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Seen through the eyes of a strong-willed and perceptive young girl, Naphtalene beautifully captures the atmosphere of Baghdad in the 1940s and 1950s. Through her rich and lyrical descriptions, Alia Mamdouh vividly recreates a city of public steam baths, roadside butchers, and childhood games played in the same streets where political demonstrations against British colonialism are beginning to take place.
At the heart of the novel is nine-year-old Huda, a girl whose fiery, defiant nature contrasts sharply with her own inherent powerlessness. Through Mamdouh's strikingly inventive use of language, Huda's stream-of-consciousness narrative expands to take in the life not only of a young girl and her family, but of her street, her neighborhood, and her country. Alia Mamdouh, winner of the Naguib Mahfouz Award in Arabic Literature, is a journalist, essayist and novelist living in exile in Paris. Long banned from publishing in Saddam Hussein's Iraq, she is the author of essays, short stories, and four novels, of which Naphtalene is the most widely acclaimed and translated.
At the heart of the novel is nine-year-old Huda, a girl whose fiery, defiant nature contrasts sharply with her own inherent powerlessness. Through Mamdouh's strikingly inventive use of language, Huda's stream-of-consciousness narrative expands to take in the life not only of a young girl and her family, but of her street, her neighborhood, and her country. Alia Mamdouh, winner of the Naguib Mahfouz Award in Arabic Literature, is a journalist, essayist and novelist living in exile in Paris. Long banned from publishing in Saddam Hussein's Iraq, she is the author of essays, short stories, and four novels, of which Naphtalene is the most widely acclaimed and translated.
"synopsis" may belong to another edition of this title.
About the Author:
Alia Mamdouh was born in Baghdad in 1944 and has been a journalist and writer for over thirty years. She has published four novels, two collections of short stories, and numerous critical essays. Since going into exile in 1982, she has lived and worked in London, Cairo, and Beirut.
Peter Theroux is the author of The Strange Disappearance of Imam Moussa Sadr, Sandstorms, and Translating LA, and the translator of several Arab novels, including The House of Mathilde by Hassan Daoud and Dongola: A Novel of Nubia by Idris Ali.
Hélène Cixous is one of the most prominent cultural and political thinkers in the world. Her work has transformed both feminism and literary criticism. In Paris, she sits as chair at the Centre de Recherches en Etudes Feminines, which she founded.
Review:
Peter Theroux is the author of The Strange Disappearance of Imam Moussa Sadr, Sandstorms, and Translating LA, and the translator of several Arab novels, including The House of Mathilde by Hassan Daoud and Dongola: A Novel of Nubia by Idris Ali.
Hélène Cixous is one of the most prominent cultural and political thinkers in the world. Her work has transformed both feminism and literary criticism. In Paris, she sits as chair at the Centre de Recherches en Etudes Feminines, which she founded.
"Describes in poetic, incantatory language the city's domestic life . . . [and] around this private world swirl the politics of the 1950s in Iraq." ―New York Times Book Review
"Employs shifts of narrative perspective and a sophisticated technique in this affectionate but critical dissection of her culture. . . . [Naptalene] is a pungent, episodic glimpse of childhood in a patriarchal society . . . often intense and lyrical." ―Kirkus
"Mamdouh's prose is at once lush and refreshingly earthy . . . she anchors her tale with a spirited and highly sympathetic narrator coming of age in a Baghdad long gone." ―Publishers Weekly
"The first novel by an Iraqi woman to be published in English in the United States . . . is a hallucinatory incantation, a fevered dream and nightmare and, finally, a lyrical evocation of a place disappeared." ―Ms.
