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Four major American Film directors are studied through the lens of their ethnicity
"This penetrating study examines how these filmmakers confronted their cultural heritage and used it as a counterpoint to their depiction of mainstream America."
—American Cinematographer
"Mr. Lourdeaux walks a tricky path in analyzing the films of each [director]: avoiding the trap of excessively detailing their lives and many films, while steering clear of ethnic stereotyping. Those interested in ethnic influences on outstanding persons or in the production of films by four of the best will find the book enjoyable."
—The Baltimore Sun
"This is an invaluable book because it arouses critical awareness of the ethnicity underlying many Hollywood movies that might otherwise appear merely to represent American archetypes."
—Journal of American Studies
"A valuable addition to the literature on ethnic identity in film. The insights Lourdeaux offers into major figures like Griffith, Ford, Capra, Coppola, and Scorsese contribute significantly to our understanding of their films."
—Virginia Wright Wexman, University of Illinois at Chicago
"For a number of years now, church historians have been giving us an account of American Catholicism that is much richer and more varied than the older institutional accounts of the Catholic Church ever let on. In this comprehensive and insightful study, Lee Lourdeaux shows us how much the ethnic movies of directors like Ford and Capra, Coppola and Scorsese have to teach us as well about Irish- and Italian-Catholic mores and instincts."
—John B. Breslin, S.J., Director
"A wonderfully sensitive, intelligent study of the complex issue of how the Catholic imagination works in the creative personalities of those raised in the Catholic heritage."
—Andrew M. Greeley
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paperback, Condition: Very Good, Temple University Press, c.1990, 1st.trade paperbk.prtg., 288pp., VG $. Seller Inventory # 91158
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