Synopsis
Which came first, words or things? Are your words yours, or someone else's? And what do the Crusades have to do with it? And what do ants have to do with it? Jean Ricardou has been given something of a bad rap: he's widely seen as a difficult writer, or worse yet, as an intensely serious one. However, he easily sheds this weighty reputation in his hilariously playful new novel about the notoriously complex world of literary theory. Supplying his readers with everything they need to know to navigate this world, Ricardou uses his own irreverent interpretation of deconstructive theory to ask questions about language and history, theory and life, and all the intriguing connections between them.
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About the Author
Jordan Stump is the noted translator of several modern French novelists, including novel prize winner Claude Simon, for whom his translation of Le Jardin des Plantes won the French American Foundation s Translation Prize.
Reviews
A little bit Borges and a little bit Calvino, French postmodernist Ricardou's newly translated 1969 novel proves a circuitous trek through a fictive landscape of eight metaphorically named places. Bannière, Beaufort, Belarbre, Belcroix, Cendrier, Chaumont, Hautbois and Monteaux—each gets its own chapter, and each serves as a source from which language springs, along with the whimsically opaque plot. In the medieval village of Bannière stands the 19th-century museum house of the late fictional artist Albert Crucis (simply the genitive of the Latin crux, 'cross'Â ), where a young traveler, whose name is not revealed until midbook, begins his visit to the area. He will run into an antiquarian dealer named Epsilon (l'espion, the spy) and an elusive woman in a red dress, named Atta, who shares his passion for recondite research into the work of Crucis. The two travelers dig for clues in the artist's allegorical paintings, which depict the eight places in question. Ricardou is a practitioner of the nouveau roman, and his experimental work frees the narrative from conventional rules and plunges it, delightfully, into quandary, contradiction and travel-literature parody. (Nov.)
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Dalkey Archive Press October 2007, 2007
ISBN 10: 1564784789
ISBN 13: 9781564784780
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Place Names : A Brief Guide to Travels in the Book
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Place Names: A Brief Guide to Travels in the Book
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Place Names : A Brief Guide to Travels in the Book
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Place Names : A Brief Guide to Travels in the Book
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Place Names: A Brief Guide to Travels in the Book (Paperback)
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Dalkey Archive Press, Normal, IL, 2007
ISBN 10: 1564784789
ISBN 13: 9781564784780
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Paperback. Condition: new. Paperback. This novel in the guise of a travel guide might intrigue literary theorists but will likely exasperate readers looking for plot, character, motivation and meaning.There was a period during the late '60s and '70s when college students who fancied themselves intellectuals devoured the nouveau roman ("new novel") of Robbe-Grillet as avidly as they did the existentialism of Sartre and Camus. Even then, Ricardou remained little-known outside his native France, though this new translation of his 1969 novel shows even more of an absurdist's sense of humor than most literary experimentalists. The prose at the outset is as descriptively flat as a travel guidebook, with the author working his way through towns that are not only organized alphabetically but geographically, and perhaps thematically as well. Along the way, the reader notices the recurrence of a prominent painter of the region, Albert Crucis, whose name (or pseudonym) translates as "white cross." All of the place-name translations may (or may not) have significance as well, or so the reader might learn from Atta and Olivier, two Crucis scholars whose novel this becomes as it progresses. Or does it? It turns out that one or both of the scholars have already read this book, at least the preceding pages, as part of their research, and thus ponder whether they have any existence outside these pages. Later, the novel introduces a first-person "I" who not only purports to be the author, but who provides insight into the narrative (or non-narrative) strategy and predicts how the novel will be received: "The publication of this work will allow some to advance further down the path toward coherence, but from a predictable majority, I have no doubt, it will garner nothing but sarcasm and occasional threats." The reader wondering what it all means will find himself in the position of the character with a magnifying glass monitoring the movement of ants.Fiction about the essence of fiction challenges the reader to distinguish between what's allegory and what's arbitrary. (Kirkus Reviews) Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781564784780