Setting Fires: A Novel - Softcover

Wenner, Kate

Softcover

ISBN 10: 1476790744 ISBN 13: 9781476790749

Publisher: Scribner, 2014

Synopsis

Setting Fires is the gripping story of Annie Fishman Waldmas, a documentary filmmaker, wife, and mother of two young children, who uses her professional skills to unravel the shocking secrets behind the two fires that come to dominate and haunt her life.
The novel begins with a pair of phone calls that shatter Annie's contentment forever. The first brings news that Annie's country house in Connecticut has burned, in an area where two other Jewish-owned buildings have also recently burned down. The second and far more distressing call informs Annie that her beloved father -- the family patriarch, burdened by a lifelong shame that Annie will soon uncover -- has been diagnosed with cancer.
Gradually, as Annie and her father forge a new and closer bond, he is able to acknowledge his history of poverty, his struggle for survival, and the near-tragedy it led to. Annie's determination to help her father find peace and forgiveness before dying meshes inextricably with her determination to find and expose the anti-Semitic arsonist who threatens her own family.
Annie's passionate search reaches back four generations from the early roots of the Fishman clan in Russia and New York to the modern-day lives of Annie, her siblings, and their divorced parents. At the same time, it throws Annie's relationships with her own husband and children into chaos, and rocks the family life on which she has always depended for stability and support. Not until Annie discovers and resolves the final truths -- by her own wit, perseverance, and self-knowledge -- can she reestablish the harmony she treasures.
Kate Wenner, an award-winning former producer of 20/20, makes a startling fiction debut in this powerful novel about a courageous woman's struggle to come to terms with a complex family history.

About this title

About the Author:

Kate Wenner was raised in California during the 1950s, graduated from Harvard, and traveled throughout Europe, the Middle East, East Africa, and Central and South America before moving to New York, where she spent fourteen years as an award-winning producer for ABC's 20/20. Wenner is the author of the novel Setting Fires and a memoir, Shamba Letu: An American Girl's Adventures in Africa. She lives in New York City and the Berkshires with her husband, artist Gil Eisner, and their two children.

Excerpt. © Reprinted by permission. All rights reserved.:

Chapter One

Two fires taught me lessons about my life, two fires separated by nearly six decades. The second fire was mine, but the first was my father's, and it happened in 1931, when he was fourteen years old.

My father, Abraham David Fishman, was a short boy with large dark eyes, a Buster Brown haircut, skinny arms, and bowlegs. He was the youngest of four children living in a dreary, two-room apartment on Flatbush Avenue in Brooklyn. Abie's father was long dead. Abie's mother was a walnut-faced woman with the shape of a fireplug, who pursued her small family's survival with brutal tenacity. It had taken Minnie Fishman -- an immigrant from Russia -- three decades in America to reach the pinnacle of all her hopes: her own dry goods shop stocked with everything from bolts of fabric to ladies' undergarments.

There had been other fires in Minnie Fishman's stores, but they were a dim and mostly forgotten part of young Abie's experience. The fire that changed his life, the one that became indelible, took place on Christmas Eve, a night of plummeting temperatures before a dusting snow.

As usual, Abie was helping his mother and sister in the store. Even though they were Jews (by birth, if not by practice), Christmas was an important season for the Fishmans, a time to sell to the Italian immigrants who had moved into the neighborhood. Because of the holiday they had been busy sorting and organizing merchandise until midnight. As they prepared to lock up, Minnie ordered Abie to bring in the empty cardboard boxes he had stacked in the alley that morning. Abie didn't understand why his sister, Fanny, older by five years, was pulling the paper stuffing from the boxes and spreading it across the floor. Or why Fanny and Minnie were whispering. Or why they ran out to hush him up when he whistled a John Philip Sousa march as he cranked up the awning.

At home, two short blocks away, Abie and Fanny were hurried into bed. Their mother pretended she had been sleeping when the police came pounding at the door. Terrible news: Her dry goods shop was blazing. The Fishmans ran back up the street they had just come down. Abie saw the yellow-orange flames flicking through the broken windows. The new snow touched his eyelids.

Minnie Fishman wailed in despair, holding her head between her hands and rocking it back and forth as if to deny the awful thing that was happening to her. The Irish policemen nodded in sympathy. The poor Widow Fishman. To think of such bad luck at Christmastime.

Minnie Fishman was an expert at self-induced fainting. She crumpled right on the spot, and the policemen shooed everyone away so they could minister to the fallen widow. Unnoticed, my father stepped back into the protective shadows of the night. He felt the heat, and when he smelled the oddly familiar stench of burning cotton, the scrim of childhood lifted. At fourteen, Abie Fishman was now old enough to see clearly. As the flames grew and destroyed all of Minnie Fishman's unsold and insured merchandise, the drama that formed my father's character, the story of his life, began.

