Comics Ellen Forney I Love Led Zeppelin

ISBN 13: 9781560977308

I Love Led Zeppelin

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9781560977308: I Love Led Zeppelin

2007 Eisner Award nominee, Best Reality-Based Work: the long-awaited collection of strips, characterized by bold, sensual brushstrokes and striking images of powerful, butt-kicking women. Forney's collaborators range from her Grandma Florence to comedian Margaret Cho.

I Love Led Zeppelin is a long-awaited collection of strips by the Harvey and Eisner Award-nominated cartoonist Ellen Forney. This book includes full-page comics published in prestigious weeklies such as the L.A. Weekly and Seattle's The Stranger, as well as the leading feminist magazine Bust, and the Oxford American. Her strips are characterized by bold, sensual brushstrokes and striking images of powerful, butt-kicking women. While most of the stories sprang from Forney's own inspiration, some are collaborations with such luminaries as comedian Margaret Cho, novelist (and Al Gore's daughter) Kristin Gore, writer and editor Dan Savage, writers David Schmader and Tamara Paris, Forney's beloved Grandma Florence, and Camille Paglia. Several of Forney's strips fall into the "How-To" category, although this is not your standard advice column fare: topics range from the practical ("How to Tip Your Server") to the whimsical ("How to Twirl Your Tassles in Opposite Directions") to the fascinating but hopefully never-needed ("How to Sew On an Amputated Finger"). Other strips include "The Final Soundtrack," a death fantasy involving blood, glamour, and Led Zeppelin; "How to Smoke Pot and Stay Out of Jail"; "How to Talk About Drugs with Your Kid"; "How to Fuck a Woman with Your Hands"; "How to Be a Fabulous Fag Hag" (an illustrated interview with Margaret Cho); "Seattle's Erotic Landmarks"; and "Memories of Love," a graphic tour of Courtney Love's rise and fall of celebritydom.

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About the Author:

Ellen Forney lives in Seattle, WA.

From Publishers Weekly:

Following up her Harvey and Eisner-nominated collection Monkey Food with this impressive collection, Forney captures in a few bold, clear strokes of her pen essential parts of her life and those of the people around her. Though these comics have no overarching theme, they fit together seamlessly to form a portrait of some of the joys of alternative lifestyles. The first section is a collection of "how-to" comics, on everything from folding Old Glory at a military funeral to smoking pot without serving time. The how-tos are both humorous and oddly informative, as in diagrams of how to sew on an amputated finger. Forney follows these eclectic but engrossing pages with longer comics, many drawing on interviews. She collaborates with a few well-known names (Margaret Cho, Dan Savage), but Forney's exuberance always acts as a filter to bring the emotion into sharp relief. Some of the most memorable comics are simple exercises in line and form, like "Trapeze," a wordless but graceful view of a woman on a trapeze, armpit hair and all. I Love Led Zeppelin shows Forney's versatility in narrative and artistic style, but more than anything else shows her natural talent as a storyteller. (Aug.)
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