Items related to The Cage

The Cage - Softcover

Vaughn-James, Martin

  • 3.44 out of 5 stars
    564 ratings by Goodreads
 
9781552452875: The Cage

Synopsis

First published in 1975, The Cage was a graphic novel before there was a name for the genre. Considered an early masterpiece of the genre, the Canadian cult comic has been out of print for decades. The new edition includes an introduction by Canadian comics master and Lemony Snicket collaborator Seth (Palookaville; It's a Good Life, If You Don't Weaken).



Cryptic and disturbing, like Dave Gibbons (Watchmen) illustrating a film by Ozu, The Cage spurns narrative for atmosphere, guiding us through a series of disarrayed rooms and desolate landscapes, tracking a stuttering and circling time and a sequence of objects: headphones, inky stains, bedsheets. It's not about where we're going but how – if – we get there.


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About the Author

Martin Vaughn-James (1943-2009) was a painter and groundbreaking comics artist who published three of his early works with Coach House Press: The Projector (1971), The Park (1972) and The Cage (1975). He was born in England and spent much of his youth in Australia, before moving to Canada to do his groundbreaking comics work in the 1970s. Vaughn-James is widely recognized as a pioneer in the development of the graphic novel. Later in life, Vaughn-James moved to Belgium, where he focused on painting. His works were the subject of several personal exhibitions in Brussels and Paris. Vaughn-James also published two works of prose fiction: Night Train (1989) and The Tomb of Zwaab (1991).

Reviews

Starred Review. First published in 1975, this work foreshadowed the rise of the graphic novel. While promoted by insiders in the years that followed, it is not well-known. Its relative obscurity may be due to the late Vaughn-James's devotion to his highly personal vision. Presented here are a series of black-and-white drawings, nearly clinical in their precision, detailing an enigmatic structure in an unspecified place and time. Accompanying the illustrations are bits of text, which are perhaps explicative in their unseen whole but as fragments offer only tantalizing hints of possible unity. Nonlinear in its approach to both space and time, the study mixes the banally familiar with the disturbingly alien. What emerges is not comprehensible in any mundane sense, but it presents enough of an illusion of a greater whole lurking just out of frame to be addictively engaging. It is a masterpiece, demonstrating a level of skill and insight very few have even aspired to in the nearly 40 years since its initial publication. With an introduction by Canadian comics star and Lemony Snicket collaborator Seth, this work is strongly recommended for every true fan of the graphic arts. (Nov.)

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