Items related to Sharp Objects
Some scars never heal . . . An addictive thriller from the author of the mega bestseller GONE GIRL.
When two girls are abducted and killed in Missouri, journalist Camille Preaker is sent back to her home town to report on the crimes.
Long-haunted by a childhood tragedy and estranged from her mother for years, Camille suddenly finds herself installed once again in her family's mansion, reacquainting herself with her distant mother and the half-sister she barely knows - a precocious 13-year-old who holds a disquieting grip on the town.
As Camille works to uncover the truth about these violent crimes, she finds herself identifying with the young victims - a bit too strongly. Clues keep leading to dead ends, forcing Camille to unravel the psychological puzzle of her own past to get at the story. Dogged by her own demons, Camille will have to confront what happened to her years before if she wants to survive this homecoming.
"synopsis" may belong to another edition of this title.
Review:
Gillian Flynn is TV critic for US magazine Entertainment Weekly, but after the highly impressive thriller debut that is Sharp Objects, she may have to re-think the day job particularly as such masters of the thriller as Harlan Coben and Stephen King are falling over each other to praise her novel.
Review:
Flynn s conflicted heroine is journalist Camille Parker, who is holding down a job on a low-rent newspaper, convinced that she s inspiring only feeling of disappointment in her editor, who has nursed unfulfilled hopes for her journalistic career. Camille, from a small town called Wind Gap in Missouri, sees herself as white trash, but actually hails from a moneyed family. To maintain her sanity, she has escaped from the town and her highly-strung, hypochondriac mother. But bad news beckons: she is summoned by her editor, who suggests she return to her home town to cover the abduction and murder of two young girls. Despite all her reservations (not least for her own mental equilibrium), she feels she must go, returning to the impressive Victorian mansion that was her home. She is quickly back in dangerous territory with her demanding mother and reminding herself how she fell into a dark cycle of self-harm. Another problem is her Lolita-ish half-sister, a precocious teenager with a following of alienated girlfriends and some dark secrets of her own. Back in this destabilising territory, Camille is reminded of the childhood tragedy that left a mark on her. Looking into the deaths of the murdered girls, she starts to make big mistakes: going to bed with the investigator assigned to the case, and, worse, getting involved with the prime suspect, a disturbed teenager.
This heady brew of Southern gothic is dispatched with an assurance that totally belies the fact that this is a debut novel and, what s more, will have most readers hungry for more of Gillian Flynn s individual brand of sexually-charged menace. --Barry Forshaw
To say this is a terrific debut novel is really too mild ... [it is] a relentlessly creepy family saga. I found myself dreading the last thirty pages or so, but was helpless to stop turning them. Then, after the lights were out, the story just stayed there in my head, coiled and hissing, like a snake in a cave (Stephen King)
This is a stylish thriller about housewives who don't recognise their own desperations, while the reader recognises with fascinated clarity the nastiness and vacuity of life in an updated Stepford (Literary Review)
It is a stunningly accomplished evocation of the oppressiveness of small-town life and is just as assured in depicting the gradually revealed psychological disorder that links Camille to both the killer and victims (Sunday Times)
Compulsively disturbing and ... exciting (Time Out)
[A] striking first novel ... a relentlessly dark tale, with some very disturbing characters, Camille among then, and it makes a powerful impact (Sunday Telegraph)
A stylish and compelling debut. A real winner (Harlan Coben)
If you love Martha O'Connor look out for Gillian Flynn's debut, Sharp Objects ... a gothic fairytale-gone-bad (Company)
The horror creeps up slowly, with Flynn misdirecting the reader until the shocking, dreadful and memorable double ending (Publisher's Weekly)
Six years before she became famous for Gone Girl, Gillian Flynn's first book wowed the critics.. it's a dark, unsettling read that fills you with doubt and keeps you second-guessing the whole way through" (ESSENTIALS)
This is a stylish thriller about housewives who don't recognise their own desperations, while the reader recognises with fascinated clarity the nastiness and vacuity of life in an updated Stepford (Literary Review)
It is a stunningly accomplished evocation of the oppressiveness of small-town life and is just as assured in depicting the gradually revealed psychological disorder that links Camille to both the killer and victims (Sunday Times)
Compulsively disturbing and ... exciting (Time Out)
[A] striking first novel ... a relentlessly dark tale, with some very disturbing characters, Camille among then, and it makes a powerful impact (Sunday Telegraph)
A stylish and compelling debut. A real winner (Harlan Coben)
If you love Martha O'Connor look out for Gillian Flynn's debut, Sharp Objects ... a gothic fairytale-gone-bad (Company)
The horror creeps up slowly, with Flynn misdirecting the reader until the shocking, dreadful and memorable double ending (Publisher's Weekly)
Six years before she became famous for Gone Girl, Gillian Flynn's first book wowed the critics.. it's a dark, unsettling read that fills you with doubt and keeps you second-guessing the whole way through" (ESSENTIALS)
"About this title" may belong to another edition of this title.
- PublisherW&N
- Publication date2015
- ISBN 10 1474601723
- ISBN 13 9781474601726
- BindingPaperback
- Number of pages336
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