Who are we? Where do we come from? What is our purpose? These questions have been asked throughout our existence. Ever since the first campfire was lit, we have asked ourselves if we could do better. And we have wondered what lies in the future. Exposed is a collection of poetry written by John McCarthy, first as therapy and then as an outlet for a vast expanse of emotions. His perspective has been shaped by thirty years of police and investigation experience and by being an avid hunter and nature enthusiast. This collection is the culmination of a four-year journey that begins with despair over a broken marriage and ends in redemption. It's an honest reflection of life's experiences and of a search for a higher calling. This poetic journey begins with "Something's Wrong" in which two strangers in a long marriage pass each other as life goes by. They know everything about each other, but they do not really know the things that matter-particularly how to say the things that need to be said. The author's melancholy path takes us through periods of reflection and self-pity, but it closes on a note of hopefulness. Exposed reveals the poet's enlightenment and purpose-his love of the mountains and the sea, and inspiration passing through old, lonely country towns that time has forgotten. Experience the world through McCarthy's eyes and words: the tragic, the sadness, the lonely, the joy, the redemption, and the beauty.
"synopsis" may belong to another edition of this title.
Acknowledgements, vii,
Introduction, ix,
Favorite Quotes, xi,
Something's Wrong, 1,
In an Old, Gray Town, 3,
In the Heart of the County, 5,
Everything You Need, 7,
Alone in the Dark, 9,
Where Have All the Cowboys Gone?, 11,
The Unwanted Man, 13,
The Illusions Are Real, 15,
Soulitary Confinement, 17,
I Come to the Mountains and the Sea, 19,
Echo Bay, 21,
Autumn in New York, 23,
Walking through Woods, 25,
I Can Hear the Children Cry, 27,
Apples and Roots, 29,
Killing His Dear, 31,
I Have Fallen, 33,
The Man, the Rope, and the Tree, 35,
Is Me, 37,
Surrender My Love, 39,
Word of the Day, 41,
Forever and Always, 43,
Scrambled, 45,
Nightmare, 47,
I Have Seen the Gate, 49,
The Tiger in the Boat, 53,
I Will Never Forget, 55,
They Were Kings, 57,
We Hold These Truths, 59,
The Ship of Fools, 61,
Sunshine in My Eyes, 63,
The Man on the Corner, 65,
You Are Not Alone, 67,
Jack Doyle, 69,
Under the Locust Tree, 71,
Brother, 73,
I Want to Be, 75,
Dan Striker, 77,
The Lonely Heart, 79,
Key Largo, 83,
Redemption, 85,
The Timekeeper, 87,
Exposed, 89,
Stardust, 91,
Hope Springs, 93,
The Long Road Back Home, 97,
Something's Wrong
"There's something wrong," she says
With a sigh.
Anguished looks with tension-filled stares,
Troubled glances as they walk by.
Months turn to years, and years turn
To stone.
No talking, just walking to be
Left alone.
Children grown, no phone calls or cards.
Toys all gone, broken bikes in
Empty yards.
"There's something missing," she says with a look.
Uneven sighs with crumpled brows
Into uncovered books.
"There's something not right," she says
With a glance.
Sleepless bed, romantic dreams have
No chance.
Months turn to years, and years turn
To blank.
Lonely bags on an uncharted course,
I don't think she's coming back.
"There's something wrong," she says
With a tear.
All those years together are gone. Memories lost,
I fear.
Years dissolved to nothing. And nothing
Turns to dust.
All gone. Left alone. Blown away
By a gust.
In an Old, Gray Town
In an old, gray town, darkened by a
Winter sky,
Sit lonely, broken people, whose
Dreams have died.
Silent and soiled, stained from
Poverty's hold.
Passing through life's span,
Their stories forgotten, and
Happiness never tried.
Timeless tales of stories left
Untold.
Faces scared with blank stares,
Shivering in the cold.
Forgotten people with empty yards
And empty plates.
Wrinkled children sketched with
Faces of old.
Whispering wind crashing through a
Broken gate.
