Merchants of Truth: The Business of News and the Fight for Facts - Hardcover

Abramson, Jill

Hardcover

ISBN 10: 1501123203 ISBN 13: 9781501123207

Publisher: Simon & Schuster, 2019

Synopsis

The definitive report on the disruption of the news media over the last decade. With the expert guidance of former Executive Editor of The New York Times Jill Abramson, we follow two legacy (The New York Times and The Washington Post) and two upstart (BuzzFeed and VICE) companies as they plow through a revolution in technology, economics, standards, commitment, and endurance that pits old vs. new media.

Merchants of Truth is the groundbreaking and gripping story of the precarious state of the news business told by one of our most eminent journalists.

Jill Abramson follows four companies: The New York Times, The Washington Post, BuzzFeed, and VICE Media over a decade of disruption and radical adjustment. The new digital reality nearly kills two venerable newspapers with an aging readership while creating two media behemoths with a ballooning and fickle audience of millennials. We get to know the defenders of the legacy presses as well as the outsized characters who are creating the new speed-driven media competitors. The players include Jeff Bezos and Marty Baron (The Washington Post), Arthur Sulzberger and Dean Baquet (The New York Times), Jonah Peretti (BuzzFeed), and Shane Smith (VICE) as well as their reporters and anxious readers.

Merchants of Truth raises crucial questions that concern the well-being of our society. We are facing a crisis in trust that threatens the free press. Abramson’s book points us to the future.

About this title

About the Author

Jill Abramson is a senior lecturer at Harvard University. She also writes a biweekly column for The Guardian about US politics. She spent seventeen years in the most senior editorial positions at The New York Times, where she was the first woman to serve as Washington bureau chief, managing editor, and executive editor. Before joining the Times, she spent nine years at The Wall Street Journal. The author of Merchants of Truth, she lives in New York City.

Excerpt. © Reprinted by permission. All rights reserved.

Merchants of Truth PROLOGUE

The party had a distinct fin-de-siècle air. On a wintry night in early 2016, the battered lions of journalism gathered at the Newseum in Washington, D.C., for a party to toast the 100th anniversary of the Pulitzer Prizes. These editors and reporters had spent their careers at newspapers such as the New York Times, which had won 117 of the coveted awards, the most of any news organization. Scattered throughout the room were representatives of the Washington Post, which had won 47, the second-most. Their stories over the years had chronicled Watergate, the Pentagon Papers, war zones, terrorism, financial scandal, poverty, political corruption, civil rights, China, Russia, and on and on. The “first rough draft of history,” popularized by Phil Graham, scion of the family that owned the Post, had become a self-congratulatory cliché, but for this body of journalism’s most honored work, it was true.

Arthur Ochs Sulzberger Jr., the Times’s publisher since 1992, took immense pride in the announcement of the Pulitzers each spring, just as his father had. The Times almost always had someone on the Pulitzer board that picked the winners. For nearly a decade, the paper’s emissary was Tom Friedman, the Times’s influential foreign affairs columnist and a three-time prizewinner. After the board made its decisions, Friedman would call the publisher to leak the results the Friday before they were announced. Seldom did he have anything but good news. Almost every year the boyish-faced Sulzberger added at least one framed picture of a winner to the corridor below his office. Most of the other guests knew that Sulzberger, 64, hoped to hand over the reins to his son, Arthur Gregg, as Arthur’s father, “Punch” Sulzberger, had done for him.

Absent from the crowd of luminaries was the Washington Post’s Donald Graham, the self-effacing, beloved company chairman who had executed a changing of the guard three years before. Despairing that the paper’s quality couldn’t survive deep staff cuts and vanishing advertising revenue, he sold the newspaper his family had owned since 1933 to a tech billionaire, Amazon’s Jeff Bezos. The Post’s sleek new offices were no longer festooned with the famous front page “Nixon Resigns” from Watergate days. They were dominated by flat-screens displaying real-time traffic statistics on how many readers were looking at each story. Prominent was a Bezos mantra, in blue and white: “What’s dangerous is not to evolve.”

Also missing was the younger guard, the founders of the digital media companies that had used Facebook and Google to build giant audiences of younger readers and viewers. Though very few had won Pulitzers for their news coverage, companies such as BuzzFeed and Vice Media were giving the old guard serious competition—and heartburn.

The party celebrated journalism’s golden age, but the celebrants were living through journalism’s Age of Anxiety. All of them knew a colleague who had taken a buyout or been laid off. The newspaper industry had shed $1.3 billion worth of editors’ and reporters’ jobs in the past decade, some 60 percent of its workforce since 2000. Some of the newspapers that won the prizes had gone out of business—more than 300 altogether—or were shadows of what they’d been. There had been repeated assurances that more could be done with less. Even the newcomers, despite their bloated valuations, were hard-pressed to show profits.