"Ferocious, visceral descriptions . . . give a powerful sense not only of Huda's world but also of the way we make and understand memories." ―Booklist
"The story of Huda, a young girl growing up in Baghdad during the 1940s and 1950s . . . leaves an indelible impression. Her world is rich with family and neighbors and she notes all of their subtle interactions and secrets." ―Library Journal
"Beautifully evokes the sounds and scents of old Baghdad, as in her descriptions of Friday night prayers: stained tiles and worshipers with sweat-glistened faces, bare feet and non-stop supplications, incense and perfumes." ―The Washington Post Book World
"Couldn't be more timely . . .[the novel] subjects one Baghdad neighborhood to the scrutiny of a child who observes its deepest divisions and secrets, providing a profoundly human portrayal of the city that makes it more real, in many ways, than a view through a plasma TV ever could." ―In These Times
“Naphtalene sings life at its most intense . . . Alia Mamdouh’s stunning gesture is to have turned over the keys of the narrative to the violent sensitivities and superior intelligence of childhood. Naphtalene is an enchantment bordering on myth. . . . A marriage of the primordial and of modernity, of fury and of love.” ―Hélène Cixous, from the Foreword
“In the long lost Baghdad of childhood, where love and subversion and respect are melted in a pot of poetry and illusion, the life of a family and their neighbors evolves around the female energy moving between a memorable grandmother and her rule-breaking granddaughter. Naphtalene is a beautiful novel that will help preserve in our hearts the memory of a city systematically being destroyed under our very eyes.” ―Luisa Valenzuela, author of He Who Searches
“Sinuous, lyrical, and elliptical, this lovely novel is suffused with passion and public drama.” ―Diana Abu-Jaber, author of Arabian Jazz
"Describes in poetic, incantatory language the city's domestic life . . . [and] around this private world swirl the politics of the 1950s in Iraq." New York Times Book Review
"Employs shifts of narrative perspective and a sophisticated technique in this affectionate but critical dissection of her culture. . . . [Naptalene] is a pungent, episodic glimpse of childhood in a patriarchal society . . . often intense and lyrical." Kirkus
"Mamdouh's prose is at once lush and refreshingly earthy . . . she anchors her tale with a spirited and highly sympathetic narrator coming of age in a Baghdad long gone." Publishers Weekly
"The first novel by an Iraqi woman to be published in English in the United States . . . is a hallucinatory incantation, a fevered dream and nightmare and, finally, a lyrical evocation of a place disappeared." Ms.
"Ferocious, visceral descriptions . . . give a powerful sense not only of Huda's world but also of the way we make and understand memories." Booklist
"The story of Huda, a young girl growing up in Baghdad during the 1940s and 1950s . . . leaves an indelible impression. Her world is rich with family and neighbors and she notes all of their subtle interactions and secrets." Library Journal
"Beautifully evokes the sounds and scents of old Baghdad, as in her descriptions of Friday night prayers: stained tiles and worshipers with sweat-glistened faces, bare feet and non-stop supplications, incense and perfumes." The Washington Post Book World
"Couldn't be more timely . . .[the novel] subjects one Baghdad neighborhood to the scrutiny of a child who observes its deepest divisions and secrets, providing a profoundly human portrayal of the city that makes it more real, in many ways, than a view through a plasma TV ever could." In These Times
Naphtalene sings life at its most intense . . . Alia Mamdouh’s stunning gesture is to have turned over the keys of the narrative to the violent sensitivities and superior intelligence of childhood. Naphtalene is an enchantment bordering on myth. . . . A marriage of the primordial and of modernity, of fury and of love.” Hélène Cixous, from the Foreword
In the long lost Baghdad of childhood, where love and subversion and respect are melted in a pot of poetry and illusion, the life of a family and their neighbors evolves around the female energy moving between a memorable grandmother and her rule-breaking granddaughter. Naphtalene is a beautiful novel that will help preserve in our hearts the memory of a city systematically being destroyed under our very eyes.” Luisa Valenzuela, author of He Who Searches
Sinuous, lyrical, and elliptical, this lovely novel is suffused with passion and public drama.” Diana Abu-Jaber, author of Arabian Jazz
"Employs shifts of narrative perspective and a sophisticated technique in this affectionate but critical dissection of her culture. . . . [Naptalene] is a pungent, episodic glimpse of childhood in a patriarchal society . . . often intense and lyrical." ―Kirkus
"Mamdouh's prose is at once lush and refreshingly earthy . . . she anchors her tale with a spirited and highly sympathetic narrator coming of age in a Baghdad long gone." ―Publishers Weekly
"The first novel by an Iraqi woman to be published in English in the United States . . . is a hallucinatory incantation, a fevered dream and nightmare and, finally, a lyrical evocation of a place disappeared." ―Ms.
