In the public radio landscape, the Pacifica network stations stand out as innovators of diverse and controversial broadcasting. Pacifica's fifty years of struggle to define itself as against social and political conformity began with a group of young men and women who hoped to change the world with a credo of nonviolence. Pacifica Radio traces the cultural and political currents that shaped the first listener-supported alternative radio station.
Rooted in wartime pacifism and free-speech ideals, Pacifica flourished in the harsh climate of the Cold War. The visionary behind it was Lewis Hill, a conscientious objector who set out to build pacifist institutions that would promote cooperation among individuals and nations. Matthew Lasar's account of Pacifica's turbulent history opens with lively portraits of Hill and the group of creative people from the pacifist community he mobilized in Berkeley, California, to establish the Pacifica Foundation. The radio station, their first project, was to be a forum for radical dialogue and a staging area for widespread conversion to pacifism.
The fledgling FM station, KPFA, took to the air in 1949 with stunningly unconventional programs. Americo Chiarito's music show, for instance, mixed classical, folk, and jazz; no one in the Bay Area-or anywhere else-had heard anything like it on radio. Nor were there precedents for the information programs-Alan Watts's discussions of Eastern philosophies, Pauline Kael's film reviews, Kenneth Rexroth's commentaries. Lasar recounts how, in the context of McCarthyism, Pacifica's identification with pacifism and radical dialogue gave way to a broader defense of free speech, emphasizing the rights of individuals whose opinions were suppressed elsewhere. Lasar shows how Pacifica's pioneering experiments in "alternative" radio exacerbated staff conflicts at KPFA and the new stations, KPFK in Los Angeles and WBAI in New York City, jeopardizing the network. In the 1990s context of identity politics and dwindling support for public media, these struggles are by no means resolved.
Despite its identity crises and funding worries, the Pacifica network remains the only independent, nonprofit radio network in the country. It originated in a perhaps overly optimistic view of what public dialogue could achieve; it continues to provide a means for discussing the complex problems of contemporary society and renewing the hope that we can face them as a community.
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Matthew Lasar holds a Ph.D. in history from Claremont Graduate University.
In the first book-length study of Pacifica Radio, Lasar recounts the history of "our nation's only independent nonprofit [radio] network." In 1946, activist Lewis Hill and four other conscientious objectors formed the Pacifica Foundation to offer California pacifists a public forum. Pacifica was denied an AM frequency but soon began broadcasting on FM as Berkeley's KPFA. As a subscription-based station, it was forced to "aim at a smaller more exclusive audience than originally envisioned," Lasar reports. Quickly stigmatized as "eggheaded," it courted the Bay's affluent, college-educated community by offering alternative journalism, storytelling, classical music (with a smattering of blues and folk) and forums on topics ranging from radical politics to Eastern thought. By the early 1950s, influential commentators such as Pauline Kael and Kenneth Rexroth filled Pacifica's airwaves. Under the pressures of operating budgets and McCarthyism, the station began to tone down its provocative programming. It aired controversial discussions of Howl, in 1957, for instance, but edited a tape of Ginsberg reading the title poem (KPFA explained that it had excerpted segments "for radio broadcast... simply as a matter of taste"). Lasar concentrates on the conflicted early years of Pacifica's development without elaborating on the network's later achievements, such as its expansion and crucial Vietnam coverage, in which the network supported Bertrand Russell and I.F. Stone and sent the first American news correspondent to Hanoi. Lasar's emphasis on administrative squabbles makes this history more useful as a behind-the-scenes account of Pacifica's growing pains than as one that clearly establishes a historically significant media company's vital role in the nation's public discourse.
Copyright 1998 Reed Business Information, Inc.
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