My fire happened fifty-six years later. At that time I did not know about his fire. I'm sure that in a way he didn't really know about it either. My father had dedicated himself to leaving his past behind. He had been a poor boy, and now he was a wealthy man. Doggedly he had used his wits and his will, tackled life's adversities, and won. He had gained the trust and admiration of other wealthy men who turned their money over to him so he could double and triple its value in real estate investments. He protected their profits with clever foresight and a rigorous manipulation of the federal tax codes. He did not break laws, but he found the gray areas where interpretation could be argued. My father knew he was smart, and he relished his intelligence. Sometimes he would muse proudly about how we peripatetic Jews had developed our splendid brain pool by constantly having to pull up stakes and move on with nothing but the cargo between our ears. At other times, in a less sanguine mood, when a cranky antagonism overcame him, Abe Fishman would explain that the reason he had resolutely turned his back on his Jewish roots was because the words "Jew" and "poor" were synonymous to him.

The date of my fire was October 4, 1987. When I got the call, I was working in my eighth-story office, the back half of a converted loft in the Tribeca section of downtown New York. From that perch, where I had a sliver of a view of the Hudson River, I ran my own small documentary production company, which had won a respectable number of awards for programs that investigated injustices done to women and children. That was my niche.

I could never manage to eat much before the sun went down, so during the daylight hours caffeine kept me going. The phone call came at eleven-thirty in the morning, about the time I had finished my third cup of coffee. A neighbor who lived a quarter of a mile down the road from our country home, a small farmhouse in the town of Brookford, Connecticut, had spotted smoke pouring from our chimney. Maybe it was only something wrong with the furnace, but to be on the safe side she had summoned the fire department.

I telephoned the house, hoping to talk with the firemen as soon as they arrived, but each time I dialed, the phone was busy. I called the operator. She put me on hold while she checked the line. I stared at the second hand on my watch as I waited for her return. In a minute and forty-two seconds she was back. Our phone line had shorted out. I might want to call the local fire department to have them go over and take a look. Just a precaution, she assured me. Better to feel secure.

Panicked, I called my husband, Josh. At eleven-thirty in the morning he'd be holed up in his cubby in a corner of the newsroom of The New York Times poring over the pile of photographs that were under consideration for the next edition of the newspaper. Josh's job was to select the pictures of the politicians, heroes, and criminals that illustrated The Times each morning. He would have preferred to be the one taking the photographs, but the truth was his temperament was more suited to coping with the frenetic pace of the newsroom than it was to being out on the streets of the city battling other newspaper photographers for the best shot.

"The house in the country might be on fire," I said quickly, getting in the crucial information before he could bark at me for calling.

"Annie, I've got to get into the front page meeting."

"Josh, did you hear me?"

My second line was ringing. I put Josh on hold while I picked it up. It was our neighbor, confirming that indeed there was a fire. At that very moment our beloved country house, the place that had depleted our small savings nine years back, the run-down Colonial we had joyfully restored to its original simplicity, the peaceful retreat where we had brought our children when they were newborn babies -- our home and refuge from New York City life -- was burning out of control.

Three hours later (an hour for Josh to meet his photo deadlines and two hours for us to drive northeast at a terrifying speed) Josh and I fell silent as we rode up the last hill to our house. I had been biting my cuticles raw for the last hour of the drive, and now I dropped my smarting hand over Josh's as he shifted into a lower gear. He did not look away from the road, but he opened his long fingers to enclose mine.

Pickup trucks lined the road in front of our house. They belonged to the local men who coped with town emergencies -- the men who manned the town ambulance, drove snowplows and salt trucks through frigid winter nights, put out fires. These men would come at any time of day or night to pull a neighbor's car out of a snowbank or to ferry a child with a broken arm thirty miles to the nearest hospital, accepting only a handshake for thanks. We always sent our donations to the volunteer fire department, the ambulance service, the town recreation committee. We enjoyed the contact we had with these men, all Brookford year-round residents, but we generally saw them only when we needed some help with electricity or plumbing, or when we went into town to do errands. Even though they had certainly fought for our house with the same ready courage they would have used to protect their own homes, we were not at all prepared for the sudden intimacy of having them move through our bedrooms with hoses.

From a hundred yards off, we still saw no signs of a fire, but as we closed in, the blackened and broken windows looked like hollow eyes. Exploded sofas, scorched chairs, soaked mattresses, burnt sheets and blankets, were strewn across the vibrant green lawn, and the white clapboard siding showed black plumes where the smoke had seeped from within.

The fire had been extinguished, but a handful of firemen had remained behind to be sure no hidden cinder reignited the flames. It had rained briefly, and the rising smoke, driven back down by the mist, became a film of soot that covered the lawn, the house, everything. We stepped across the moat of broken glass and up to a kitchen door that was no more. The town fire marshal, Norman Jukes, and a man who introduced himself as "Eddie Shank, the fellow the insurance company sent to help you out," dropped back to let us go on alone -- the bereaved making our first inspection of the ravaged corpse.

The house was a dark cave. Water dripped from the ceiling, down charred walls, forming obsidian pools on the floor. The smells were powerful -- acrid smoke, melted plastic, burned wool. As we stepped ahead I remembered once traveling down deep into a coal mine and the feeling of sinking into earth, falling farther and farther away from light and breathable air. That's what it felt like now as I stepped into my blackened home. My eyes were watery with shock, not tears. My throat constricted around a filament of breath. I started to shiver uncontrollably. Josh took my hand and held it hard.

