and Waffen-SS troops who contested the cities of Kharkov and Rostov-on-Don on the Eastern Front during 1942–43.

As the Axis invasion of the Soviet Union unfolded, two places that suffered exceptionally severely were Kharkov (now Kharkiv) in Ukraine and Rostov-on-Don in Russia. In total, Kharkov would change hands violently four times between October 1941 and August 1943, and Rostov-on-Don also four times between November 1941 and February 1943.

In this book, Chris McNab examines the fighting men of the Red Army and the Waffen-SS who clashed in three battles – one for Rostov (July 1942) and two for Kharkov (February–March and August). He clearly explains the key differences between these two opponents – training, tactics, weaponry, ideology and motivation – and examines how these differences played out in the three engagements, which ranged from open-terrain combined-arms battles to close-quarters street fighting in major urban zones. The text is complemented by specially commissioned artwork and mapping and carefully chosen archive photographs.

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About the Authors

Chris McNab is an author and editor specializing in military history and military technology. To date he has published more than 40 books, including A History of the World in 100 Weapons (2011), Deadly Force (2009) and Tools of Violence (2008). He is the contributing editor of Hitler's Armies: A History of the German War Machine 1939–45 (2011) and Armies of the Napoleonic Wars (2009). Chris has also written extensively for major encyclopedia series, magazines and newspapers, and he lives in South Wales, UK.

Johnny Shumate works as a freelance illustrator living in Nashville, Tennessee. He began his career in 1987 after graduating from Austin Peay State University. Most of his work is rendered in Adobe Photoshop using a Cintiq monitor. His greatest influences are Angus McBride, Don Troiani, and Édouard Detaille.

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