Global news-gathering, meanwhile, remained monstrously expensive. The kind of investigative stories that won Pulitzers took months to report, took still more time to edit and make legally bullet-proof, and were ever more costly. Editors had to safeguard accuracy and fairness: if a big story broke and they needed to scramble helicopters or flood the zone with reporters, they couldn’t agonize over budgets. What was being threatened were the very qualities these prizes were meant to recognize. What was at risk was far bigger than just one industry—it was truth and freedom in a democratic society, an informed citizenry, and news sources that were above politics in their reporting.

All the editors there were mustering their troops to cover the presidential election, never suspecting that voters would bring to power a man who cast them as agents of evil, the “fake news media.” At Donald Trump’s rallies, his supporters jeered the campaign reporters behind their ropes. Trump’s penchant for serial lying would challenge all the old rules of so-called objectivity and force journalists into the uncomfortable role of seeming to be, at least in the eyes of many conservative Americans, combatants against a sitting president.

Everything these journalists cared about was under attack. As they sipped wine in a cavernous museum devoted to their profession’s glorious past, the laurels that mattered were now quantitative: clicks and likes and tweets and page views and time of engagement.

Beyond the political climate, the traditional news media itself had played a role in the public’s eroding trust. Self-inflicted scandals had damaged their credibility, including those involving Janet Cooke at the Post and Jayson Blair at the Times, the run-up to the Iraq War, and, soon, controversies over coverage of Hillary Clinton’s emails, hacked messages from the computers of Democratic Party officials, as well as the failure to recognize Trump’s electability. Most Americans now got their news on their smartphones, on social media, from a jumble of sources, such as family members they trusted far more, or from alt-right websites, increasingly polarized cable TV news shows, Russian bots, and branded content from corporations.

I surveyed the room with the eyes of an outsider, nervously glomming on to old friends and former colleagues from the Times, the author Anna Quindlen, and Isabel Wilkerson, resplendent in a red dress. She had been the first black journalist to win a Pulitzer for feature writing, for a wrenching portrait of a fourth-grader from Chicago’s South Side. In 2014 I had been fired as executive editor of the Times, but Arthur Sulzberger Jr., the man who pink-slipped me, had generously invited me to be part of the Times family celebrating our Pulitzer heritage. During my time as managing editor and then executive editor, and as the first and only woman to hold those jobs, the Times had hauled in 24 Pulitzers.

I’d become a reporter during Watergate. As a college-age woman, my odds of joining the ranks of Woodward and Bernstein were slim, but their groundbreaking investigations of turpitude in the Nixon White House had inspired me to try. From a starting job at Time magazine, I’d climbed to journalism’s highest rung and then fallen. I was well-versed in the new landscape of news, with its native advertising for brands, clickbait headlines, and 24/7 rhythms, but it wasn’t the world I’d grown up in. As the newspapers tried to keep up with technology, executive editors were expected to be digital gurus and let business imperatives guide their editorial judgment.

One particular post-Watergate book that inspired me to become a journalist was The Powers That Be, published in 1979. The author was David Halberstam, who won a Pulitzer as a Times reporter covering the Vietnam War. The book examines the histories and paths of four influential news companies: the Post, the Los Angeles Times, CBS News, and Time Inc. Halberstam was writing at the moment of journalism’s zenith, after the Post had broken stories that led to the first resignation in history of a U.S. president and CBS had played a central role in opening the country’s eyes to the futility of the Vietnam War. This was long before online publishing proliferated in the 1990s; it was a time when newspapers were printing money, stuffed with want ads and department store ads and enjoying profitable monopolies in more and more cities. Smaller papers such as the Baltimore Sun could afford to deploy foreign correspondents to postings in faraway capitals like Tokyo and Berlin.

Halberstam chronicled how those four institutions achieved not only financial success but journalistic excellence in the postwar era. As the longtime New Yorker political commentator Richard Rovere wrote at the time, the big political issues of the period—McCarthyism, civil rights, Vietnam, Watergate—were primarily moral issues. Halberstam’s four news organizations played an admirable role in getting the country through these crises. Rovere also warned that trouble was looming, as family-run papers became increasingly tethered to Wall Street and various bean counters.

Surveying the scene, I had the overwhelming sense at the Pulitzer party that, just as it was when Halberstam wrote his book, a power shift was taking place under our noses. News had become ubiquitous in the digital age, but it was harder than ever to find trustworthy information or a financial model that would support it. Newsrooms had made drastic cuts and were still at it. The Boston Globe had closed its foreign news bureaus in 2007; the Post, too, closed its domestic bureaus in New York, Los Angeles, and Chicago two years later. Newcomers, notably BuzzFeed and Vice, were opening international offices, taking advantage of the internet’s capacity to give anyone a global audience but not coming close to replacing the reporting muscles lost.

We had moral crises of our own, some of which the press fumbled: the flawed coverage of the lead-up to the Iraq War, troubling surveillance of citizens by U.S. intelligence agencies, and blindness to the forces that led to the Trump election. The trust and authority lauded by Halberstam, along with the business model, seemed to be crumbling.

