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Planet of the Blind, a bestseller and New York Times Notable memoir that landed Kuusisto on Oprah, Dateline and other shows in 1998, has a companion volume in this slim, winning collection. Kuusisto successfully melds music, memory, and his wide-ranging erudition into quiet depictions of his experiences, presenting everything from evocations of a boyhood in Helsinki to earnest poems for Ted Berrigan, "Rachmaninoff's Curtains" and Ogden Nash. Some of its most powerful moments reside in the poet's accounts of his failing eyesight: "Each morning/ I live with less color:/ The lawn turns gray,/ The great-laurel is gravid/ With flint as if it might burn/ In the next life./ Even the persimmon tree/ Is clear as a wine stem." Showing considerable dexterity, Kuusisto also works at times in a more traditional style that draws on surrealism, folklore and metaphysical verse. While too many poems suffer from decorative passages and tidy closure, others show Kuusisto marshalling considerable skills to create finely tuned descriptions of events past and present. In its best moments, this book succeeds in rendering the world both beautiful and strange: "The trees are foreign soldiers/ Talking low in a different tongue." (Oct.)
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Kuusisto wrote about his loss of vision with passion and candor in his unforgettable memoir, Planet of the Blind (1998). In his poems, works of spare and musing beauty, he takes a quieter and more reflective approach, and each word is set as carefully on the page as a footstep blindly taken in an unknown place. He portrays himself as a boy dwelling in the "estate of innocence," and conjures dawns and dusks in the New England and Finnish landscapes he knows so well. As he moves forward in time, he also animates realms of the imagination, worlds inspired by his "finger-reading" of Braille books. Music is a constant presence, and the tenuousness of being, a feeling made all the more daunting by sightlessness, is a steady preoccupation. But Kuusisto's poems are exquisitely visual, too, even as the poet moves "through space / With hands outstretched." Ultimately, Kuusito's meditations on his condition, and gratitude for the mind's inner eye, remind readers that vision takes many forms, and that feelings of being lost and alone are intrinsic to human nature. Bonnie Smothers
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