Introduction by Bill Maher. When U.S. bombs started raining on the Taliban, Rall jumped on a plane straight to the war zone to get the real story for himself. Featuring his Village Voice articles and a graphic novel.
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Twice winner of the Robert F. Kennedy Journalism Award and a Pulitzer Prize finalist, Ted Rall is a syndicated editorial cartoonist and columnist for Universal Press Syndicate. His previous books include To Afghanistan and Back, Revenge of the Latchkey Kids and 2024.
Bill Maher (born January 20, 1956) is an American television host, comedian, actor and political commentator. Known for his political satire, he is the host of the HBO political talk show Real Time with Bill Maher (2003–present) and podcast Club Random (2022–present). He previously hosted late-night show called Politically Incorrect (1993–2002) on Comedy Central.
Adult/High School-For those who have come to the realization that learning about Afghanistan, the "war on terrorism," and Islam is of paramount importance but who have little inclination to turn to the many weighty tomes on these subjects, Rall's "graphic travelogue" just may start them on their way. The author, a journalist who spent time in Afghanistan during the U.S.'s military strikes, fascinates and appalls with this undiluted account. He spent three weeks in a "14th-century" country with only five paved roads, where sleeping in unheated rooms with fleas and scorpions were the norm, and where both 11-year-old soldiers and exploding grenades and bombs were commonplace. He describes corruption and treachery, violence, and death; he records the murder of a journalist "killed for his money" the same night he barely escaped a similar fate. By turns cynical, angry, and ironic, Rall's slim record reminds readers of the difficulties-and danger-of culture clash and points out the "Escheresque conundrum" facing the United States as a result of 9/11. His views run counter to current, uncritical jingoism, yet for that reason are noteworthy and valuable. With introductory chapters on Afghanistan, 9/11, and the military campaign; a graphic center section; and a post-mortem, this essay/editorial/illustrated travelogue will challenge readers, provoke many thoughtful discussions, and kindle interest in a people and place.
Dori DeSpain, Fairfax County Public Library, VA
Copyright 2002 Reed Business Information, Inc.
Rall (2024) is a talented comics artist and a contrarian journalist who has challenged what he perceives to be sacred cows by calling Pulitzer Prize-winning comics artist Art Spiegelman overrated and labeling some September 11 widows as golddiggers. This book records his experiences during a trip to Afghanistan during the U.S. bombing. It includes prose columns Rall wrote for the Village Voice and a graphic novel that captures his talent for smart, ironically comic observation even in hellishly dangerous circumstances. A longtime visitor to and commentator on Central Asia, Rall knows his way around war-torn nations. He journeys by convoy with about 45 journalists, separating himself from them by his determination to travel simply and cheaply. And what a trip: eight journalists are killed by the time he reaches eastern Afghanistan. He must deal with finding a warm place to sleep, keeping his phone charged ($40 a day) and the constant worry of being killed by Afghani soldiers or U.S. bombs. Rall slams victory claims in a war in which adversaries simply change sides when they lose. He suffers a procession of Afghanis out to hustle him for money and lampoons the media for covering the conflict as if it were another celebrity murder trial. But Rall's claims about clueless media reporting aren't fully true (there were regular U.S. press accounts of both civilian casualties and violent ground conditions), and his diatribes about U.S. military action suggest that, to be valid, every war effort must be perfectly executed. Nevertheless, his book joins Joe Sacco's accounts of life in Palestine and Bosnia as a tremendous contribution to comics war journalism.
Copyright 2002 Cahners Business Information, Inc.
Late last year editorial cartoonist Rall, whose inflammatory work makes his colleagues' work seem timid as a Jay Leno monologue, traveled to Afghanistan to discover the effects of the U.S. bombing campaign on ordinary people there. His "graphic travelogue," drawn in his characteristically quirky, vaguely cubist style, discloses that life under the Northern Alliance differs little from life under the Taliban; that virtually nothing is the way it appeared on CNN; and that being a war correspondent is harrowing and dangerous--3 of the 45 reporters who entered the country with Rall were killed within two weeks. In addition to the comic-strip center section, the book includes more traditional, albeit heavily opinionated, reportage that first appeared in the Village Voice. If Rall's approach lacks the nuance and sophistication of his fellow war-zone comics-journalist Joe Sacco, his rage over U.S. policy, which he views as driven by vengeance and oil, gives his reporting undeniable power. For alternative views of post-9/11 politics, don't pass up this small, potent volume. Gordon Flagg
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