Items related to The Making of an American
Synopsis
On the outskirts of the ancient town of Ribe, on the Danish north seacoast, a wooden bridge spanned the Nibs River when I was a boy—a frail structure, with twin arches like the humps of a dromedary, for boats to go under. Upon it my story begins. The bridge is long since gone. The grass-grown lane that knew our romping feet leads nowhere now. But in my memory it is all as it was that day nearly forty years ago, and it is always summer there. The bees are droning among the forget-me-nots that grow along shore, and the swans arch their necks in the limpid stream. The clatter of the mill-wheel down at the dam comes up with drowsy hum; the sweet smells of meadow and field are in the air. On the bridge a boy and a girl have met.
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About the Author
Jacob A. Riis (1849–1914) was the first reformer to effectively convey to a wide public the unacceptable nature of living conditions endured by the urban poor. His use of the relatively new medium of photography brought an unprecedented power to his message. In 1870 Riis, born in Ribe, Denmark, arrived in New York as a Danish immigrant, one among thousands of the poor, friendless, and unskilled. Like so many, he frequently spent nights in police station lodging houses, the shelters of last resort in late nineteenth-century New York. He soon left the city to work at an assortment of rural jobs, but returned in 1877 to find steady employment as a police reporter for the Tribune (1877–88) and, later, the Evening Sun (1888–99). New York’s police headquarters was then on Mulberry Street, in the heart of the Lower East Side slum district. As Riis’s familiarity with the neighborhood’s squalid living conditions deepened, he began to employ his journalistic skills to convey his revulsion to the public.
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