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Synopsis
From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is perceptible on screen.
This book explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. Bringing together an international range of films with debates in philosophy, film theory, literary scholarship and cognitive psychology, author Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind.
Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship.
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About the Author
Sarah Cooper is Professor of Film Studies at King's College London. Her books include The Soul of Film Theory (Palgrave Macmillan, 2013), Chris Marker (Manchester University Press, 2008), and Selfless Cinema? Ethics and French Documentary (2006).
"About this title" may belong to another edition of this title.
- PublisherEdinburgh University Press
- Publication date2019
- ISBN 10 1474452787
- ISBN 13 9781474452786
- BindingHardcover
- Edition number1
- Number of pages208
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