"Ferocious, visceral descriptions . . . give a powerful sense not only of Huda's world but also of the way we make and understand memories." ―Booklist
"The story of Huda, a young girl growing up in Baghdad during the 1940s and 1950s . . . leaves an indelible impression. Her world is rich with family and neighbors and she notes all of their subtle interactions and secrets." ―Library Journal
"Beautifully evokes the sounds and scents of old Baghdad, as in her descriptions of Friday night prayers: stained tiles and worshipers with sweat-glistened faces, bare feet and non-stop supplications, incense and perfumes." ―The Washington Post Book World
"Couldn't be more timely . . .[the novel] subjects one Baghdad neighborhood to the scrutiny of a child who observes its deepest divisions and secrets, providing a profoundly human portrayal of the city that makes it more real, in many ways, than a view through a plasma TV ever could." ―In These Times
“Naphtalene sings life at its most intense . . . Alia Mamdouh’s stunning gesture is to have turned over the keys of the narrative to the violent sensitivities and superior intelligence of childhood. Naphtalene is an enchantment bordering on myth. . . . A marriage of the primordial and of modernity, of fury and of love.” ―Hélène Cixous, from the Foreword
“In the long lost Baghdad of childhood, where love and subversion and respect are melted in a pot of poetry and illusion, the life of a family and their neighbors evolves around the female energy moving between a memorable grandmother and her rule-breaking granddaughter. Naphtalene is a beautiful novel that will help preserve in our hearts the memory of a city systematically being destroyed under our very eyes.” ―Luisa Valenzuela, author of He Who Searches
“Sinuous, lyrical, and elliptical, this lovely novel is suffused with passion and public drama.” ―Diana Abu-Jaber, author of Arabian Jazz
"Describes in poetic, incantatory language the city's domestic life . . . [and] around this private world swirl the politics of the 1950s in Iraq." New York Times Book Review
"Employs shifts of narrative perspective and a sophisticated technique in this affectionate but critical dissection of her culture. . . . [Naptalene] is a pungent, episodic glimpse of childhood in a patriarchal society . . . often intense and lyrical." Kirkus
"Mamdouh's prose is at once lush and refreshingly earthy . . . she anchors her tale with a spirited and highly sympathetic narrator coming of age in a Baghdad long gone." Publishers Weekly
"The first novel by an Iraqi woman to be published in English in the United States . . . is a hallucinatory incantation, a fevered dream and nightmare and, finally, a lyrical evocation of a place disappeared." Ms.
"Ferocious, visceral descriptions . . . give a powerful sense not only of Huda's world but also of the way we make and understand memories." Booklist
"The story of Huda, a young girl growing up in Baghdad during the 1940s and 1950s . . . leaves an indelible impression. Her world is rich with family and neighbors and she notes all of their subtle interactions and secrets." Library Journal
"Beautifully evokes the sounds and scents of old Baghdad, as in her descriptions of Friday night prayers: stained tiles and worshipers with sweat-glistened faces, bare feet and non-stop supplications, incense and perfumes." The Washington Post Book World
"Couldn't be more timely . . .[the novel] subjects one Baghdad neighborhood to the scrutiny of a child who observes its deepest divisions and secrets, providing a profoundly human portrayal of the city that makes it more real, in many ways, than a view through a plasma TV ever could." In These Times
Naphtalene sings life at its most intense . . . Alia Mamdouh’s stunning gesture is to have turned over the keys of the narrative to the violent sensitivities and superior intelligence of childhood. Naphtalene is an enchantment bordering on myth. . . . A marriage of the primordial and of modernity, of fury and of love.” Hélène Cixous, from the Foreword
In the long lost Baghdad of childhood, where love and subversion and respect are melted in a pot of poetry and illusion, the life of a family and their neighbors evolves around the female energy moving between a memorable grandmother and her rule-breaking granddaughter. Naphtalene is a beautiful novel that will help preserve in our hearts the memory of a city systematically being destroyed under our very eyes.” Luisa Valenzuela, author of He Who Searches
Sinuous, lyrical, and elliptical, this lovely novel is suffused with passion and public drama.” Diana Abu-Jaber, author of Arabian Jazz
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- PublisherThe Feminist Press at CUNY
- Publication date2005
- ISBN 10 1558614923
- ISBN 13 9781558614925
- BindingHardcover
- Edition number1
- Number of pages224
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Naphtalene: A Novel of Baghdad (Women Writing the Middle East)
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The Feminist Press at CUNY
(2005)
ISBN 10: 1558614923
ISBN 13: 9781558614925
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