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Anthropologies of Entanglements: Media and Modes of Existence (Thinking Media) - Hardcover

 
9781501375149: Anthropologies of Entanglements: Media and Modes of Existence (Thinking Media)

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Media and human modes of existence are always already intertwined and interdependent. The notion of the anthropocene has further stimulated a new examination of ideas about human agency and responsibility. Various approaches all emphasize relational concepts and the situatedness and embodiment of human-and also non-human-existences and experiences. Their common interest has shifted from any so-called 'human nature' to the multitude of cultural, topographical, technical, historical, social, discursive, and media formats with which human existences are entangled.

This volume brings together a range of thinkers from international backgrounds and puts these important reflections and ideas in the spotlight. More specifically, the volume explores the concept of "anthropomedial entanglements." It fosters an understanding of human bodies, experiences, and media as being immanently entangled and mutually constituting, prior to any possible distinction between them. The different contributions thus open up a dialogue between empirical case studies and media-historical research on the one hand and the conceptual work of media and cultural philosophies and aesthetics on the other hand.

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About the Authors

Christiane Voss is Professor of Media Philosophy, Bauhaus-University Weimar, Germany. Her main research areas are aesthetics, philosophical anthropology, film philosophy, political philosophy. Her books include Der Leihkörper (2013) and Narrative Emotionen (2004).

Bernd Herzogenrath is Professor of American literature and culture at Goethe University of Frankfurt am Main, Germany. He is the author of An Art of Desire: Reading Paul Auster (1999) and An American Body|Politic: A Deleuzian Approach (2010) and editor of The Farthest Place: The Music of John Luther Adams (2012) and Deleuze|Guattari & Ecology (2009). His latest publications include the collections The Films of Bill Morrison. Aesthetics of the Archive (2017), Film as Philosophy (2017), and Practical Aesthetics (Bloomsbury, 2020).

Lorenz Engell is Professor of Media Philosophy at the Bauhaus University, Weimar, Germany, and co-director of the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie. Engell is the author or editor of over 20 titles, all in German.

Patricia Pisters is Professor of Film Studies at the Department of Media Studies of the University of Amsterdam, the Netherlands, and director of the Amsterdam School of Cultural Analysis (ASCA). She is one of the founding editors of Necsus: European Journal of Media Studies, program director of the research group Neuroaesthetics and Neurocultures, and co-director of the research group Film and Philosophy. Publications include The Matrix of Visual Culture (2003); Revisiting Normativity with Deleuze (with Rosi Braidotti; 2012) and The Neuro-Image (2012). See for articles, her blog, and other information at www.patriciapisters.com.

Tim Othold is a research associate at the postgraduate program for Media Anthropology at Bauhaus-University Weimar, Germany.

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Hardback. Condition: New. Media and human modes of existence are always already intertwined and interdependent. The notion of the anthropocene has further stimulated a new examination of ideas about human agency and responsibility. Various approaches all emphasize relational concepts and the situatedness and embodiment of human-and also non-human-existences and experiences. Their common interest has shifted from any so-called 'human nature' to the multitude of cultural, topographical, technical, historical, social, discursive, and media formats with which human existences are entangled.This volume brings together a range of thinkers from international backgrounds and puts these important reflections and ideas in the spotlight. More specifically, the volume explores the concept of "anthropomedial entanglements." It fosters an understanding of human bodies, experiences, and media as being immanently entangled and mutually constituting, prior to any possible distinction between them. The different contributions thus open up a dialogue between empirical case studies and media-historical research on the one hand and the conceptual work of media and cultural philosophies and aesthetics on the other hand. Seller Inventory # LU-9781501375149

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