Restless, troubled Rosamond Hunter has spent most of her life running away from the past, filled with guilt about her involuntary role in her mother’s death. When her nursing job brings her back to Fairfleet, her childhood home, to care for an elderly refugee, she is forced to confront the ghosts that have haunted her for so long.
Her patient, Benny Gault, first came to Fairfleet, England, in 1939, having fled Nazi Germany on a Kindertransport train.
As his health fails, he and Rosamond begin to confide in each other. At first their tentative friendship revolves around the love they both shared for Rosamond’s glamorous grandmother, Harriet, but as their trust in each other grows, guilty secrets are exposed and history is turned on its head.
From the acclaimed author of Playing with the Moon and Restitution comes a beautiful and haunting tale of friendship, redemption and forgiveness across generations.
Revised edition: This edition of The One I Was includes editorial revisions.
"synopsis" may belong to another edition of this title.
The One I Was was titled 'Fairfleet' for the period of two years in which I wrote it, because the house itself seemed to be such a part of the narrative, almost a character in its own right. Eventually I changed the name, because a friend, rightfully, pointed out that it gave the book a nautical, if not naval, air! It is set in inland England, near the historic cities of Oxford and Abingdon, so I was worried that this would be misleading. The One I Was as a title popped into my head at a random moment and it seemed completely the right title for the book. Benny comes to England as a refugee from Nazi Germany and immediately realizes that to flourish in a new country he needs to reinvent himself into someone irreproachably English. But are we still the same people we were when we were children? And if you try and change yourself into someone else can you always succeed?There are lots of other things in the The One I Was that fascinate me: topiary animals and peacocks. Appropriately, only last night, a few weeks after the book was published, a friend and I nearly jumped out of our skins when a peacock shrieked at us in the dark. A Spitfire plane also features in the novel as an emblem of freedom and danger, completely irresistible for Harriet Dorner, female pilot.
Eliza Graham spent her biology lessons sitting at the back of the classroom, reading Jean Plaidy novels behind her textbooks. In English and history, however, she sat right at the front, hanging on to every word. At home she read books while getting dressed and cleaning her teeth, and during school holidays she visited the public library several times a day.
At Oxford University she read English literature on a course that regarded anything written after about 1930 as too modern to be included. She retains a love of Victorian novels and the poetry of the seventeenth and nineteenth centuries.
Eliza’s first novel, Playing with the Moon, was longlisted for Richard & Judy’s Summer Read category and named one of the World Book Day 2007 ‘Books to Talk About.’
Find out more about Eliza on her website, elizagraham.co.uk, and follow her on Twitter @Eliza_Graham.
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