The Mix family, a motley crew of troubled souls who have been forever immortalized in their father's popular comic strip, must learn to inhabit the real world when their father dies and the division of his estate becomes an issue. 22,500 first printing. Tour.
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In J. Robert Lennon's fine, wistfully funny second novel, The Funnies, the comics turn out to be very serious business indeed. New Jersey cartoonist Carl Mix was an alcoholic tyrant who used his "Family Funnies" comic strip to transform his real family into a set of puckish, dimwitted cartoons. The only thing worse--he left one of his children out of the strip entirely. "Maybe Dad conceived of it as a way to control us," his slacker son Tim muses, as he receives news of his father's death. "In the unbreachable box of the comic strip, we could be charming and obedient, and we would stay that way, year after year." Carl's will has left nothing to Tim, a talent-free installation artist, except the "Family Funnies" themselves. If he can draw the strip in three months, then all rights and proceeds are his; if he can't, he gets nothing at all. Tim studies his father's craft, and he learns not only about cartooning but also about his father, families, even the small, redemptive miracle of work itself.
There are many fine touches in Lennon's tale: the sad, chain-smoking brother Pierce, who takes pills to get rid of the "extra people"; their town's annual FunnyFest, in which visitors can buy Timburgers and Coca-Cola à la Carl; Brad Wurster, the grim-faced artist who teaches Tim how to draw ("'Family Funnies' sounded, on his tongue, like a fraternal order of concentration camp doctors"). But in the end, it's the funnies themselves that stay with you. As Tim works obsessively on the strip, its stylized visual language and bland gags eventually become an object of genuine, capital-M Mystery--weirdly compelling and symbolically fraught. In its own, stubbornly shallow way, the strip is a document of their family, or at least of their father's self-loathing. "Cartoon characters are deformed freaks we are convinced are like us," Wurster tells his reluctant pupil, but in Lennon's hands, it's the American family that looks more freakish than ever. You'll never look at the Sunday comics in quite the same way again. --Mary Park
J. Robert Lennon is the author of The Light of Falling Stars, which won the 1998 Barnes & Noble Discover Great New Writers Award. His short fiction has appeared in The New Yorker, Harper's, Story, Fiction, and American Short Fiction. He lives with his wife and son in Ithaca, New York.
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