Sons and Lovers (1913)A NOVEL by D. H. Lawrence (Original Version): David Herbert Richards Lawrence - Softcover

Lawrence, D. H.

Softcover

ISBN 10: 1533460205 ISBN 13: 9781533460202

Publisher: CreateSpace Independent Publishing Platform, 2016

Synopsis

Sons and Lovers is a 1913 novel by the English writer D. H. Lawrence. The Modern Library placed it ninth on their list of the 100 best novels of the 20th century. While the novel initially incited a lukewarm critical reception, along with allegations of obscenity, it is today regarded as a masterpiece by many critics and is often regarded as Lawrence's finest achievement. The third published novel of D. H. Lawrence, taken by many to be his earliest masterpiece, tells the story of Paul Morel, a young man and budding artist.The refined daughter of a "good old burgher family," Gertrude Coppard meets a rough-hewn miner, Walter Morel, at a Christmas dance and falls into a whirlwind romance characterised by physical passion. But soon after her marriage to Walter, she realises the difficulties of living off his meagre salary in a rented house. The couple fight and drift apart and Walter retreats to the pub after work each day. Gradually, Mrs. Morel's affections shift to her sons beginning with the oldest, William. As a boy, William is so attached to his mother that he doesn't enjoy the fair without her. As he grows older, he defends her against his father's occasional violence. Eventually, he leaves their Nottinghamshire home for a job in London, where he begins to rise up into the middle class. He is engaged, but he detests the girl's superficiality. He dies and Mrs. Morel is heartbroken, but when Paul catches pneumonia she rediscovers her love for her second son. The original 1913 edition was heavily edited by Edward Garnett who removed 80 passages, roughly a tenth of the text.[citation needed] The novel is dedicated to Garnett. Garnett, as the literary advisor to the publishing firm Duckworth, was an important figure in leading Lawrence further into the London literary world during the years 1911 and 1912.[citation needed] It was not until the 1992 Cambridge University Press edition was released that the missing text was restored. Lawrence began working on the novel in the period of his mother's illness, and often expresses this sense of his mother's wasted life through his female protagonist Gertrude Morel. Letters written around the time of its development clearly demonstrate the admiration he felt for his mother – viewing her as a 'clever, ironical, delicately moulded woman' — and her apparently unfortunate marriage to his coal-miner father, a man of 'sanguine temperament' and instability. He believed that his mother had married below her class status. Lydia Lawrence wasn't born into the middle-class.[clarification needed] This personal family conflict experienced by Lawrence provided him with the impetus for the first half of his novel – in which both William, the older brother, and Paul Morel become increasingly contemptuous of their father – and the subsequent exploration of Paul Morel's antagonising relationships with both his lovers, which are both incessantly affected by his allegiance to his mother. The first draft of Lawrence's novel is now lost and was never completed, which seems to be directly due to his mother's illness.

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Review:

Sons and Lovers was the first modern portrayal of a phenomenon that later, thanks to Freud, became easily recognizable as the Oedipus complex. Never was a son more indentured to his mother's love and full of hatred for his father than Paul Morel, D.H. Lawrence's young protagonist. Never, that is, except perhaps Lawrence himself. In his 1913 novel he grappled with the discordant loves that haunted him all his life--for his spiritual childhood sweetheart, here called Miriam, and for his mother, whom he transformed into Mrs. Morel. It is, by Lawrence's own account, a book aimed at depicting this woman's grasp: "as her sons grow up she selects them as lovers--first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother--urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives."

Of course, Mrs. Morel takes neither of her two elder sons (the first of whom dies early, which further intensifies her grip on Paul) as a literal lover, but nonetheless her psychological snare is immense. She loathes Paul's Miriam from the start, understanding that the girl's deep love of her son will oust her: "She's not like an ordinary woman, who can leave me my share in him. She wants to absorb him." Meanwhile, Paul plays his part with equal fervor, incapable of committing himself in either direction: "Why did his mother sit at home and suffer?... And why did he hate Miriam, and feel so cruel towards her, at the thought of his mother. If Miriam caused his mother suffering, then he hated her--and he easily hated her." Soon thereafter he even confesses to his mother: "I really don't love her. I talk to her, but I want to come home to you."

The result of all this is that Paul throws Miriam over for a married suffragette, Clara Dawes, who fulfills the sexual component of his ascent to manhood but leaves him, as ever, without a complete relationship to challenge his love for his mother. As Paul voyages from the working-class mining world to the spheres of commerce and art (he has fair success as a painter), he accepts that his own achievements must be equally his mother's. "There was so much to come out of him. Life for her was rich with promise. She was to see herself fulfilled... All his work was hers."

The cycles of Paul's relationships with these three women are terrifying at times, and Lawrence does nothing to dim their intensity. Nor does he shirk in his vivid, sensuous descriptions of the landscape that offers up its blossoms and beasts and "shimmeriness" to Paul's sensitive spirit. Sons and Lovers lays fully bare the souls of men and earth. Few books tell such whole, complicated truths about the permutations of love as resolutely without resolution. It's nothing short of searing to be brushed by humanity in this manner. --Melanie Rehak

Book Description:

Now printed in full for the first time, Sons and Lovers is one of the great works of twentieth-century literature. In 1913, at the time of its first publication, Lawrence reluctantly agreed to the removal of no fewer than eighty passages which until now have never been restored.

About this edition

• Publisher: CreateSpace Independent Publishing Platform
• Publication date: 2016
• ISBN 10: 1533460205
• ISBN 13: 9781533460202
• Binding: Paperback
• Number of pages: 284