Decaying lives, clinging, and gasping
At heaven's wait.
Senseless touch of a cold, heartless
Pain.
Doubting dreamers of a
Futureless state.
This nameless old town, whose
Outlook is bleak
Has nameless old people, whose
Names we don't speak
And shutters and gates that
Rattle and creak.
An old town with old people, who
Rattle and creak.
In the Heart of the County
There is a county in upstate New York where the fields are
Green and vast.
There is a field there, in that county, where the grass grows high
And the sun lasts.
And on that field sits a house, old and gray, clapboards worn
And curtains torn.
And in that house is a room, where the occupant sits
And hope was born.
The occupant of that room is a man, whose name is on a
Board at the road.
Inside that man is a heart filled with pain
And surrounded by cold.
The heart beats slowly now. The days are short,
And the nights grow long.
He thinks about how lonely he is
And feels he doesn't belong.
For in that heart of the lonely man who sits inside that old, gray
house
In that field
Is the hope for a better day, unlike today,
And a promise that
love may yield.
Everything You Need
Everything you need to know is right there
In front of you.
The problem with seeing is believing
What you see.
Events become tainted and askew.
People turn out changed, not what
They ought to be.
Everything you want to hear is right there
In front of you.
The problem with hearing is believing
What you hear.
Talk becomes cheap, something that
Our mouths spew.
Listening turns out to be a chore, easier to
Turn out a tear.
Everything you want to feel is right there
In front of you.
The problem with feeling is believing
What you feel.
Touch becomes painful, something that our
Hearts already knew.
Feelings turn out to be an obstacle. Don't want to feel the
Pain that is real.
Everything you need to know is right there
In front of you.
The problem with seeing, hearing, and feeling is
Knowing what is wanted.
And what is real.
Logic becomes the shackle when
Love comes to view.
Pain fills the heart, tears flow down from swelled eyes
When true love is squandered.
And your heart wants to feel.
Alone in the Dark
Although the pain has filled
My heart,
You will never see a tear on
My cheek.
Although the time has come for us
To part,
I can never show that I am mortal
And weak.
Real men cry alone in the
Dark,
Where no one can see their pain fill
Their eyes.
Real men weep alone in the
Dark,
Where no one can hear the anguish in
Their sighs.
They walk away, close the door, and sit in a room
Filled with black,
Never revealing the river of emotion streaming down upon
Their face.
They say a few words, grunt and mumble, and are strong when
They come back.
But they have left themselves in some lonely,
Dark place.
The pain and sorrow have killed the fire in
Their soul.
The unmentionable abuse and sleepless nights have
Taken their toll.
But for the ones who rely on them the most,
They play the part.
Real men cry alone, in the
Dark.
Where Have All the Cowboys Gone?
Who sits tall in the saddle
Today?
Who protects us when evil lurks, looks out for us, and
Leads the way?
Who is there to show us when right is right and
Wrong is wrong?
Where have all the cowboys gone?
When you walk through a door and it
Slams in your face.
When a fight and angry words break out
Over a space.
When courage calls for his friend, integrity,
To ride on.
Where have all the cowboys gone?
No more tips of the hat and
"Thank you, ma'am."
No more "Howdy neighbor, I'll do
What I can."
No more "Friend in need, I'll share
What I own."
Where have all the cowboys gone?
Why are there no more heroes
To call?
Why are there no more men to
Stand tall?
Why are we so used to
Being alone?
Where have all the cowboys gone?
The Unwanted Man
No calls or faxes, no e-mails
Or notes.
No smiles or glances, no comfort
Or conciliatory votes.
The loneliness and heartache accompany me;
I am not alone.
The feelings of emptiness and solitude,
That is what I own.
Empty walls where pictures belong, no nails to hang
Any hope.
Vacant hearts where love belongs; no emotion to heal,
Falling fast down a dangerous,
Slippery slope.
The despair can fill your head and cloud your judgment,
Like Richard Cory.
The desperate path down the road of pain and emptiness—
There is no glory.
The sun will rise one day; I can
Only hope.
