Oblomov is the best known novel by Russian writer Ivan Goncharov, first published in 1859. Oblomov is also the central character of the novel, often seen as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature. Oblomov is a young, generous nobleman who seems incapable of making important decisions or undertaking any significant actions. Spoiled as a child to the point of not even being able to put on his own socks, Oblomov is unprepared to deal with the smallest difficulty of adult life. In his fevered dreams he sees the words "Oblomovstchina" ("Oblomovism" or in this translation "the disease of Oblomovka") in flaming letters on the ceiling putting a name to the disability of which he is all too aware. This romantic novel was considered a satire of Russian nobility whose social and economic function was increasingly in question in mid-nineteenth century Russia, and from it the word "Oblomovstchina" entered the Russian vocabulary. "Oblomov" is one of the greatest Russian classics, and has never before been translated into English. It constitutes a study of a perfectly new type in Russian fiction of a man who, though plunged in a slough of apathy from which nothing can arouse him, is yet a man of fine and noble instincts. What he utterly lacks and is ruined by, is his total lack of will-power. Mr. MAURICE BARING says : " In Oblomov Goncharov created a type which has become immortal, and Oblomov has passed into the Russian tongue, just as Tartuffe has passed into the French language, or Pecksniff into the English tongue."
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The sly, subversive side of the nineteenth-century Russian literary character -- the one which represents such a contrast to the titanic exertions of Tolstoy and Dostoevsky -- was most fully realized in Ivan Goncharov's 1859 masterpiece, OBLOMOV. This magnificent farce about a gentleman who spends the better part of his life in bed is a reminder of the extent to which humor, in the hands of a comic genius, can be used to explore the absurdities and injustices of a social order.
A Russian writer whose work in Realism gained great popularity. He commented on, and criticized the nobility and their atitudes. At the same time his work showed considerable marks of his belief in race superiority.
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