The fire had been halted just short of the kitchen that formed the south end of our house. Cooking was one of our favorite family activities each weekend. Josh made pie crusts and fresh pasta with our two children; I made soups and stews, since I was only good at cooking things in which the careful measurement of ingredients didn't matter. Now the kitchen looked like the inside of an abandoned backwoods shack that had been left neglected for years. The pine cabinets were blistered and cracked. Threads of soot hung from the ceiling. The floor was piled with sodden bedclothes that had been pulled off the mattresses as they were carried out to the lawn.

The children's playroom was directly above the kitchen. It was the only other room the flames had spared. Josh and I stopped at the top of the stairs to stare at the strange scene that looked like a fairy tale in which toys had been granted a few minutes of life and then frozen in midaction. The intense heat had stretched Barbie's plastic arms, which seemed to reach out for love. He-Man's bulbous muscles had bubbled up and then collapsed to flab. The Fisher-Price tape recorder had cracked open and disgorged a spaghetti of brown tape.

Then I saw the wall covered with our children's drawings. At the center were the self-portraits they had drawn the previous Saturday afternoon. Eli and Hannah had stretched out on the playroom floor on long sheets of white butcher paper while Josh and I traced around their small bodies with red markers. Kneeling above their outlines, they industriously crayoned in the details of their imagined selves. Seven-year-old Eli, who was lanky like Josh and had his unruly black hair, had turned himself into an astronaut. Nine-year-old Hannah had made herself into an Olympic gymnast, complete with a red-white-and-blue leotard and a gold medal hanging around her neck. Hannah took after me in looks and temperament. We were wiry, small-boned, with frizzy, straw-colored hair, and we were both edgy by nature.

Josh and I walked up to these two life-sized portraits. Ragged black tributaries ran through them where the built-up heat within the walls had seared the paper. It was a terrifying vision of what could have happened to our children had we been sleeping in the house when the fire broke out. I pressed my hand across my mouth to keep myself from moaning.

"You were lucky, Mrs. Waldmas." The insurance man came up behind me and slid his arm around my shaking shoulders. "I've gone into houses where the children were lying dead in their beds." I quickly pulled away from him. I had never met Eddie Shank or seen his pockmarked face before.

Beyond the playroom, the section of the house that had contained our bedrooms was a gaping hole. The remaining, singed ends of the thick eighteenth-century beams were like amputated stumps. We lifted our eyes to the wide opening in the roof above. Soft rain drifted in and wet our faces. We peered down three stories to the mounds of burned debris collected in the basement. The fire marshal, joining our slogging inspection, pointed his flashlight into the darkness below. "There was a short in your basement wiring. Should always have the wiring checked in an old house. That's the thing, isn't it? Electricity's a force of nature."

"The trouble is, people don't like to think they're sleeping in a tinderbox," Eddie Shank chimed in. He was wearing a blue satin baseball cap, which he pushed back. One of his front teeth had a gold cap, and he ran the tip of his tongue over it.

Norman Jukes went on, "City folks buy themselves a nice place to escape to in the country and never imagine it can bring them troubles. By the time I'm on the scene, sorry to say, it's too late to take the necessary precautions."

I folded my arms and pulled them in tight against my ribs. My muscles ached from cold and lack of breath. The gray afternoon was still wet, both inside and outside our blackened house, and I had not stopped shivering. I would have liked to lean into Josh, to find comfort against his long body, but Josh was standing at a calculated distance. I suppose he knew instinctively that this wasn't a moment to reveal too much of ourselves.

"Was that what caused Shelly's fire? Was his fire electrical, too?" Josh asked. Shelly Weiss owned a small sandwich shop and bakery, the Brookford Café, one of the few businesses our small town could support. Just over two weeks back, in a fire that raged before dawn, Shelly's place had burned to its cement foundation.

"Still lookin' into that," Jukes said. "That one's still under investigation." It was clear he deemed it professionally inappropriate to offer anything more.

ar"I see," Josh said. "Shelly had a fire, we had a fire."

I studied my husband. Shelly Weiss was the only Jewish merchant in Brookford, and as far as we knew, we were one of the only Jewish families. Was Josh looking for a connection?

Norman Jukes must have realized what Josh was thinking. "Come on down to the basement, Mr. Waldmas," Jukes suggested. "I'll show you where the copper wires fused from the electrical short. It's pretty straightforward once you see it."

I followed behind the three of them as they set out on their mission. They climbed over rubble that had fallen when the floors above collapsed, then bent their necks to get a view of what remained of the basement ceiling, where the scorched electrical wires were still tacked in place.

There it was, the evidence of our neglect. Two frayed ends hung down from the spot where the copper wires had melted through the insulation. Norman Jukes showed Josh how they had fused into small, hard lumps. The only thing that could cause that sort of copper fu...

About this edition

• Publisher: Scribner
• Publication date: 2014
• ISBN 10: 1476790744
• ISBN 13: 9781476790749
• Binding: Paperback
• Number of pages: 304