Ella Hepworth Dixon’s The Story of a Modern Woman originally appeared in serial form in the women’s weekly The Lady’s Pictorial. Like Hepworth Dixon herself, the novel’s heroine Mary Erle is a woman writer struggling to make her living as a journalist in the 1880s. Forced by her father’s sudden death to support herself, Mary Erle turns to writing three-penny-a-line fiction, works that (as her editor insists) must have a ball in the first volume, a picnic and a parting in the second, and an opportune death in the third.
This Broadview edition’s rich selection of historical documents helps contextualize The Story of a Modern Woman in relation to contemporary debates about the “New Woman.”
"synopsis" may belong to another edition of this title.
Steve Farmer teaches nineteenth- and twentieth-century British literature at Arizona State University, Tempe. He is the editor of the Broadview editions of Wilkie Collins’s Heart and Science (1996) and The Moonstone (1999).
Ella Hepworth Dixon’s The Story of a Modern Woman originally appeared in serial form in the women’s weekly The Lady’s Pictorial. Like Hepworth Dixon herself, the novel’s heroine Mary Erle is a woman writer struggling to make her living as a journalist in the 1880s. Forced by her father’s sudden death to support herself, Mary Erle turns to writing three-penny-a-line fiction, works that (as her editor insists) must have a ball in the first volume, a picnic and a parting in the second, and an opportune death in the third.
This Broadview edition’s rich selection of historical documents helps contextualize The Story of a Modern Woman in relation to contemporary debates about the “New Woman.”
"About this title" may belong to another edition of this title.
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