A phenomenal account, newly updated, of how twelve innovative television dramas transformed the medium and the culture at large, featuring Sepinwall’s take on the finales of Mad Men and Breaking Bad.
In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes.
Drawing on interviews with writers David Chase, David Simon, David Milch, Joel Surnow and Howard Gordon, Damon Lindelof and Carlton Cuse, and Vince Gilligan, among others, along with the network executives responsible for green-lighting these groundbreaking shows, The Revolution Was Televised is the story of a new golden age in TV, one that’s as rich with drama and thrills as the very shows themselves.
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Alan Sepinwall has been writing about television for close to twenty years. Formerly a TV critic for the Newark Star-Ledger (Tony Soprano's hometown paper), he currently writes the popular blog What’s Alan Watching? on HitFix.com. Sepinwall's episode-by-episode approach to reviewing his favorite TV shows, "changed the nature of television criticism," according to Slate, which called him, "the acknowledged king of the form." Visit AlanSepinwall.com.
"Mr. Sepinwall's book, which was self-published, has all the immediacy and attention to detail that has won his blog so many followers (including this one). It also stands as a spirited and insightful cultural history." -The New York Times
"So when I picked up Alan's terrific new self-published book, The Revolution Was Televised --by which I mean, when I downloaded it onto my phone and scrolled nonstop for two days--I knew it would be good. And it is: the book is a smart and substantive walk through the past fifteen years of television drama, making a lucid case for the auteurist mentality among modern showrunners." -The New Yorker
"Sepinwall is a sharp and prolific critic in his own right. In Revolution, though, he admirably often stands back and lets his subjects' words speak for themselves. But then he stitches the narrative together with insights that will make you see anew just how a Friday Night Lights or Buffy season truly worked, while tossing off the kind of dead-on descriptions that make his blog a blast to read." -Time
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