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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # MD-9781474454803
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Seller: Book Deals, Tucson, AZ, U.S.A.
Condition: New. New! This book is in the same immaculate condition as when it was published 0.92. Seller Inventory # 353-1474454801-new
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Condition: Very Good. Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any). 0.92. Seller Inventory # 353-1474454801-vrg
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Seller: Grand Eagle Retail, Fairfield, OH, U.S.A.
Paperback. Condition: new. Paperback. Intervenesin contemporary debates about the relationship between literature and field recordingA field recording is any audio recording made outside of the studio. Such recordings have lately become important to contemporary musicians, sound artists and environmentalists. However, less attention has been given to the relation of sound, as manifested in the theory and practice of the field recording, to writing. The 11 essays collected here take the recent explosion of interest in field recording as the point of departure for an investigation of the sounded field in music and its relationship to literature and writing. Including seminal pieces on field thinking by John Berger and Lisa Robertson, Writing the Field Recording analyses contemporary text scores, histories, composer statements, critical literature, poetry and nature writing in the context of sound studies. Drawing on expertise from a range of backgrounds, including composers, musicians, poets and critics, the collection presents an inter-disciplinary exploration of the various registers in which the field recording is written, such as the essayistic, the creatively exploratory, the experimental and the philosophical alongside critical reflections on artistic practice.Key FeaturesFocuses on sound in relation to poetry, poetics and nature / landscape writingIncludes contributions from published poets Lisa Robertson, Carol Watts and Jonathan SkinnerIncludes the classic essay, 'Field', by John BergerAccompanying sound recordings made accessible via the Resources tab on the Edinburgh University Press website The 11 essays collected here take the recent explosion of interest in field recording as the point of departure for an investigation of the sounded field in music and its relationship to literature and writing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781474454803
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Condition: New. pp. 288. Seller Inventory # 380139286
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Paperback or Softback. Condition: New. Writing the Field Recording: Sound, Word, Environment 0.95. Book. Seller Inventory # BBS-9781474454803
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # FV-9781474454803
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Seller: killarneybooks, Inagh, CLARE, Ireland
Soft cover. Condition: Very Good. Paperback, viii + 279 pages, NOT ex-library. Gently bent tips of corners of the covers and first/last leaves. Book is clean and bright with unmarked text, free of inscriptions and stamps, firmly bound. Straight spine free of vertical creases. -- "Intervenes in contemporary debates about the relationship between literature and field recording. A field recording is any audio recording made outside of the studio. Such recordings have lately become important to contemporary musicians, sound artists and environmentalists. However, less attention has been given to the relation of sound, as manifested in the theory and practice of the field recording, to writing. The 11 essays collected here take the recent explosion of interest in field recording as the point of departure for an investigation of the sounded field in music and its relationship to literature and writing. Including seminal pieces on field thinking by John Berger and Lisa Robertson, Writing the Field Recording analyses contemporary text scores, histories, composer statements, critical literature, poetry and nature writing in the context of sound studies. Drawing on expertise from a range of backgrounds, including composers, musicians, poets and critics, the collection presents an inter-disciplinary exploration of the various registers in which the field recording is written, such as the essayistic, the creatively exploratory, the experimental and the philosophical alongside critical reflections on artistic practice. Key Features: - Focuses on sound in relation to poetry, poetics and nature / landscape writing; - Includes contributions from published poets Lisa Robertson, Carol Watts and Jonathan Skinner; -Includes the classic essay, 'Field', by John Berger; - Accompanying sound recordings made accessible via the Resources tab on the Edinburgh University Press website." -- Contents: Editors' Introduction; Preface: Field / John Berger; Part I: Opening the Field -- 1. Fields, Theory, Field Theory: John Berger and Manfred Werder Define a Field / Nicholas Melia 2. The Nondescript / Stephen Benson 3. Text-Score-Text / Will Montgomery; Part II: The Poetics of the Field -- 4. Rubies Reddened by Rubies Reddening / Michael Pisaro 5. Pitch of Inhabiting: Thoughts on the Practice of Sound, Poetry and Virno's 'Accustomed Place' / Carol Watts 6. Druids Fielding Questions: Eva-Maria Houben, Emily Dickinson and Charles Ives / Dominic Lash 7. Field Recording as Writing: John Berger, Peter Gizzi and Juliana Spahr / Redell Olsen; Part III: The Field in Practice -- 8. Bittern Space, a Siskin / Patrick Farmer 9. Disquiet / Lisa Robertson 10. Hedges / Daniela Cascella 11. Stirrup Notes: Fragments on Listening / Jonathan Skinner; Notes on Contributors; Index. Seller Inventory # 010374
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