The Polish Lover is an erotic novel of music, obsession, and exile - a first-person memoir of an affair, equal parts lust and love, gone wrong. Danny, a young jazz clarinetist from New York, meets a powerful expatriate Polish beauty named Maja while on tour in the South Pacific. Their tumultuous relationship leads back to her homeland in Eastern Europe during an icy Christmas, and a stormy end to the entanglement.
The Polish Lover explores the difficulties and ecstasies of both improvising jazz and of falling hard for someone who turns out to be dangerous, strong-willed, and deceptive - the heady risks of playing music and of falling in love. Most of all, The Polish Lover is a cadenza of remembered desire, told with candor and humor and heat. And it is one of the few authentic jazz novels by a writer who is also a professional musician.
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Sexual obsession, alienation, and ambition are coolly limned in Weller's elegant if emotionally reserved second novel (after The Garden of the Peacocks, 1996). Like Danny, its New York jazz-musician narrator, the story repeats in different keys variations on an obsessive love while adding fresh details of its history and eventual outcome. Taking a break in New Zealand after a concert tour, Danny meets Maja, a beautiful Polish exile visiting the country with her current lover. Maja, though described at length, seems more a plot prop, a three- note refrain on the questions of identity, love, and the truth, than a credible character. Even allowing for love's notorious power to blind, she simply doesn't come across as sufficiently alluring to cause a man to jettison much of his life for her--which Danny, who frames his story with their first and last meetings, will in fact do. One of those women who are always about to do something (a photography course, public relations), Maja has meanwhile lived with--and off--a series of lovers attracted by her sensual beauty. Danny is soon aware that he's one of many men in her life and that, like a musician, Maja often improvises when recalling her past. After their initial meeting, Danny flies back to New York; Maja visits him and he decides to emigrate to Amsterdam to be with her. After all, he thinks, a spell in Europe might also help his stagnating career. He's totally smitten, of course, but in Poland, spending Christmas with Maja and her family, Danny finds her growing more distant and realizes as he walks in the snow with her that to be ``her ex-lover was really the natural state of affairs, to be her present lover was the fluke, and could never last.'' In all, an ambitious novel about profound matters that never quite strikes the right note, despite some clever and often adroitly scored passages. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
An American jazz clarinetist meets a Polish woman in New Zealand. They connect, improvising the first notes of a real-life romantic ballad. Then the musician, Danny, follows the Polish woman, Maja, to Amsterdam. They play the next few choruses of their song--passionate yet tinged with foreboding--before traveling to Warsaw, where the winter cold penetrates the relationship. The song collapses, ending on a dying fall. Like many ballads, the tune is familiar, the chord changes expected. Then we notice the texture, the subtlety with which author Weller reveals the cycle of a relationship, the magnetic field that first attracts and then repels. His brooding novel is as much about jazz (see also, Schneider's Blue Bossa, reviewed above) as it is about love, and significantly, its climax comes with a recording Danny makes in Warsaw. Here the improvisation works, the pickup Polish rhythm section sensing his feelings and communicating with an intimacy that he and Maja have lost. A hypnotic love story, similar in mood to James Salter's masterpiece, A Sport and a Pastime. Bill Ott
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