Shane Smith, Vice’s founder and one-time hard-partying lads-mag editor, had recently bragged of being “the Time Warner of the streets” and talked of elbowing aside CNN. Jonah Peretti of BuzzFeed had won the hearts of the hard-to-reach millennial audience with photo links of adorable puppies, then parlayed that into an investigative reporting staff that was the size of the Times’s investigative unit. Meanwhile, the Times and Post were trying to teach digital users to pay for the content they consumed, a lesson that went directly against the internet mantra that “information wants to be free.” Each had begun charging subscribers for their digital news reports, not knowing if that would be enough to save them.

The Times had already and unsuccessfully challenged the free-news orthodoxy a decade earlier, by charging readers for its opinion section and columns, but had quickly thrown up its hands after reaping a scant $20 million from its readers on the web. There had been dark talk inside the paper of bankruptcy, until a Mexican billionaire rode to the rescue with a huge loan. Now things had stabilized, and a more flexible digital subscription plan was bringing in sizable revenue. But the Times was still heavily dependent on its print circulation base for survival, and these print subscribers were aging and their numbers decreasing.

The partygoers around me, like print newspaper readers, were relics of Halberstam’s golden age. But their essential gift—nosing out the truth in a city that thrives on greed and lies—had never been more vital to the health of our democracy. The Times was still in a fight for survival in the digital age, trying to attract enough paying subscribers to support its $200 million annual news budget and remain in the hands of the family that had owned it since a Tennessee newspaper baron, Adolph Ochs, Sulzberger Jr.’s great-grandfather, bought it in 1896. The Post, seemingly rescued by Bezos, was trying to restore its reputation, hurt by years of cost-cutting and staff reductions that the Graham family couldn’t prevent.

As for the new digital competitors, the question was whether they were ready to step up to be our guardians of truth. They considered themselves disruptors, hammering the power structure as if it were the Big Brother screen in Apple’s legendary “1984” TV commercial. Some of them didn’t even believe that editors needed to be gatekeepers. They were sometimes hasty in putting news “out there” and letting readers decide whether something was true. Their headlines were hyped, although recently their desire to be serious news providers had improved quality. BuzzFeed and Vice depended on social media sharing, a broad metric called “engagement,” which included time spent reading, the number of likes, shares, and comments on social media, and a host of other factors. The wisdom of crowds, with commenters rather than professional journalists setting the terms, drove coverage. The breathless news cycle left little time for formal training of the young, aspiring journalists who mostly sat behind computers scraping previously published content off the internet and rewriting it or spinning it in new directions.

By understanding the power of social media and video, BuzzFeed and Vice had won millions of devoted readers and viewers, largely using the giant tech platforms of Facebook and Google to amass followings among the young, the demographic most prized by advertisers. Their financial success was rooted in so-called native advertising, ads that were virtual carbon copies of stories created by journalists. Facebook, which supplied the lifeblood to new digital media sites, was all about deriving ad revenue from the fast-paced social sharing of their 2.2 billion global users. Eschewing its responsibilities as mankind’s biggest publisher, Facebook would be badly tarnished after the 2016 election for sharing users’ data with a Trump-tied outfit, Cambridge Analytica, and for failing to police its platform, enabling fake-news creators in Russia to disrupt the election.

All in all, it felt like a singular moment. The fate of the republic seemed to depend more than ever on access to honest, reliable information, and people were consuming more news than ever, but every news company was turning itself upside down to produce and pay for it in the digital age. I determined to capture this moment of wrenching transition—and to do it as a reporter, my first calling.

Copying Halberstam’s template, I would chart the struggles of four companies to keep honest news alive. But my narrative would be less triumphal and more personal. I’d lived through the fight to keep facts alive in a new economic climate. I’d lost my way when I became executive editor of the Times, trying to fight for what I viewed as the necessary balance between safeguarding the independence of the news and the urgent need to find new sources of revenue. Halberstam’s four companies were pillars of a rising news establishment, and he told their fascinating origin stories. The two newspapers I chose to chronicle, the New York Times and the Washington Post, were both struggling through an extremely disruptive technological transition and fighting to retain their importance and essential values. The two newcomers I chose, BuzzFeed and Vice, were improbable players in the news arena but were claiming the upper hand at a time when huge social media platforms rather than individual publishers drove audiences to news.

In the Trump era, the news wars were no longer the stuff of lofty discussion on public TV and in journalism classrooms. They were center stage every day. The man who vilified the media as “enemies of the people” was in fact a creature of the media. His rise to fame in New York City was fueled by tabloid newspapers like the New York Post and the New Yo...

About this edition

• Publisher: Simon & Schuster
• Publication date: 2019
• ISBN 10: 1501123203
• ISBN 13: 9781501123207
• Binding: Hardcover
• Edition number: 1
• Number of pages: 544