Examines Hemingway's methods of self-mythologizing and argues that the anecdotes in "A Moveable Feast" were written shortly before his death, not in the 1920s as he claimed
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John Barth once said, "The story of your life is not your life. It is your story." Hemingway himself gave us the wink in his introduction to A Moveable Feast , saying, "If the reader prefers, this book may be regarded as fiction." Just how many of his remembrances of the expatriate heaven called Paris were false and whether he was a young or old man when he wrote them have always been matters of speculation among aficionados. Opening with the statement " A Moveable Feast is clearly a reconstruction of the past rather than a recollection of it," Tavernier-Courbin proceeds to give readers a detailed account of the book's construction from conception and creation to posthumous editing and publication. Though the subject is covered to some extent in Michael Reynolds's Hemingway: The Paris Years; A Writer's Life ( LJ 11/15/89) and more specifically in Ronald Weber's Hemingway's Art of Non-Fiction ( LJ 2/15/90), the treatment here is much more in-depth than in either of those fine titles. Tavernier-Courbin's material is well researched and documented, making it a competent addition to Hemingway scholarship. Academic libraries specializing in American literature will want to add it to their collections.
- Michael Rogers, "Library Journal "
Copyright 1991 Reed Business Information, Inc.
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