The System paints a complex portrait of a place in which many stories are unfolding, interacting and symbiotically feeding off one another. That locus is the megametropolis of New York City, where the poorest of the poor and the richest of the rich act our the ironies of postmodern civilization on a daily basis.
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Peter Kuper is a cofounder and editorial board member of political graphics magazine World War 3 Illustrated and a teacher who has taught at New York’s School of Visual Arts and Parsons the New School for Design. Best known for drawing Mad magazine’s Spy vs. Spy comic since 1997, he has also illustrated covers for Newsweek and Time magazine. He is the author of the graphic novel Sticks and Stones, which won the New York Society of Illustrators Gold Medal; Diario de Oaxaca: A Sketchbook Journal of Two Years in Mexico; Drawn to New York; and Ruins, winner of the 2016 Eisner Award for Best New Graphic Album. Calvin Reid is a contributing editor and head of the comics department at Publishers Weekly, where heads the magazine’s annual African American issue and coedits its online comics newsletter, PW Comics Week. They both live in New York City.
“Kuper’s brilliant visual novel, much like Fritz Lang, creates a comic noir of corruption and innocence in a city where the devil is always in the details.” —Sue Coe, artist and author, Dead Meat
"This is obviously the definitive version of this book, and I'd point any reader curious about Kuper's career to this book first and foremost." —Rob Clough, highlowcomics.blogspot.com "In The System, Kuper uses his wood cut style — here in a beautiful color realization — to document New York City as a collection of interconnected organisms, as a living creature on the landscape." —John Seven, vknid.com“A dark, dense, subtle portrait of the intricate continuum of urban life—and death—done in such bold strokes and shapes that you will never see the city in the same way again.” —Kirkpatrick Sale, author, After Eden: The Evolution of Human Domination
“This is our world, folks, as it exists right now, teetering on the brink of something we can’t quite imagine, laid out by Peter Kuper as a flow chart of parallels and coincidences and connecting fibers so powerful and occult that a pin dropped in a back street creates shock waves that make skyscrapers tremble.” —Luc Sante, author, Low Life
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