Loitering with Intent - Hardcover

O'Toole, Peter

Hardcover

ISBN 10: 1562828231 ISBN 13: 9781562828233

Publisher: Hyperion, 1993

Synopsis

The popular actor describes his youth in northern England, his father, his mother, the difficulty of a wartime childhood, the impression of the war, his education, and his introduction to drama.

About this title

Review:

Amazingly, this second volume of Peter O'Toole's memoirs (the first was Loitering with Intent: The Child, published in March 1995) covers only three years of the actor's life; even more amazingly, it's a wonderful read. If he hadn't been such a prodigiously gifted actor, O'Toole could have made it as a writer. His prose is discursive, freewheeling, multilayered, and fairly bursting with exuberant vitality. Loitering with Intent: The Apprentice covers O'Toole's years in the early 1950s at London's Royal Academy of Dramatic Art, where he studied his craft, hobnobbed with fellow students (including Albert Finney, with whom he formed a lifelong friendship), and made rakish, footloose excursions around London. It's hard to say whether he had more fun in the living of it or the retelling, but both are a pleasure for the reader to behold.

From Kirkus Reviews:

Really elided first volume of O'Toole's autobiography. Those hot for chat about the star's great films (Lawrence of Arabia, etc.) and the great actors and drinkers with whom he has worked and busted up the world must wait for the next installment. Born in 1932 in (perhaps) Ireland (a fact counterfacted by there being an English as well as an Irish birth record), and raised as a native of the now vanished (he says) town of Hunsbeck in Yorkshire, O'Toole writes in a lingual ecstasy whose charms will enfroth many and will often have readers untangling congested diction, including baby talk much like Joyce's in his portrait of the artist as a young moo-cow and a striving for hip underclass lyricism of a richness much like Dylan Thomas's brush-work on the fey folk of Under Milk Wood (O'Toole played Captain Cat in the film version). One must go with O'Toole and his inner merriment; at times, he strikes off an engaging passage for which his mannered voice fits the action. Less happily, O'Toole sandbags us with a halfpenny life of Adolf Hitler as seen through the eyes of Childe Peter--a third of the book! All right, Hitler loomed large, but O'Toole's Adolf is both a boy's reaction to newsreel Nazis (``Childhood meant war, barbed wire...'') and a skim from standard Hitler bios. Better moments include his tour in the Royal Navy (``My sea had been black; black and grey with great lumps of roaring white water crashing over our bows to rush swilling along the lurching deck. Often I had stood, gloved hands gripping a rail or a stanchion, just gazing, awed by this immense world of black and brutal water''), and his rather pastel auditions for the Royal Academy of Dramatic Arts. Too, his sporting dad's life as a bookie, thumbed onto the page with large gobs of paint, looms big in his limericky dashabout high jinks. High lumpen. Wordsman, be spare. (Photographs.) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

About this edition

• Publisher: Hyperion
• Publication date: 1993
• ISBN 10: 1562828231
• ISBN 13: 9781562828233
• Binding: Hardcover
• Edition number: 1
• Number of pages: 198