I know the loneliness and pain will go away; I will learn
To cope.
The words I have to speak now, to get through the day, are
"Yes, I can."
This is the path I own right now, the journey of
The unwanted man.
The Illusions Are Real
Once, in a moment of despair,
while grasping for strings,
Gasping for air,
I fell down a mountainside.
Going nowhere fast.
Struggling to turn the tide,
Feeling nowhere bound.
And trying to undead the part of me
That I knew had died.
Twice, for a chance at
Redemption—I climbed
A slippery slope.
Both times, I have to meekly mention,
I was unprepared for adversity.
I had no rope.
Three times was not the charm for me.
I became a casualty of myself,
Of my misguided rain.
Tried to climb to the highest peak,
To find a view of the sea.
Wishing I had rope, to tie from a limb,
To hang from my neck,
To swing free of my pain.
Finally, I have found my peace
And an understanding of my place.
Found the answer in the simple things,
Such as a banana peel.
You have to peel back its skin
To find its true face.
I had to peel away all that was clouding
My way—to find
The illusions are real.
Soulitary Confinement
There is a weathered old man with hair of gray
And a faraway stare.
He lives in a house made of logs,
And his soul is bare.
His house is his prison; his guilt
Is the bars.
His heart is empty,
And the years have been many, and he says he
Just doesn't care.
The punishment is long, and there is no
Chance of parole.
The warden is his conscience, who hides the
Key to his soul.
The screws are his memories,
The nightmares of his dreams.
The ideation of suicide is not
One of his goals.
There are many ways to imprison a man,
More than we know.
Bars and cement are not needed, just
Shackles around his
Heart and soul.
Our guilt and conscience can violate our freedom,
More than any prison or guard can ever do.
Forgiveness is the key to those shackles
Around our heart,
The only way to
Let love grow.
I Come to the Mountains and the Sea
There is no place I would rather be than in the mountains
Or by the sea.
To walk among the pines, smell the fresh air, and climb
The highest peak,
No other place could exist or entice me so,
That I would seek.
Or to walk barefoot in the sand, smell the salt sea, and feel the
mist of the ocean,
No other place could be more real or draw me more near
Or could offer more devotion.
What is it about the mountains or the sea that they have this
Calling just for me?
Is it the history of who I am
And where I am from?
Or is it the quest to find my place, my unique self,
And the place from where I came?
A distant past, a chapter in my dreams,
Where my blood was born.
I come to the mountains and the sea, not for complicated reasons,
But just to be.
The places where I find my most comfort and can empty my mind
Of the everyday obstacles that incarcerate my body.
I come to the mountains and the sea for no other reason
Than just to be
Free.
Echo Bay
Standing on the jetty, watching the sea
Hit the rocks.
Smelling the salt in the air and gazing at seagulls,
Flying in flocks.
Feeling the breeze off the sea
And spotting a sailing boat.
October sunsets over the bay can be real cool;
I should be sporting a coat.
Watching the boats come back to port at the
End of the day.
Seeing the sky turn from blue to pink as it sets over
Echo Bay.
Feeling the force of nature in its truest form
Is the key.
Knowing what I know and who I am.
Seeing what I see,
Standing on the jetty with the sea
In front of me,
There is no place in the world I'd
Rather be.
Autumn in New York
This is my favorite time of year,
The days between Christopher and
The New Year's baby.
The days after that can be dark and
Lonely.
Howling winds, trees are bare,
Chancing outside is just a maybe.
But this time, in New York, with leaves of gold, red,
And brown,
With sunny days and cool nights,
I dare you to find a better town.
Walking through the park, feeling the crackle of leaves beneath
my feet.
Watching the squirrels scurrying around,
Burying their treats.
Piles of leaves, ten feet high, on every block.
Bands of kids on bikes riding through them
Like birds in a flock.
Eager anticipation of all the festive days
That lie ahead.
Celebrations with family and friends around the table,
Breaking bread.
Autumn in New York,
There is no better place to be.
I'd bet it would be a hard search
To find a Vermonter who would agree.
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