“The intentions of Merwin’s poetry are as broad as the biosphere yet as intimate as a whisper. He conveys in the sweet simplicity of grounded language a sense of the self where it belongs, floating between heaven, earth, and underground.”—The Atlantic Monthly
“W.S. Merwin is our strongest poet.”—The New York Times Review of Books
In this new masterwork from one of America’s foremost poets, W.S. Merwin guides his readers to universal themes through worldly specifics. Akin to Neruda’s Elemental Odes, every poem in Present Company directly addresses the people and things of daily life, as in “To the Thief at the Airport” or “To Lingering Regrets.”
To This May
They know so much more now about
the heart we are told but the world
still seems to come one at a time
one day one year one season and here
it is spring once more with its birds
nesting in the holes in the walls
its morning finding the first time
its light pretending not to move
always beginning as it goes
These poems to the world are playful, deadly serious, and full of wonder. Whether writing of an unused vehicle in “To Zbigniew Herbert’s Bicycle” or watching fireworks from a distance in “To the Coming Winter,” Merwin’s poems create a rare and compelling intimacy. There is no one writing today like W.S. Merwin.
Poet and translator W.S. Merwin has long been committed to artistic, political, and environmental causes in both word and deed. He has received nearly every major literary accolade, including the Pulitzer, Tanning, Lannan, and Bollingen prizes. His most recent award is the International Golden Wreath from the Struga Foundation, a longstanding literary honor that, in its 70-year history, has been offered to only three English-speaking poets. W.S. Merwin lives in Hawaii, where he cultivates endangered palms.
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W.S. Merwin is one of America's leading poets. His prizes include the 2005 National Book Award for his collected poems, Migration, the Pulitzer Prize, the Stevens Award, and fellowships from the Guggenheim Foundation and Lannan Foundation. He is the author of dozens of books of poetry and translations. He lives in Hawaii, where he cultivates endangered palm trees.
Each of the 100-plus poems in Merwin's meditative, playful, and lithely beautiful new collection, which closely follows the remarkable retrospective volume Migrations (2005), begins with the word To and directly addresses some aspect of nature or the self, a feeling or an idea, a person, place, or moment. Merwin keeps his language simple but his perceptions complex. Classical in their lines of inquiry and restraint yet vital in their attunement to the here and now, these personal odes and musings on daily existence and the cycles of life are, by turns, bemused and exalted. As Merwin moves from contemplating his reflection in the mirror to musing over memory, grief, duty, absence, purity, and the splendor of the earth, the subtle, wavelike motion generated by each poem infuses the collection with buoyancy and light.
Merwin is as refined and entrancing a prose stylist as he is a poet. Earlier works chronicle his experiences in France and Hawaii. In Summer Doorways, he circles further back in time to tell amusing and piquant stories of his years at Princeton during World War II, and of summers in the country that stoked his sense of wonder and mystery. Chance acquaintances led to Merwin's becoming a tutor to privileged boys in beautiful settings, including Genoa and Portugal. His splendidly detailed and sensuous descriptions (what a memory he has), especially of postwar Europe, are redolent in mood and precious historically. And he takes great pleasure in turning intriguing, exquisitely crafted portraits and anecdotes into lustrous recollections that capture lost time and trace the making of a poet. Donna Seaman
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