Many critics have interpreted Bob Dylan's lyrics, especially those composed during the middle to late 1960s, in the contexts of their relation to American folk, blues, and rock'n'roll precedents; their discographical details and concert performances; their social, political and cultural relevance; and/or their status for discussion as “poems.” This open access book instead focuses on how all of Dylan's 1965-1967 songs manifest traces of his ongoing, internal “autobiography” in which he continually declares and questions his relation to a self-determined existential summons.
The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched.
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Louis A. Renza is an Emeritus Professor of English at Dartmouth College, USA. He has published critical works on various US writers such as Poe, Twain, Sarah Orne Jewett, Stephen Crane, Henry James, Ernest Hemingway, and Wallace Stevens. Starting in the 1970s and through 2010, he taught a Dartmouth course on Bob Dylan's lyrics, directed a 2006 conference at Dartmouth College on Dylan, and has published an article on his works in the Winter, 2008 journal a/b (Auto/Biography) entitled "Bob Dylan's 116th Dream."
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