Portraits have long been a staple of Moser's oeuvre, beginning with his first book, The Red Rag, published by Castalia Press in 1970, which included a frontispiece portrait of the American painter (and author of The Red Rag), James Abbott McNeill Whistler. Nearly thirty years later he published his edition of the King James Bible, in which over half of the images were portraits. In this gathering are many of Moser's old portraits and more than fifty new ones created especially for this collection, including Charles Dickens, Daniel Webster, Stephen Crane, Dante Alighieri, Frederic Chopin, Nelson Algren, Jean Cocteau, Edgar Allen Poe, Mark Twain, Martin Luther King, Abraham Lincoln, Ulysses S. Grant, Rembrandt van Rijn, Ben Shahn, Jim Harrison, Flannery O'Conner, William Shakespeare, Jane Austen, Walt Whitman, William Blake, Eric Carle, Kaye Gibbons, Virginia Hamilton, Nancy Willard, Patricia MacLachlan, Jack Coughlin, Jane Yolen, Joyce Carol Oates, and many others. Ann Patchett, the recipient of the 2002 Pen Faulkner Award and Great Britain's prestigious Orange Award, contributes a splendid essay about Moser's portraits and the subject of portraiture in general. Moser has also penned a note about portraits that appears as an afterword.
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Barry Moser is one of the most respected and acclaimed wood engravers in the world. His work can be found in museums and permanent exhibitions globally - from the National Gallery of Art in Washington to the Vatican Library.
Perhaps the finest printmaker at work today, Mr. Moser has over the past 40 years captured countless famous countenances. 'One Hundred Portraits' collects the best. --The Wall Street Journal
Even if you are not familiar with Barry Moser's name, you've likely seen his distinctive engravings while reading a classic novel or leafing through a children's book. His illustrated edition of the King James Bible, published in 1999, has become a classic. The portraits presented here include artists, musicians and writers. Some were originally commissioned works, while others were created specifically for this book, including first-time portraits of his father, mother and wife. --The Washington Post
Moser is a rare being, a book illustrator working in a traditional medium with a distinctive and vital vision. The recipient of many awards, Moser has illustrated such foundational works as the King James Bible, Alice in Wonderland, and Moby-Dick. His newest book is wholly his own, a portrait gallery of 100 writers, artists, and leaders. Moser's small, firmly detailed, strongly textured, and subtly expressive black-and-white portraits demonstrate all that art can grasp and encompass. We read, not merely look at, these dramatic portraits of people who gazed into the morass and out at the horizon and were indelibly changed and provoked by what they saw. Each astute, intricate, psychologically charged portrait extends what we thought we knew of each remarkable subject. --Booklist
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