Among the multifaceted characters whose lives interlock are Alejandro, a once-prominent literary critic fallen into disfavor; his estranged wife, Mercedes, whom he suspects of openly conducting an affair with an American writer; Bonny, the writer’s runaway daughter, who is made to witness a calamitous sequence of events that culminates in murder; Preston, an American industrialist, and his sexually frustrated wife, Rita; and the unscrupulous art dealer Pech. As the lives of these people press together, as they buckle and collapse, the novel holds up a mirror to a moment in which we lived―the end of a millennium, of an era― and to the perils, temptations, and hysteria that lie just below the surface.
"synopsis" may belong to another edition of this title.
Preston Hollier, a wealthy American developer, has traduced two young rising-star Mexican intellectuals into doing his bidding under the guise of undertaking restoration and conservation of the Mayan pyramids and antiquities. Hollier means to loot everything, of course (``Ownership in Mexico is a frame of mind''), and has a network that includes a rotten American pre-Columbian art dealer; his wayward wife, Rita; various museum administrators and high government officials. The relative ease with which clerks bow to power is a theme here. But what comes over more strongly, annoyingly for the reader, is the postmodernist (and pass‚-seeming) stylistics. Abish--no surprise from the author of How German Is It (1980)--loves question-sentences so much that he constructs whole paragraphs made of them). There are fractured narrative, hard-bitten dialogue, banal and barren landscapes (``The corroded gas pumps in front had not seen service in years, despite the misleading sign: CHEVRON--SERVICE WITH A SMILE. Above the entrance, the sign in red, its first two letters missing, announced RAGE''), the high-culture milieux of restaurants and galleries. The atmospheric chill is glacial, stiffly enforced (at the cost of a reader's wondering why certain characters, such as a reclusive American novelist and his teenaged daughter, are even in the book in the first place). Everyone's a shard, a fragment of the generalized paranoia--but in the crazing, Abish shatters his novel as well, and you read uninvolved, from too far back, undisturbed (except, easily, by scenes of cruelty). Working with a basic Manichaean palette used before (and better) by William Gaddis, Robert Stone, and Evan Connell, Abish seems to struggle throughout to pull together what he aesthetically prefers to keep separate--and the strain shows. Intelligent but inert. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
Abish's best-known work, How German Is It (which won the PEN/Faulkner Award in 1980), was hailed for its complex portrait of modern German society--its slick, rational surfaces and aggressively antiseptic architecture built upon a terrain shifting with historical and pyschological doubt. In his first novel since then, Abish applies the same aesthetic to modern Mexico with equally beguiling if less momentous results ( How German Is It ended with a revolutionary, under hypnosis, raising his hand in a Seig Heil! salute). Alejandro is a Mexican literary critic, urbane and sophisticated; his estranged wife Mercedes, a translator, leaves him, ostensibly to teach in the U.S., but Alejandro believes she is actually having an affair with Jurud, a Jewish-American novelist in New York. Alejandro's crisis unfolds against a backdrop of art theft, political chicanery and pernicious intellectual gossip-mongering among the cultural elite of Mexico City. As with most of Abish's work, the dramatic qualities of the plot are mildly diverting, but what fascinates most is its dynamic: the overall narrative structure (representative of History?) is dependent upon individuals solemnly pursuing the satisfaction of their own needs (capitalism?). How this comes to resemble art and story--and how it eclipses the reality of historical forces--is underscored by the purposefully melodramatic ending.
Copyright 1993 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00085898601
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Reprint. Used book that is in clean, average condition without any missing pages. Seller Inventory # 5364875-6
Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Good. Reprint. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # GRP87407922
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G1567920365I3N10
Seller: Else Fine Booksellers, Tacoma, WA, U.S.A.
Soft cover. Condition: Good. 1st Edition. Spine crease, small creases to the front corners, light soiling. Text clean, binding unaffected by the spine crease. Seller Inventory # 003378
Seller: Black Dog Books, Emerson, NJ, U.S.A.
Soft cover. F. Uncorrecred Proof. 1st edition. Book. Seller Inventory # 000087
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Softcover. Condition: Fine. First edition thus. Trade paperback. Spine ends lightly bumped, else fine. Nonpareil Books #76. A novel set in the high-gloss world of contemporary Mexico's societal and intellectual elite. Abish won the PEN/Faulkner Award for *How German Is It?* in 1981. Seller Inventory # 526399
Seller: The Book Spot, Sioux Falls, MN, U.S.A.
Paperback. Condition: New. Seller Inventory # Abebooks388458
Seller: Toscana Books, AUSTIN, TX, U.S.A.
Paperback. Condition: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Seller Inventory # Scanned1567920365