The dialogue between form and message is intrinsic to the novel as genre. Yet the strength of that discourse has been shaken in the twentieth century by an increasing doubt about affirmations of any kind and a growing awareness of the relativity of knowledge and perception. The novel reflects this intellectual current by turning its glance inward to mediate on the creative act as a form of self-contained assertion of its own particular significance. The three writers on whom this study focuses, all major twentieth century authors, were chosen because they can be considered as important representatives of this novelistic self-consciousness. Building on André Malraux's vision of the colloquium as an open-ended verbal interchange, this study calls upon the voices of Anne Hérbert and Patrick Modiano to enter into a dialogue on novelistic form.
"synopsis" may belong to another edition of this title.
Constantina Thalia Mitchell is Professor of French at Gallauder University (Washington D.C.). She holds a Ph.D. in French literature from McGill University and a licence ès lettres from the Sorbonne. Her publications include works on Paul Verlaine, Anne Hérbert, Yves Beauchemin, and nineteenth- and twentieth century deaf history of Québec. She has served on the executive and editiorial boards of the American Council for Québec Studies, as well as the Galluader University Press editorial board.
Paul Raymond Côté is Associate Professor of French at The American University (Washington D.C.) and received his Ph.D. in French literature from McGill University. The author of Les Techniques picturales chez les romains de Malraux: interrogation et métamorphose (1984), he has also written on other contemporary French authors and has published a number of articles dealing with the literature of Québec. He has served as managing editor of The André Malraux Review and as as member of the Québec Studies editorial board.
"About this title" may belong to another edition of this title.
Seller: Bill & Ben Books, Faringdon, United Kingdom
Hardback. Condition: New. The dialogue between form and message is intrinsic to the novel as genre. Yet the strength of that discourse has been shaken in the twentieth century by an increasing doubt about affirmations of any kind and a growing awareness of the relativity of knowledge and perception. The novel reflects this intellectual current by turning its glance inward to mediate on the creative act as a form of self-contained assertion of its own particular significance. The three writers on whom this study focuses, all major twentieth century authors, were chosen because they can be considered as important representatives of this novelistic self-consciousness. Building on Andre Malraux's vision of the colloquium as an open-ended verbal interchange, this study calls upon the voices of Anne Herbert and Patrick Modiano to enter into a dialogue on novelistic form. Seller Inventory # 0023455
Quantity: 4 available
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9781571810366. Seller Inventory # 9970525
Quantity: 1 available
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9781571810366. Seller Inventory # 7086080
Quantity: 1 available
Seller: Arches Bookhouse, Portland, OR, U.S.A.
Hardcover. Condition: FINE. 224 pp. Pristine copy. Seller Inventory # 501747
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_435528660
Seller: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, United Kingdom
Condition: Very Good. A few scuffs on outer edges of cover on bottom of bottom of book. Content is fine. Seller Inventory # 096695-3
Quantity: 1 available
Seller: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, United Kingdom
Condition: As New. Seller Inventory # HP-10124a
Quantity: 1 available
Seller: Romtrade Corp., STERLING HEIGHTS, MI, U.S.A.
Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide. Seller Inventory # ABBB-127437
Seller: Basi6 International, Irving, TX, U.S.A.
Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service. Seller Inventory # ABEOCT25-295454
Seller: Pórtico [Portico], ZARAGOZA, Z, Spain
Tapa blanda. Condition: New. 1ª edición. MITCHELL, C. T. / P. R. COTE: SHAPING THE NOVEL. TEXTUAL INTERPLAY IN THE FICTION OF MALRAUX, HEBERT, AND MODIANO. PROVIDENCE, RI, 1996, xii 224 p. , 450 gr. Encuadernacion original. Nuevo. (NH-3-1) 450 gr. Libro. Seller Inventory # 51804